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Social Media Expression and the Political Self

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Daniel S Lane, Slgi S Lee, Fan Liang, Dam Hee Kim, Liwei Shen, Brian E Weeks, Nojin Kwak, Social Media Expression and the Political Self, Journal of Communication , Volume 69, Issue 1, February 2019, Pages 49–72, https://doi.org/10.1093/joc/jqy064

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Expression has the power to shape how we see ourselves. In this paper, we argue that the dynamics of political expression on social media can influence not only political behavior, but also citizens’ more fundamental political self-concepts. Specifically, political expression on social media can entail a public commitment to a political self-presentation, which may lead individuals to perceive themselves as politically active, interested, efficacious, and knowledgeable. Analyzing panel survey data from the 2016 U.S. election, we find that political expression on social media increases users’ motivations to present themselves as politically active on social media. Political self-presentation motivations are, in turn, positively associated with strengthened dimensions of political self-concepts (i.e., political interest, political self-efficacy, and perceived participation). Findings emphasize the role of expression in shaping political self-concepts, and further hint that this relationship may depend on whether the expressive behavior constitutes a clear, public commitment to a political self-presentation.

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The Political Self

Identity Resources for Radical Democracy

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• Peter L. Callero 5  

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The theoretical tradition of symbolic interactionism is often criticized by more macro-oriented sociologists for its failure to consider and develop issues of power that go beyond the dynamics of interpersonal relations. During the decades of the 1960’s and 70’s critics such as ( 1970 ) and ( 1973 ) chastised symbolic interactionists and microoriented sociologists such as Goffman, as irrelevant, and naive when it came to the larger and more central concerns of sociology. The publication of ( 1980 ) Symbolic Interactionism: A Social Structural Version , can be read at least in part as a response to these criticisms. By merging key elements of role theory with a symbolic interactionist theory of self, Stryker was able to construct a conceptual framework more open to mainstream (i.e. macro) sociological concerns. While his theory does not explicitly focus on social forces of domination and control, ( 1980: 151 ) does stress that “there is nothing inherent in symbolic interactionism that necessitates either naivete with reference to, or denial of the facts of differentially distributed power.”

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Callero, P.L. (2003). The Political Self. In: Burke, P.J., Owens, T.J., Serpe, R.T., Thoits, P.A. (eds) Advances in Identity Theory and Research. Springer, Boston, MA. https://doi.org/10.1007/978-1-4419-9188-1_5

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This book explores how our social and economic contexts profoundly affect our mental health and wellbeing, and how modern neuroscientific and psychodynamic research can both contribute to and enrich our understanding of these wider discussions. It therefore looks both inside and outside - indeed one of the main themes of The Political Self is that the conceptually discrete categories of 'inner' and 'outer' in reality constantly interact, shape, and inform each other. Severing these two worlds, it suggests, has led both to a devitalised and dissociated form of politics, and to a disengaged and disempowering form of therapy and analysis.

TABLE OF CONTENTS

Part i | 113  pages, chapter one | 25  pages, understanding the social context of individual distress*, chapter two | 14  pages, power in the therapeutic relationship*, chapter three | 25  pages, therapy in late capitalism*, chapter four | 18  pages, the selfish society: the current state of things*, chapter five | 27  pages, divided brain, divided world*, part ii | 92  pages, chapter six | 24  pages, born to run: wounded leaders and boarding school survivors*, chapter seven | 15  pages, on killing: the psychological cost of learning to kill in war and society*, chapter eight | 16  pages, a tangled web: internet pornography, sexual addiction, and the erosion of attachment*, chapter nine | 16  pages, the corporation as a pathological institution*, chapter ten | 18  pages, we've had a hundred years of psychotherapy—and the world's getting worse*.

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You are a network

You cannot be reduced to a body, a mind or a particular social role. an emerging theory of selfhood gets this complexity.

by Kathleen Wallace   + BIO

Who am I? We all ask ourselves this question, and many like it. Is my identity determined by my DNA or am I product of how I’m raised? Can I change, and if so, how much? Is my identity just one thing, or can I have more than one? Since its beginning, philosophy has grappled with these questions, which are important to how we make choices and how we interact with the world around us. Socrates thought that self-understanding was essential to knowing how to live, and how to live well with oneself and with others. Self-determination depends on self-knowledge, on knowledge of others and of the world around you. Even forms of government are grounded in how we understand ourselves and human nature. So the question ‘Who am I?’ has far-reaching implications.

