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Wolf Movie Review: Engaging psychological drama derailed by a shaky third act

Rating: ( 3 / 5).

Wolf , directed by Shaji Azeez and coming from the imagination of GR Indugopan, one of contemporary Malayalam literature's most gifted storytellers, has enough factors that make for a riveting mind game. Like Love and Irul before it, a house becomes a playground for intense characters. For a large part of its runtime, its three principal actors have us in a vice-like grip until a baffling climax brings everything down. Fortunately, Wolf is no Irul (it doesn't have a casting problem like the latter), but both films have a shaky third act that undoes everything that came before. 

Director: Shaji Azeez

Cast: Arjun Ashokan, Samyuktha Menon, Irshad

Streaming on: Zee5

Based on Indugopan's short story, Chennaya , Wolf opens with Sanjay (Arjun Ashokan) on the way to see his would-be, Asha (Samyuktha Menon), hoping to surprise her. When she opens the door, she is surprised alright -- and visibly agitated too. The first half belongs entirely to Arjun and Samyuktha, who effectively deliver one anxiety-inducing moment after another. It soon becomes apparent that these two are not a match made in heaven. She doesn't want him there for reasons valid from her point of view -- and, of course, us. Every minute he spends at her home makes us more uncomfortable. 

Asha has a conservative mother who is not at home at the moment, and the daughter worries that Sanjay's presence at this hour will turn her into gossip fodder. (The suspicious mom sounds like the male version of another Indugopan creation, Amminipilla , from his brilliant short story, Amminipilla Vettu Case ). Besides, Asha sees Sanjay's short-temper and rude manners -- even to his close female friends -- as good enough reasons for not wanting him as her better half. She expresses her doubts about spending the rest of her life with him. He gets increasingly irritated and is desperate to ensure that he wouldn't be this way after their marriage. But we also get the sense that Asha is hiding something from us. To make matters worse, the PM announces the lockdown on the same night. Her mother won't get home on time, and since Sanjay's residence is hours away, the cops stationed outside her home (Shine Tom Chacko, Jaffer Idukki) forbid him from travel.

The film only gets more intense after a third character, Joe (Irshad), enters the picture; but our amusement lasts only up to a certain point. In an interview with us, Shaji Azeez called the third character a 'surprise' and, with that in mind, I won't describe who this man is and why he is in the story. But it would be safe to say that Shaji and Indugopan use him to launch a discourse on the intricacies of the male-female dynamics, the deeply entrenched patriarchal mindset of Indian men, a woman's agency when it comes to her personal choices, and how someone's 'image' on social media doesn't necessarily tell you who they really are. Though Sanjay's character traits are clear to us, we later realise that the other two characters are not exactly what they led us to believe initially. 

For the most part, the film gives us the effect of watching a tightly constructed play, aided by appropriate staging and camera movements. It's fun to see the three characters slowly unravelling their true selves. The interplay reminded me of the Mike Nichols film Closer . However, Wolf has a problem: the inconsistency in character development. The primary issue here is the contradictory behaviour of the characters -- none of them stays faithful to their arc. They sometimes exhibit behaviour that makes one wonder if one person is trying to be three different people. They seem not sure of themselves but like to make you believe that they are. 

When the film ends, all three characters undergo unconvincing character transformations, making one feel cheated. (The climax reminded me of a popular Shaji Kailas film scripted by Ranjith. You may remember the title once you see Wolf .) After all those long, colourful, and occasionally insightful dialogues, you wonder why a couple of characters decided to take a different route in the end. And I'm still trying to make sense of the casting of Shine Tom Chacko and Jaffer Idukki as those policemen. Were they necessary? Perhaps Wolf had the potential to be another debate-worthy film like Ishq or even The Great Indian Kitchen , but that ending...