Many philosophers, at least in the West, have sought to identify the invariable or essential conditions of being a self. A widely taken approach is what’s known as a psychological continuity view of the self, where the self is a consciousness with self-awareness and personal memories. Sometimes these approaches frame the self as a combination of mind and body, as René Descartes did, or as primarily or solely consciousness. John Locke’s prince/pauper thought experiment, wherein a prince’s consciousness and all his memories are transferred into the body of a cobbler, is an illustration of the idea that personhood goes with consciousness. Philosophers have devised numerous subsequent thought experiments – involving personality transfers, split brains and teleporters – to explore the psychological approach. Contemporary philosophers in the ‘animalist’ camp are critical of the psychological approach, and argue that selves are essentially human biological organisms. ( Aristotle might also be closer to this approach than to the purely psychological.) Both psychological and animalist approaches are ‘container’ frameworks, positing the body as a container of psychological functions or the bounded location of bodily functions.

All these approaches reflect philosophers’ concern to focus on what the distinguishing or definitional characteristic of a self is, the thing that will pick out a self and nothing else, and that will identify selves as selves, regardless of their particular differences. On the psychological view, a self is a personal consciousness. On the animalist view, a self is a human organism or animal. This has tended to lead to a somewhat one-dimensional and simplified view of what a self is, leaving out social, cultural and interpersonal traits that are also distinctive of selves and are often what people would regard as central to their self-identity. Just as selves have different personal memories and self-awareness, they can have different social and interpersonal relations, cultural backgrounds and personalities. The latter are variable in their specificity, but are just as important to being a self as biology, memory and self-awareness.

Recognising the influence of these factors, some philosophers have pushed against such reductive approaches and argued for a framework that recognises the complexity and multidimensionality of persons. The network self view emerges from this trend. It began in the later 20th century and has continued in the 21st, when philosophers started to move toward a broader understanding of selves. Some philosophers propose narrative and anthropological views of selves. Communitarian and feminist philosophers argue for relational views that recognise the social embeddedness, relatedness and intersectionality of selves. According to relational views, social relations and identities are fundamental to understanding who persons are.

Social identities are traits of selves in virtue of membership in communities (local, professional, ethnic, religious, political), or in virtue of social categories (such as race, gender, class, political affiliation) or interpersonal relations (such as being a spouse, sibling, parent, friend, neighbour). These views imply that it’s not only embodiment and not only memory or consciousness of social relations but the relations themselves that also matter to who the self is. What philosophers call ‘4E views’ of cognition – for embodied, embedded, enactive and extended cognition – are also a move in the direction of a more relational, less ‘container’, view of the self. Relational views signal a paradigm shift from a reductive approach to one that seeks to recognise the complexity of the self. The network self view further develops this line of thought and says that the self is relational through and through, consisting not only of social but also physical, genetic, psychological, emotional and biological relations that together form a network self. The self also changes over time, acquiring and losing traits in virtue of new social locations and relations, even as it continues as that one self.

H ow do you self-identify? You probably have many aspects to yourself and would resist being reduced to or stereotyped as any one of them. But you might still identify yourself in terms of your heritage, ethnicity, race, religion: identities that are often prominent in identity politics. You might identify yourself in terms of other social and personal relationships and characteristics – ‘I’m Mary’s sister.’ ‘I’m a music-lover.’ ‘I’m Emily’s thesis advisor.’ ‘I’m a Chicagoan.’ Or you might identify personality characteristics: ‘I’m an extrovert’; or commitments: ‘I care about the environment.’ ‘I’m honest.’ You might identify yourself comparatively: ‘I’m the tallest person in my family’; or in terms of one’s political beliefs or affiliations: ‘I’m an independent’; or temporally: ‘I’m the person who lived down the hall from you in college,’ or ‘I’m getting married next year.’ Some of these are more important than others, some are fleeting. The point is that who you are is more complex than any one of your identities. Thinking of the self as a network is a way to conceptualise this complexity and fluidity.

Let’s take a concrete example. Consider Lindsey: she is spouse, mother, novelist, English speaker, Irish Catholic, feminist, professor of philosophy, automobile driver, psychobiological organism, introverted, fearful of heights, left-handed, carrier of Huntington’s disease (HD), resident of New York City. This is not an exhaustive set, just a selection of traits or identities. Traits are related to one another to form a network of traits. Lindsey is an inclusive network, a plurality of traits related to one another. The overall character – the integrity – of a self is constituted by the unique interrelatedness of its particular relational traits, psychobiological, social, political, cultural, linguistic and physical.

Figure 1 below is based on an approach to modelling ecological networks; the nodes represent traits, and the lines are relations between traits (without specifying the kind of relation).

We notice right away the complex interrelatedness among Lindsey’s traits. We can also see that some traits seem to be clustered, that is, related more to some traits than to others. Just as a body is a highly complex, organised network of organismic and molecular systems, the self is a highly organised network. Traits of the self can organise into clusters or hubs, such as a body cluster, a family cluster, a social cluster. There might be other clusters, but keeping it to a few is sufficient to illustrate the idea. A second approximation, Figure 2 below, captures the clustering idea.

Figures 1 and 2 (both from my book , The Network Self ) are simplifications of the bodily, personal and social relations that make up the self. Traits can be closely clustered, but they also cross over and intersect with traits in other hubs or clusters. For instance, a genetic trait – ‘Huntington’s disease carrier’ (HD in figures 1 and 2) – is related to biological, family and social traits. If the carrier status is known, there are also psychological and social relations to other carriers and to familial and medical communities. Clusters or sub-networks are not isolated, or self-enclosed hubs, and might regroup as the self develops.

Sometimes her experience might be fractured, as when others take one of her identities as defining all of her

Some traits might be more dominant than others. Being a spouse might be strongly relevant to who Lindsey is, whereas being an aunt weakly relevant. Some traits might be more salient in some contexts than others. In Lindsey’s neighbourhood, being a parent might be more salient than being a philosopher, whereas at the university being a philosopher is more prominent.

Lindsey can have a holistic experience of her multifaceted, interconnected network identity. Sometimes, though, her experience might be fractured, as when others take one of her identities as defining all of her. Suppose that, in an employment context, she isn’t promoted, earns a lower salary or isn’t considered for a job because of her gender. Discrimination is when an identity – race, gender, ethnicity – becomes the way in which someone is identified by others, and therefore might experience herself as reduced or objectified. It is the inappropriate, arbitrary or unfair salience of a trait in a context.

Lindsey might feel conflict or tension between her identities. She might not want to be reduced to or stereotyped by any one identity. She might feel the need to dissimulate, suppress or conceal some identity, as well as associated feelings and beliefs. She might feel that some of these are not essential to who she really is. But even if some are less important than others, and some are strongly relevant to who she is and identifies as, they’re all still interconnected ways in which Lindsey is.

F igures 1 and 2 above represent the network self, Lindsey, at a cross-section of time, say at early to mid-adulthood. What about the changeableness and fluidity of the self? What about other stages of Lindsey’s life? Lindsey-at-age-five is not a spouse or a mother, and future stages of Lindsey might include different traits and relations too: she might divorce or change careers or undergo a gender identity transformation. The network self is also a process .

It might seem strange at first to think of yourself as a process. You might think that processes are just a series of events, and your self feels more substantial than that. Maybe you think of yourself as an entity that’s distinct from relations, that change is something that happens to an unchangeable core that is you. You’d be in good company if you do. There’s a long history in philosophy going back to Aristotle arguing for a distinction between a substance and its properties, between substance and relations, and between entities and events.

However, the idea that the self is a network and a process is more plausible than you might think. Paradigmatic substances, such as the body, are systems of networks that are in constant process even when we don’t see that at a macro level: cells are replaced, hair and nails grow, food is digested, cellular and molecular processes are ongoing as long as the body is alive. Consciousness or the stream of awareness itself is in constant flux. Psychological dispositions or attitudes might be subject to variation in expression and occurrence. They’re not fixed and invariable, even when they’re somewhat settled aspects of a self. Social traits evolve. For example, Lindsey-as-daughter develops and changes. Lindsey-as-mother is not only related to her current traits, but also to her own past, in how she experienced being a daughter. Many past experiences and relations have shaped how she is now. New beliefs and attitudes might be acquired and old ones revised. There’s constancy, too, as traits don’t all change at the same pace and maybe some don’t change at all. But the temporal spread, so to speak, of the self means that how a self as a whole is at any time is a cumulative upshot of what it’s been and how it’s projecting itself forward.

Anchoring and transformation, sameness and change: the cumulative network is both-and , not either-or

Rather than an underlying, unchanging substance that acquires and loses properties, we’re making a paradigm shift to seeing the self as a process, as a cumulative network with a changeable integrity. A cumulative network has structure and organisation, as many natural processes do, whether we think of biological developments, physical processes or social processes. Think of this constancy and structure as stages of the self overlapping with, or mapping on to, one another. For Lindsey, being a sibling overlaps from Lindsey-at-six to the death of the sibling; being a spouse overlaps from Lindsey-at-30 to the end of the marriage. Moreover, even if her sibling dies, or her marriage crumbles, sibling and spouse would still be traits of Lindsey’s history – a history that belongs to her and shapes the structure of the cumulative network.

If the self is its history, does that mean it can’t really change much? What about someone who wants to be liberated from her past, or from her present circumstances? Someone who emigrates or flees family and friends to start a new life or undergoes a radical transformation doesn’t cease to have been who they were. Indeed, experiences of conversion or transformation are of that self, the one who is converting, transforming, emigrating. Similarly, imagine the experience of regret or renunciation. You did something that you now regret, that you would never do again, that you feel was an expression of yourself when you were very different from who you are now. Still, regret makes sense only if you’re the person who in the past acted in some way. When you regret, renounce and apologise, you acknowledge your changed self as continuous with and owning your own past as the author of the act. Anchoring and transformation, continuity and liberation, sameness and change: the cumulative network is both-and , not either-or .