Wolf Movie Review: Engaging psychological drama derailed by a shaky third act- Cinema express

Wolf malayalam movie review

wolf , directed by shaji azeez and coming from the imagination of gr indugopan, one of the most talented storytellers in contemporary Malayalam literature, has enough factors to make it a fascinating mind game. like love and irul before it, a house becomes a playground for intense characters. for much of its runtime, its three lead actors have us gripped like a vice until a baffling climax brings it all crashing down. Fortunately, wolf isn’t irul (it doesn’t have a casting problem like this last one), but both movies have a wobbly third act that undoes everything that came before.

director: shaji azeez

Cast: Arjun Ashokan, Samyuktha Menon, Irshad

transmitting on: zee5

based on the tale of indugopan, chennaya, wolf begins with sanjay (arjun ashokan) on his way to see his would-be asha (samyuktha menon), hoping to surprise her. when she opens the door, she is very surprised, and visibly shaken as well. The first half belongs entirely to Arjun and Samyuktha, who effectively deliver one anxiety-provoking moment after another. It soon becomes clear that these two are not a match made in heaven. she doesn’t want him there for valid reasons from her point of view and, of course, from us. every minute that passes in her house makes us more uncomfortable.

asha has a conservative mother who is not home at the moment, and the daughter is concerned that sanjay’s presence at this hour will make her a subject of gossip. (suspicious mama sounds like the male version of another indugopan creation, amminipilla , from her brilliant tale, amminipilla vettu case). Furthermore, Asha sees Sanjay’s short temper and rude manners, even with her close friends, as reason enough not to want him as her better half. she expresses her doubts about spending the rest of her life with him. she becomes increasingly irritated and desperate to make sure that it would not be like this after her marriage. but we also have the feeling that asha is hiding something from us. to make matters worse, the afternoon announces the closing on the same night. Her mother won’t get home on time, and since Sanjay’s residence is hours away, the policemen stationed outside her house (shine tom chacko, jaffer idukki) forbid her to travel.

The film only gets more intense after a third character, Joe (Irshad), enters the scene; but our fun lasts only up to a point. In an interview with us, Shaji Azeez called the third character a ‘surprise,’ and with that in mind, I will not describe who this man is and why he is in the story. but it would be safe to say that shaji and indugopan use it to launch a discourse on the complexities of the male-female dynamic, the deep-seated patriarchal mentality of Indian men, the agency of a woman when it comes to her personal choices, and how someone the ‘image’ on social media doesn’t necessarily tell you who they really are. Although Sanjay’s character traits are clear to us, we later realize that the other two characters are not exactly what we were initially led to believe.

For the most part, the film gives us the effect of watching a well-constructed play, aided by proper staging and camera movements. it’s fun to see all three characters slowly figuring out their true selves. the interaction reminded me of the mike nichols movie closer . however, lobo has a problem: inconsistency in character development. the main problem here is the contradictory behavior of the characters: none of them stay true to their arc. sometimes they exhibit behavior that makes one wonder if a person is trying to be three different people. It seems that they are not sure of themselves, but they like to make you believe that they are.

When the movie ends, all three characters undergo unconvincing character transformations, leaving one feeling cheated. (The climax reminded me of a popular Shaji Kailas movie written by Ranjith. You may remember the title once you see Lobo .) After all that long, colorful, and occasionally insightful dialogue, you wonder why why a couple of characters decided to take a different route at the end. and i’m still trying to figure out the casting of shine tom chacko and jaffer idukki as those cops. were they necessary? perhaps wolf had the potential to be another movie worthy of discussion like ishq or even great Indian cuisine , but that ending…

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Directed by Shaji Azeez

When the police try to unravel the truth behind a series of mysterious crimes in a locality, they face an unexpected situation.

Arjun Ashokan Samyuktha Shine Tom Chacko Jaffer Idukki Irshad Ali Kevin Jose Ameya Mathew Maya Menon

Director Director

Shaji Azeez

Producer Producer

Santhosh Damodharan

Writer Writer

G.R. Indugopan

Editor Editor

Noufal Abdulla

Cinematography Cinematography

Faiz Siddik

Art Direction Art Direction

Jyothish Shankar

Composer Composer

Songs songs.