Transformation can happen to a self or it can be chosen. It can be positive or negative. It can be liberating or diminishing. Take a chosen transformation. Lindsey undergoes a gender transformation, and becomes Paul. Paul doesn’t cease to have been Lindsey, the self who experienced a mismatch between assigned gender and his own sense of self-identification, even though Paul might prefer his history as Lindsey to be a nonpublic dimension of himself. The cumulative network now known as Paul still retains many traits – biological, genetic, familial, social, psychological – of its prior configuration as Lindsey, and is shaped by the history of having been Lindsey. Or consider the immigrant. She doesn’t cease to be the self whose history includes having been a resident and citizen of another country.

T he network self is changeable but continuous as it maps on to a new phase of the self. Some traits become relevant in new ways. Some might cease to be relevant in the present while remaining part of the self’s history. There’s no prescribed path for the self. The self is a cumulative network because its history persists, even if there are many aspects of its history that a self disavows going forward or even if the way in which its history is relevant changes. Recognising that the self is a cumulative network allows us to account for why radical transformation is of a self and not, literally, a different self.

Now imagine a transformation that’s not chosen but that happens to someone: for example, to a parent with Alzheimer’s disease. They are still parent, citizen, spouse, former professor. They are still their history; they are still that person undergoing debilitating change. The same is true of the person who experiences dramatic physical change, someone such as the actor Christopher Reeve who had quadriplegia after an accident, or the physicist Stephen Hawking whose capacities were severely compromised by ALS (motor neuron disease). Each was still parent, citizen, spouse, actor/scientist and former athlete. The parent with dementia experiences loss of memory, and of psychological and cognitive capacities, a diminishment in a subset of her network. The person with quadriplegia or ALS experiences loss of motor capacities, a bodily diminishment. Each undoubtedly leads to alteration in social traits and depends on extensive support from others to sustain themselves as selves.

Sometimes people say that the person with dementia who doesn’t know themselves or others anymore isn’t really the same person that they were, or maybe isn’t even a person at all. This reflects an appeal to the psychological view – that persons are essentially consciousness. But seeing the self as a network takes a different view. The integrity of the self is broader than personal memory and consciousness. A diminished self might still have many of its traits, however that self’s history might be constituted in particular.

Plato, long before Freud, recognised that self-knowledge is a hard-won and provisional achievement

The poignant account ‘Still Gloria’ (2017) by the Canadian bioethicist Françoise Baylis of her mother’s Alzheimer’s reflects this perspective. When visiting her mother, Baylis helps to sustain the integrity of Gloria’s self even when Gloria can no longer do that for herself. But she’s still herself. Does that mean that self-knowledge isn’t important? Of course not. Gloria’s diminished capacities are a contraction of her self, and might be a version of what happens in some degree for an ageing self who experiences a weakening of capacities. And there’s a lesson here for any self: none of us is completely transparent to ourselves. This isn’t a new idea; even Plato, long before Freud, recognised that there were unconscious desires, and that self-knowledge is a hard-won and provisional achievement. The process of self-questioning and self-discovery is ongoing through life because we don’t have fixed and immutable identities: our identity is multiple, complex and fluid.

This means that others don’t know us perfectly either. When people try to fix someone’s identity as one particular characteristic, it can lead to misunderstanding, stereotyping, discrimination. Our currently polarised rhetoric seems to do just that – to lock people into narrow categories: ‘white’, ‘Black’, ‘Christian’, ‘Muslim’, ‘conservative’, ‘progressive’. But selves are much more complex and rich. Seeing ourselves as a network is a fertile way to understand our complexity. Perhaps it could even help break the rigid and reductive stereotyping that dominates current cultural and political discourse, and cultivate more productive communication. We might not understand ourselves or others perfectly, but we often have overlapping identities and perspectives. Rather than seeing our multiple identities as separating us from one another, we should see them as bases for communication and understanding, even if partial. Lindsey is a white woman philosopher. Her identity as a philosopher is shared with other philosophers (men, women, white, not white). At the same time, she might share an identity as a woman philosopher with other women philosophers whose experiences as philosophers have been shaped by being women. Sometimes communication is more difficult than others, as when some identities are ideologically rejected, or seem so different that communication can’t get off the ground. But the multiple identities of the network self provide a basis for the possibility of common ground.

How else might the network self contribute to practical, living concerns? One of the most important contributors to our sense of wellbeing is the sense of being in control of our own lives, of being self-directing. You might worry that the multiplicity of the network self means that it’s determined by other factors and can’t be self -determining. The thought might be that freedom and self-determination start with a clean slate, with a self that has no characteristics, social relations, preferences or capabilities that would predetermine it. But such a self would lack resources for giving itself direction. Such a being would be buffeted by external forces rather than realising its own potentialities and making its own choices. That would be randomness, not self-determination. In contrast, rather than limiting the self, the network view sees the multiple identities as resources for a self that’s actively setting its own direction and making choices for itself. Lindsey might prioritise career over parenthood for a period of time, she might commit to finishing her novel, setting philosophical work aside. Nothing prevents a network self from freely choosing a direction or forging new ones. Self-determination expresses the self. It’s rooted in self-understanding.