B. K. Harinarayanan

Costume Design Costume Design

Manjusha Radhakrishnan

Makeup Makeup

Ranjith Manaliparambil

Damor Cinemas

Releases by Date

18 apr 2021, releases by country.

113 mins   More at IMDb TMDb Report this page

Popular reviews

Review by ash ½ 3

Joe nalla calm aanu , mild aan sweet aanu. Kopp aanu

Lol these people completely lost the plot , tried to make a progressive movie and it ended up as a regressive one 😂, a fine example of forced wokeness.

Joe was okay till the moment he opened his mouth and started his animal planet thallu and hasn't shut up since.

Sometimes I wonder why am I even watching these movies even after knowing it's crap ( I love watching crap movies ihihihihih)

P.S Challenge find a watchable indugopan movie! Ehhhhhh mission failed

Review by V ★★

Mansplaining feminism gone horribly wrong. If the celebrated writer GR Indugopan actually wrote this kalippan - kaanthaari glorification story to reflect on gender politics, in spite of the manner in which the film progressed until the beginning of its godforsaken third act, all I've to ask is one question. What was he actually smoking, especially while writing that ending?

Review by NimmUwU ★

This review may contain spoilers. I can handle the truth.

conservative incel vs chad facebook page owner

wow such a dumb movie. I thought the first half was trying to build a base or something but the last act completly destroyed what they made. mediocre performances i guess, felt as if all characters had bipolar disorder. idk if its just me but Jo's character felt cringey and ironically funny at the same time. and why was shine tom chako in this again ? just so that can he can barge into a house and take a shit?

Review by Deepak Chazhoor ★★★ 2

To be very honest, I didn’t find this film as bad as many makes it out to be. This was the kind of treatment of the subject matter I expected, but didn’t get, in  The Great Indian Kitchen . To be more precise, the three main characters are flawed, which worked to good advantage of the narrative, at least to me. My major gripe is the casting of prominent artists like Shine Tom Chacko and Jaffer Idukki in totally non-consequential roles, and also the abrupt ending which came out of nowhere. There isn’t a payoff which complements all that buildup. Otherwise Wolf  is an okay single location survival thriller, set in the backdrop of lockdown, with a relevant social commentary.

P. S.  Funny title though.

Review by 𝗡 𝗜 𝗞 𝗛 𝗜 𝗟 🍿 ★★★

Wolf is an experimental suspense drama which is engaging but let down completely by poor writing after a point and an unconvincing ending. Sanjay (Arjun Ashokan) and Asha (Samyuktha Menon) are about to get married soon and they are forced to stay together alone for a night at Asha’s place due to the sudden lockdown announcement. What unexpected events happened after that forms the story. 

The entire film takes place inside a single house. The movie started off well with an interesting setup and unpredictable proceedings. The film is very conversational and there are dialogues almost non-stop throughout the film. Still, the film managed to be gripping and held my interest upto beyond the   halfway mark. After that, things…

Review by freespirit96 ★

First half - Hero is bad, Villain is good Second half - Hero is good, Villain is bad..

Plus the most absurd climax ever.. P.S : How to turn a girl into a Kalippans Kanthari??? Introduce her to a psycho ,that the kalippan is now better compared to him.. 🤦🤦🤦🤦🤦🤦🤦🤦

Review by Rinsha ★★

The movie was okay kind wit good performance of the leads but the message they conveyed is not acceptable.

Review by Film Companion

Shaji Azeez’s first film Wolf, based on writer GR Indugopan’s short story Chennaya, starts off promisingly. Sanjay (Arjun Ashokan) takes a detour on his way home to visit his fiancé Asha (Samyukta Menon) a couple of weeks before they are due to get married. But when he gets there, she’s not pleasantly surprised nor is she excited to see him. There’s an obvious indifference in her attitude and she wants him to get out of there as soon as he can. The awkwardness is hilarious and you almost feel bad for the guy. They’re just days away from getting married but their ‘chemistry’ is that of total strangers being forced to speak to each other. Read the full review on Film Companion, here: bit.ly/3gz0nAD

Review by Rahul Radhakrishnan ★

വെൽഡൻ വാസു...

Review by Vinayan U R ★

Except for Irshad's excellent acting I cant pick anything good from this. The story from Indugopan is a huge letdown. The character arc is miserable. The female lead has no clue about her character. The director's job on most part seemed like asking his actors to utter what has been written.

Review by jafar sadique ★

ഒരു ലയർ ഉണ്ടാക്കി ആ ലയറിനുമുകളിൽ കഥാപാത്രങ്ങളെ സൃഷ്ടിച്ചു അവയെക്കൊണ്ട കഥ പറയിക്കുന്നതാണ് GR ഇന്ദുഗോപന്റെ രീതി. അത് കൊണ്ട് തന്നെ പുസ്തകം വായിച്ചു കൊണ്ടിരിക്കുമ്പോൾ ചില അത്ഭുതങ്ങൾ നടക്കും എന്നു നമ്മൾ പ്രതീക്ഷിക്കുമെങ്കിലും വായിച്ചു തീരുന്നതോട് കൂടി ആ കഥാപാത്രങ്ങളും കഥയും പൂർണ്ണമായും വായനക്കാരന്റെ മനസ്സിൽ നിന്നും ഇല്ലാതാകും. അയാളുടെ കഥയെടുത്തു സിനിമയാക്കിയപ്പോയും അത് തന്നെ സംഭവിച്ചു. 🥱🥱

Review by stk ★★

movie started of brilliantly and it made me glued to the screen from the word go but then its gone all over the place. have lots of issues in the latter half and climax is the “shittiest” climax i have ever seen. frequent story about animals and south africa reminded me of well done vaasu of kunjiramayanam. writer.....were u high writing this?

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Home » Review » Wolf movie review: A confused lockdown thriller  »

Wolf movie review: A confused lockdown thriller 

The plot of Wolf displayed so much potential in the first half talking about toxic masculinity and preconceptions, but it soon falters as it takes a preachy route and ends up as a confounding mess

• Sanjith Sidhardhan

Last Updated: 12.00 AM, Apr 20, 2021

When Malayalam director Shaji M Azeez and his team would have started shooting Wolf, which dropped on ZEE5 on April 18, they must have thought they would have had a relevant subject at hand. In fact, they did too. The movie, based on GR Indugopan's story, is set on the night before and the day the unexpected nationwide lockdown comes into force in the country. It was shot right after the lockdown rules were eased and hence the minimal cast, which was also used effectively for most parts of the movie.

The film starts off by introducing a hot-headed Kochi youth Sanjay (Arjun Ashokan) who after a visit to Kottarakara, decides to surprise his fiancée Asha (Samyuktha Menon) in Parippally. However, when he arrives at her house, they learn that a lockdown is declared, rendering Sanjay unable to travel back to Kochi. The two, who are set to get married in two weeks, learn more about each other in the course of the night and next day.

The plot of Wolf displayed so much potential in the first half talking about toxic masculinity and preconceptions, but it soon falters as it takes a preachy route and ends up as a confusing mess. How a couple bonds so quickly, even when posed with the circumstances in the film, is unconvincing and even more are the character arcs of Samyuktha Menon and Irshad, whose intentions confuse those on-screen and off it as well. 

The trio's performances build up the tension in the first half. Actors Shine Tom Chacko and Jaffer Idukki aren't used well either. What starts out as an insightful relationship thriller about man-woman dynamics soon becomes an inconsistent, self-indulgent piece about a hunter. 

Verdict: Wolf's first half shows potential but the movie falters due to its inconsistent character development and self-indulgent writing in the second half. 