The network self view envisions an enriched self and multiple possibilities for self-determination, rather than prescribing a particular way that selves ought to be. That doesn’t mean that a self doesn’t have responsibilities to and for others. Some responsibilities might be inherited, though many are chosen. That’s part of the fabric of living with others. Selves are not only ‘networked’, that is, in social networks, but are themselves networks. By embracing the complexity and fluidity of selves, we come to a better understanding of who we are and how to live well with ourselves and with one another.

To read more about the self, visit Psyche , a digital magazine from Aeon that illuminates the human condition through psychology, philosophical understanding and the arts.

Thinkers and theories

Paper trails

Husserl’s well-tended archive has given him a rich afterlife, while Nietzsche’s was distorted by his axe-grinding sister

Peter Salmon

Philosophy of mind

The problem of erring animals

Three medieval thinkers struggled to explain how animals could make mistakes – and uncovered the nature of nonhuman minds

Moral progress is annoying

You might feel you can trust your gut to tell right from wrong, but the friction of social change shows that you can’t

Daniel Kelly & Evan Westra

The disruption nexus

Moments of crisis, such as our own, are great opportunities for historic change, but only under highly specific conditions

Roman Krznaric

What is intelligent life?

Our human minds hold us back from truly understanding the many brilliant ways that other creatures solve their problems

Abigail Desmond & Michael Haslam

Pleasure and pain

Eulogy for silence

Tinnitus is like a constant scream inside my head, depriving me of what I formerly treasured: the moments of serene quiet

Diego Ramírez Martín del Campo

• No category

political-self-understanding-the-self

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Copyright © 2024 Ladybird Srl - Via Leonardo da Vinci 16, 10126, Torino, Italy - VAT 10816460017 - All rights reserved

Spring 2025 Semester

Undergraduate courses.

Composition courses that offer many sections (ENGL 101, 201, 277 and 379) are not listed on this schedule unless they are tailored to specific thematic content or particularly appropriate for specific programs and majors.

• 100-200 level

ENGL 201.ST2 Composition II: The Mind/Body Connection

Dr. sharon smith.

In this online section of English 201, students will use research and writing to learn more about problems that are important to them and articulate ways to address those problems. The course will focus specifically on issues related to the body, the mind, and the relationship between them. The topics we will discuss during the course will include the correlation between social media and body image; the psychological effects of self-objectification; and the unique mental and physical challenges faced by college students today, including food insecurity and stress.

English 201 S06 and S11: Composition II with an emphasis in Environmental Writing

S06: MWF at 10–10:50 a.m. in Yeager Hall Addition 231

S11: MWF at 12–12:50 p.m. in Crothers Engineering Hall 217

Gwen Horsley

English 201 will help students develop skills to write effectively for other university courses, careers, and themselves. This course will provide opportunities to further develop research skills, to write vividly, and to share their own stories and ideas. Specifically, in this class, students will (1) focus on the relationships between world environments, land, animals and humankind; (2) read various essays by environmental, conservational, and regional authors; and (3) produce student writings. Students will improve their writing skills by reading essays and applying techniques they witness in others’ work and those learned in class. This class is also a course in logical and creative thought. Students will write about humankind’s place in the world and our influence on the land and animals, places that hold special meaning to them or have influenced their lives, and stories of their own families and their places and passions in the world. Students will practice writing in an informed and persuasive manner, in language that engages and enlivens readers by using vivid verbs and avoiding unnecessary passives, nominalizations, and expletive constructions.

Students will prepare writing assignments based on readings and discussions of essays included in Literature and the Environment and other sources. They will use The St. Martin’s Handbook to review grammar, punctuation, mechanics, and usage as needed.

Required Text: Literature and the Environment: A Reader On Nature and Culture. 2nd ed., edited by Lorraine Anderson, Scott Slovic, and John P. O’Grady.

LING 203.S01 English Grammar

TuTh 12:30-1:45 p.m.

Dr. Nathan Serfling

The South Dakota State University 2023-2024 Undergraduate Catalog describes LING 203 as consisting of “[i]nstruction in the theory and practice of traditional grammar including the study of parts of speech, parsing, and practical problems in usage.”

“Grammar” is a mercurial term, though. Typically, we think of it to mean “correct” sentence structure, and, indeed, that is one of its meanings. But Merriam-Webster reminds us “grammar” also refers to “the principles or rules of an art, science, or technique,” taking it beyond the confines of syntactic structures. Grammar also evolves in practice through application (and social, historical, economic changes, among others). Furthermore, grammar evolves as a concept as scholars and educators in the various fields of English studies debate the definition and nature of grammar, including how well its explicit instruction improves students’ writing. In this course, we will use the differing sensibilities, definitions, and fluctuations regarding grammar to guide our work. We will examine the parts of speech, address syntactic structures and functions, and parse and diagram sentences. We will also explore definitions of and debates about grammar. All of this will occur in units about the rules and structures of grammar; the application of grammar rhetorically and stylistically; and the debates surrounding various aspects of grammar, including, but not limited to, its instruction.