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Wolf Review - A thriller that tries to expose patriarchy through an interesting idea

Published date : 22/apr/2021.

Wolf - A thriller that tries to expose patriarchy through an interesting idea but falls short in its final leg!

Bharath Vijayakumar

It is heartening to see how Malayalam cinema keeps finding ways to expose patriarchy through different genres. It is not just the hard hitting arthouse films like The Great Indian Kitchen that exist to try and make a difference. A film like Ishq and more recently Love pulled the rug from under your feet. These two films were primarily positioned as thrillers and they work as thrillers but the message that you take away from them was the whole point of those films.

Wolf in a way is very similar to Love. This is also a film where almost the entire narration happens inside a household with just a handful of characters. Sanjay (Arjun Ashokan), a hot headed guy pays a surprise visit to his fiancée Asha (Samyuktha). Asha seems to be a reluctant host and is in a hurry to bid him goodbye. But an unforeseen situation forces them to be together for the night.

Director Shaji Azeez sets it up well in the initial hour. A certain uneasy tension is built up and there is a definite urge to find out where things are going to head. But the film loses its grip in the final leg. The film stops showing us what it wanted to either visually or through character development and resorts to having explicit dialogues to convey the message. This explicitness works against the film. Think of it and this starts right from the title. Ishq and Love were two movies that showcased how patriarchy (at times) manifests itself in the name of love. Something similar happens here but what we have here is a very apparent title - Wolf. In the former films, the takeaway was that even seemingly good and normal men might have patriarchy and misogyny ingrained in them. But things are more like black and white here. (A strange coincidence is that Shine Tom Chacko is a part of all these three films. His part here though is negligible)

The bigger problem in Wolf is the ease with which characters change their stance without any strong reasoning. And this reflects in the performances too. We expect a reveal or a payoff towards the end but the climax is a letdown. It is not about how the story concludes but the way in which it happens is what is a dampener.

Bottomline :

Wolf has an interesting idea and is a pretty decent thriller till a point. It then loses its way.

Rating: 2.5/5

PS : Streaming on Zee5

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• ENGLISH HINDI MALAYALAM TAMIL TELUGU KANNADA BENGALI  

Wolf Malayalam Movie

Wolf is a 2021 Indian movie directed by Shaji Azeez starring Arjun Asokan, Samyuktha Menon, Shine Tom Chacko and Jaffer Idukki. The feature film is produced by Santhosh Damodaran and the music composed by Ranjin Raj.

Director: Shaji Azeez Producer: Santhosh Damodaran Music Director: Ranjin Raj Song Lyrics Writer: Harinarayanan Cinematographer: Faiz Siddik Editor: Noufal Abdullah Art Designer: Jothish Shankar Screenplay Writer: G R Indugopan Dialogue Writer: G R Indugopan Original Story Writer: G R Indugopan

'Wolf' review: Engaging psychological drama with shaky third act

Wolf, directed by Shaji Azeez and coming from the imagination of GR Indugopan, one of contemporary Malayalam literature’s most gifted storytellers, has enough factors that make for a riveting mind game. Like Love and Irul before it, a house becomes a playground for intense characters. For a large part of its runtime, its three principal actors have us in a vice-like grip until a baffling climax brings everything down. Fortunately, Wolf is no Irul (it doesn’t have a casting problem like the latter), but both films have a shaky third act that undoes everything that came before. 

Based on Indugopan’s short story, Chennaya, Wolf opens with Sanjay (Arjun Ashokan) on the way to see his would-be, Asha (Samyuktha Menon), hoping to surprise her. When she opens the door, she is surprised, alright—and visibly agitated too. The first half belongs entirely to Arjun and Samyuktha, who effectively deliver one anxiety-inducing moment after another. It soon becomes apparent that these two are not a match made in heaven. She doesn’t want him there for reasons valid from her point of view—and, of course, us. Every minute he spends at her home makes us more uncomfortable. 

Asha has a conservative mother who is not at home at the moment, and the daughter worries that Sanjay’s presence at this hour will turn her into gossip fodder. (The suspicious mom sounds like the male version of another Indugopan creation, Amminipilla, from his brilliant short story, Amminipilla Vettu Case). Besides, Asha sees Sanjay’s short-temper and rude manners—even to his close female friends—as good enough reasons for not wanting him as her better half.

She expresses her doubts about spending the rest of her life with him. He gets increasingly irritated and is desperate to ensure that he wouldn’t be this way after their marriage. But we also get the sense that Asha is hiding something from us. To make matters worse, the PM announces the lockdown on the same night. Her mother won’t get home on time, and since Sanjay’s residence is hours away, the cops stationed outside her home (Shine Tom Chacko, Jaffer Idukki) forbid him from travel.

 The film only gets more intense after a third character, Joe (Irshad), enters the picture; but our amusement lasts only up to a certain point. In an interview with us, Shaji Azeez called the third character a ‘surprise’ and, with that in mind, I won’t describe who this man is and why he is in the story. But it would be safe to say that Shaji and Indugopan use him to launch a discourse on the intricacies of the male-female dynamics, the deeply entrenched patriarchal mindset of Indian men, a woman’s agency when it comes to her personal choices, and how someone’s ‘image’ on social media doesn’t necessarily tell you who they really are. Though Sanjay’s character traits are clear to us, we later realise that the other two characters are not exactly what they led us to believe initially. 

For the most part, the film gives us the effect of watching a tightly constructed play, aided by appropriate staging and camera movements. It’s fun to see the three characters slowly unravelling their true selves. The interplay reminded me of the Mike Nichols film Closer. However, Wolf has a problem: the inconsistency in character development. The primary issue here is the contradictory behaviour of the characters—none of them stays faithful to their arc. They sometimes exhibit behaviour that makes one wonder if one person is trying to be three different people. They seem not sure of themselves but like to make you believe that they are. 

When the film ends, all three characters undergo unconvincing character transformations, making one feel cheated. (The climax reminded me of a popular Shaji Kailas film scripted by Ranjith. You may remember the title once you see Wolf.) After all those long, colourful, and occasionally insightful dialogues, you wonder why a couple of characters decided to take a different route in the end. And I’m still trying to make sense of the casting of Shine Tom Chacko and Jaffer Idukki as those policemen. Were they necessary?  Perhaps Wolf had the potential to be another debate-worthy film like Ishq or even The Great Indian Kitchen, but that ending...

Film: Wolf Director: Shaji Azeez Cast: Arjun Ashokan, Samyuktha Menon, Irshad Streaming on: Zee5

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Brad Pitt and George Clooney are two lone-wolf fixers who are forced to work together after they’re tasked with the same assignment in Jon Watts ‘ upcoming action comedy “Wolfs,” in theaters Sept. 20 via Sony.

As Clooney puts on gloves to cover up what looks like a grisly murder, he assures a woman, “There’s nobody who can do who I do.” Seconds later, Pitt walks in wearing a similar outfit, already gloved.

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Watts most notably directed the MCU “Spider-Man” films starring Tom Holland, including “Homecoming,” “Far From Home” and “No Way Home,” all of which were massive box office successes. He also helmed the films “Clown” and “Cop Car” and is behind the 2024 Disney+ series “Star Wars: Skeleton Crew.”

Watch the trailer for “Wolfs” below.

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Follows two lone wolf fixers who are assigned to the same job. Follows two lone wolf fixers who are assigned to the same job. Follows two lone wolf fixers who are assigned to the same job.

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• Trivia Sony, Lionsgate, Apple and Netflix went into a bidding war for the movie package before Apple sealed the deal. Brad Pitt and George Clooney , who are both producing the film via their production companies, are reportedly taking less to negotiate a theatrical release with Apple.
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