ENGL 210 Introduction to Literature

Jodi andrews.

Readings in fiction, drama and poetry to acquaint students with literature and aesthetic form. Prerequisites: ENGL 101. Notes: Course meets SGR #4 or IGR #3.

ENGL 222 British Literature II

TuTh 9:30-10:45 a.m.

This course serves as a chronological survey of the second half of British literature. Students will read a variety of texts from the Romantic period, the Victorian period, and the twentieth and twenty-first centuries, placing these texts within their historical and literary contexts and identifying the major characteristics of the literary periods and movements that produced them.

ENGL 240.ST1 Juvenile Literature

Randi l. anderson.

A survey of the history of literature written for children and adolescents, and a consideration of the various types of juvenile literature.

ENGL 240.ST1 Juvenile Literature: 5-12 Grade

In English 240 students will develop the skills to interpret and evaluate various genres of literature for juvenile readers. This particular section will focus on various works of literature at approximately the 5th-12th grade level.

Readings for this course include works such as Night, Brown Girl Dreaming, All American Boys, Esperanza Rising, Anne Frank’s Diary: A Graphic Adaptation, Animal Farm, Fahrenheit 451, The Giver, The Hobbit, Little Women, and Lord of the Flies . These readings will be paired with chapters from Reading Children’s Literature: A Critical Introduction to help develop understanding of various genres, themes, and concepts that are both related to juvenile literature, and also present in our readings.

In addition to exploring various genres of writing (poetry, non-fiction, fantasy, historical, non-fiction, graphic novels, etc.) this course will also allow students to engage in a discussion of larger themes present in these works such as censorship, race, rebellion and dissent, power and oppression, gender, knowledge, and the power of language and the written word. Students’ understanding of these works and concepts will be developed through readings, discussion posts, quizzes and exams.

ENGL 240.ST2 Juvenile Literature Elementary-5th Grade

April myrick.

A survey of the history of literature written for children and adolescents, and a consideration of the various genres of juvenile literature. Text selection will focus on the themes of imagination and breaking boundaries.

ENGL 242.S01 American Literature II

TuTh 11 a.m.-12:15 p.m.

Dr. Paul Baggett

This course surveys a range of U.S. literatures from about 1865 to the present, writings that treat the end of slavery and the development of a segregated America, increasingly urbanized and industrialized U.S. landscapes, waves of immigration, and the fulfilled promise of “America” as imperial nation. The class will explore the diversity of identities represented during that time, and the problems/potentials writers imagined in response to the century’s changes—especially literature’s critical power in a time of nation-building. Required texts for the course are The Norton Anthology of American Literature: 1865 to the Present and Toni Morrison’s A Mercy.

WMST 247.S01: Introduction to Women, Gender and Sexuality Studies

As an introduction to Women, Gender and Sexuality studies, this course considers the experiences of women and provides an overview of the history of feminist thought and activism, particularly within the United States. Students will also consider the concepts of gender and sexuality more broadly to encompass a diversity of gender identifications and sexualities and will explore the degree to which mainstream feminism has—and has not—accommodated this diversity. The course will focus in particular on the ways in which gender and sexuality intersect with race, class, ethnicity, and disability. Topics and concepts covered will include: movements for women’s and LGBTQ+ rights; gender, sexuality and the body; intersectionality; rape culture; domestic and gender violence; reproductive rights; Missing and Murdered Indigenous Women (MMIW); and more.

ENGL 283.S01 Introduction to Creative Writing

MWF 1-1:50 p.m.

Prof. Steven Wingate

Students will explore the various forms of creative writing (fiction, nonfiction and poetry) not one at a time in a survey format—as if there were decisive walls of separation between then—but as intensely related genres that share much of their creative DNA. Through close reading and work on personal texts, students will address the decisions that writers in any genre must face on voice, rhetorical position, relationship to audience, etc. Students will produce and revise portfolios of original creative work developed from prompts and research. This course fulfills the same SGR #2 requirements ENGL 201; note that the course will involve creative research projects. Successful completion of ENGL 101 (including by test or dual credit) is a prerequisite.

English 284: Introduction to Criticism

This course introduces students to selected traditions of literary and cultural theory and to some of the key issues that animate discussion among literary scholars today. These include questions about the production of cultural value, about ideology and hegemony, about the patriarchal and colonial bases of Western culture, and about the status of the cultural object, of the cultural critic, and of cultural theory itself.

To address these and other questions, we will survey the history of literary theory and criticism (a history spanning 2500 years) by focusing upon a number of key periods and -isms: Greek and Roman Classicism, The Middle Ages and Renaissance, The Enlightenment, Romanticism, Realism, Formalism, Historicism, Political Criticism (Marxism, Post-Colonialism, Feminism, et al.), and Psychological Criticism. We also will “test” various theories we discuss by examining how well they account for and help us to understand various works of poetry and fiction.

• 300-400 level

ENGL 330.S01 Shakespeare

TuTh 8-9:15 a.m.

Dr. Michael S. Nagy

This course will focus on William Shakespeare’s poetic and dramatic works and on the cultural and social contexts in which he wrote them. In this way, we will gain a greater appreciation of the fact that literature does not exist in a vacuum, for it both reflects and influences contemporary and subsequent cultures. Text: The Riverside Shakespeare: Complete Works. Ed. Evans, G. Blakemore and J. J. M. Tobin. Boston: Houghton Mifflin, 1997.

ENGL 363 Science Fiction

MWF 11-11:50 a.m.

This course explores one of the most significant literary genres of the past century in fiction and in film. We will focus in particular on the relationship between science fiction works and technological and social developments, with considerable attention paid to the role of artificial intelligence in the human imagination. Why does science fiction seem to predict the future? What do readers and writers of the genre hope to find in it? Through readings and viewings of original work, as well as selected criticism in the field, we will address these and other questions. Our reading and viewing selections will include such artists as Ursula K. LeGuin, Octavia Butler, Stanley Kubrick and Phillip K. Dick. Students will also have ample opportunity to introduce the rest of the class to their own favorite science fiction works.

ENGL 383.S01 Creative Writing I

MWF 2-2:50 p.m.

Amber Jensen

Creative Writing I encourages students to strengthen poetry, creative nonfiction, and/or fiction writing skills through sustained focus on creative projects throughout the course (for example, collections of shorter works focused on a particular form/style/theme, longer prose pieces, hybrid works, etc.). Students will engage in small- and large-group writing workshops as well as individual conferences with the instructor throughout the course to develop a portfolio of creative work. The class allows students to explore multiple genres through the processes of writing and revising their own creative texts and through writing workshop, emphasizing the application of craft concepts across genre, but also allows students to choose one genre of emphasis, which they will explore through analysis of self-select texts, which they will use to deepen their understanding of the genre and to contextualize their own creative work.

ENGL 475.S01 Creative Nonfiction

Mondays 3-5:50 p.m.

In this course, students will explore the expansive and exciting genre of creative nonfiction, including a variety of forms such as personal essay, braided essay, flash nonfiction, hermit crab essays, profiles and more. Through rhetorical reading, discussion, and workshop, students will engage published works, their own writing process, and peer work as they expand their understanding of the possibilities presented in this genre and the craft elements that can be used to shape readers’ experience of a text. Students will compile a portfolio of polished work that demonstrates their engagement with course concepts and the writing process.

ENGL 485.S01 Writing Center Tutoring

MW 8:30-9:45 a.m.

Since their beginnings in the 1920s and 30s, writing centers have come to serve numerous functions: as hubs for writing across the curriculum initiatives, sites to develop and deliver workshops, and resource centers for faculty as well as students, among other functions. But the primary function of writing centers has necessarily and rightfully remained the tutoring of student writers. This course will immerse you in that function in two parts. During the first four weeks, you will explore writing center praxis—that is, the dialogic interplay of theory and practice related to writing center work. This part of the course will orient you to writing center history, key theoretical tenets and practical aspects of writing center tutoring. Once we have developed and practiced this foundation, you will begin work in the writing center as a tutor, responsible for assisting a wide variety of student clients with numerous writing tasks. Through this work, you will learn to actively engage with student clients in the revision of a text, respond to different student needs and abilities, work with a variety of writing tasks and rhetorical situations and develop a richer sense of writing as a complex and negotiated social process.

ENGL 492.S01 The Vietnam War in Literature and Film

Tuesdays 3-5:50 p.m.

Dr. Jason McEntee

In 1975, the United States officially included its involvement in the Vietnam War, thus marking 2025 as the 50th anniversary of the conclusion (in name only) of one of the most chaotic, confusing, and complex periods in American history. In this course, we will consider how literature and film attempt to chronicle the Vietnam War and, perhaps more important, its aftermath. I have designed this course for those looking to extend their understanding of literature and film to include the ideas of art, experience, commercial products, and cultural documents. Learning how to interpret literature and movies remains the highest priority of the course, including, for movies, the study of such things as genre, mise-en-scene (camera movement, lighting, etc.), editing, sound and so forth.

We will read Dispatches , A Rumor of War , The Things They Carried , A Piece of My Heart , and Bloods , among others. Some of the movies that we will screen are: Apocalypse Now (the original version), Full Metal Jacket , Platoon , Coming Home , Born on the Fourth of July , Dead Presidents , and Hearts and Minds . Because we must do so, we will also look at some of the more fascinatingly outrageous yet culturally significant fantasies about the war, such as The Green Berets and Rambo: First Blood, Part II .

ENGL 492.S02 Classical Mythology

TuTh 3:30-4:45 p.m.

Drs. Michael S. Nagy and Graham Wrightson

Modern society’s fascination with mythology manifests itself in the continued success of novels, films and television programs about mythological or quasi-mythological characters such as Hercules, the Fisher King, and Gandalf the Grey, all of whom are celebrated for their perseverance or their daring deeds in the face of adversity. This preoccupation with mythological figures necessarily extends back to the cultures which first propagated these myths in early folk tales and poems about such figures as Oðin, King Arthur, Rhiannon, Gilgamesh, and Odysseus, to name just a few. English 492, a reading-intensive course cross-listed with History 492, primarily aims to expose students to the rich tradition of mythological literature written in languages as varied as French, Gaelic, Welsh, Old Icelandic, Greek, and Sumerian; to explore the historical, social, political, religious, and literary contexts in which these works flourished (if indeed they did); and to grapple with the deceptively simple question of what makes these myths continue to resonate with modern audiences. Likely topics and themes of this course will include: Theories of myth; Mythological Beginnings: Creation myths and the fall of man; Male and Female Gods in Myth; Foundation myths; Nature Myths; The Heroic Personality; the mythological portrayal of (evil/disruptive) women in myth; and Monsters in myth.

Likely Texts:

• Dalley, Stephanie, trans. Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others. Oxford World’s Classics, 2009
• Faulkes, Anthony, trans. Edda. Everyman, 1995
• Gregory, Lady Augusta. Cuchulain of Muirthemne: The Story of the Men of the Red Branch of Ulster. Forgotten Books, 2007
• Jones, Gwyn, Thomas Jones, and Mair Jones. The Mabinogion. Everyman Paperback Classics, 1993
• Larrington, Carolyne, trans. The Poetic Edda . Oxford World’s Classics, 2009
• Matarasso, Pauline M., trans. The Quest of the Holy Grail. Penguin Classics, 1969
• Apollodorus, Hesiod’s Theogony
• Hesiod’s Works and Days
• Ovid’s Metamorphoses, Homeric Hymns
• Virgil’s Aeneid
• Iliad, Odyssey
• Apollonius of Rhodes Argonautica
• Ovid’s Heroides
• Greek tragedies: Orestaia, Oedipus trilogy, Trojan Women, Medea, Hippoolytus, Frogs, Seneca's Thyestes, Dyskolos, Amphitryon
• Clash of the Titans, Hercules, Jason and the Argonauts, Troy (and recent miniseries), Oh Brother, Where Art Thou?

ENGL 492.ST1 Science Writing

Erica summerfield.

This course aims to teach the fundamentals of effective scientific writing and presentation. The course examines opportunities for covering science, the skills required to produce clear and understandable text about technical subjects, and important ethical and practical constraints that govern the reporting of scientific information. Students will learn to present technical and scientific issues to various audiences. Particular emphasis will be placed on conveying the significance of research, outlining the aims, and discussing the results for scientific papers and grant proposals. Students will learn to write effectively, concisely, and clearly while preparing a media post, fact sheet, and scientific manuscript or grant.

Graduate Courses

Engl 575.s01 creative nonfiction.

In this course, students will explore the expansive and exciting genre of creative nonfiction, including a variety of forms such as personal essay, braided essay, flash nonfiction, hermit crab essays, profiles, and more. Through rhetorical reading, discussion, and workshop, students will engage published works, their own writing process, and peer work as they expand their understanding of the possibilities presented in this genre and the craft elements that can be used to shape readers’ experience of a text. Students will compile a portfolio of polished work that demonstrates their engagement with course concepts and the writing process.

ENGL 592.S01: The Vietnam War in Literature and Film

Engl 704.s01 introduction to graduate studies.

Thursdays 3-5:50 p.m.

Introduction to Graduate Studies is required of all first-year graduate students. The primary purpose of this course is to introduce students to modern and contemporary literary theory and its applications. Students will write short response papers and will engage at least one theoretical approach in their own fifteen- to twenty-page scholarly research project. In addition, this course will further introduce students to the M.A. program in English at South Dakota State University and provide insight into issues related to the profession of English studies.

ENGL 792.ST1 Grant Writing

This online course will familiarize students with the language, rhetorical situation, and components of writing grant proposals. Students will explore various funding sources, learn to read an RFP, and develop an understanding of different professional contexts and the rhetorical and structural elements that suit those distinct contexts. Students will write a sample proposal throughout the course and offer feedback to their peers, who may be writing in different contexts, which will enhance their understanding of the varied applications of course content. Through their work in the course, students will gain confidence in their ability to find, apply for, and receive grant funding to support their communities and organizations.

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AHA Members Co-author Article on SCOTUS and Gun Control

AHA members Holly Brewer (Univ. of Maryland) and Laura F. Edwards (Princeton Univ.) have co-authored an article for Washington Monthly…

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