whats a thesis in a story

• Literary Terms
• Definition & Examples
• When & How to Write a Thesis

I. What is a Thesis?

The thesis (pronounced thee -seez), also known as a thesis statement, is the sentence that introduces the main argument or point of view of a composition (formal essay, nonfiction piece, or narrative). It is the main claim that the author is making about that topic and serves to summarize and introduce that writing that will be discussed throughout the entire piece. For this reason, the thesis is typically found within the first introduction paragraph.

II. Examples of Theses

Here are a few examples of theses which may be found in the introductions of a variety of essays :

In “The Mending Wall,” Robert Frost uses imagery, metaphor, and dialogue to argue against the use of fences between neighbors.

In this example, the thesis introduces the main subject (Frost’s poem “The Mending Wall”), aspects of the subject which will be examined (imagery, metaphor, and dialogue) and the writer’s argument (fences should not be used).

While Facebook connects some, overall, the social networking site is negative in that it isolates users, causes jealousy, and becomes an addiction.

This thesis introduces an argumentative essay which argues against the use of Facebook due to three of its negative effects.

During the college application process, I discovered my willingness to work hard to achieve my dreams and just what those dreams were.

In this more personal example, the thesis statement introduces a narrative essay which will focus on personal development in realizing one’s goals and how to achieve them.

III. The Importance of Using a Thesis

Theses are absolutely necessary components in essays because they introduce what an essay will be about. Without a thesis, the essay lacks clear organization and direction. Theses allow writers to organize their ideas by clearly stating them, and they allow readers to be aware from the beginning of a composition’s subject, argument, and course. Thesis statements must precisely express an argument within the introductory paragraph of the piece in order to guide the reader from the very beginning.

IV. Examples of Theses in Literature

For examples of theses in literature, consider these thesis statements from essays about topics in literature:

In William Shakespeare’s “ Sonnet 46,” both physicality and emotion together form powerful romantic love.

This thesis statement clearly states the work and its author as well as the main argument: physicality and emotion create romantic love.

In The Scarlet Letter, Nathaniel Hawthorne symbolically shows Hester Prynne’s developing identity through the use of the letter A: she moves from adulteress to able community member to angel.

In this example, the work and author are introduced as well as the main argument and supporting points: Prynne’s identity is shown through the letter A in three ways: adulteress, able community member, and angel.

John Keats’ poem “To Autumn” utilizes rhythm, rhyme, and imagery to examine autumn’s simultaneous birth and decay.

This thesis statement introduces the poem and its author along with an argument about the nature of autumn. This argument will be supported by an examination of rhythm, rhyme, and imagery.

V. Examples of Theses in Pop Culture

Sometimes, pop culture attempts to make arguments similar to those of research papers and essays. Here are a few examples of theses in pop culture:

America’s food industry is making a killing and it’s making us sick, but you have the power to turn the tables.

The documentary Food Inc. examines this thesis with evidence throughout the film including video evidence, interviews with experts, and scientific research.

Orca whales should not be kept in captivity, as it is psychologically traumatizing and has caused them to kill their own trainers.

Blackfish uses footage, interviews, and history to argue for the thesis that orca whales should not be held in captivity.

VI. Related Terms

Just as a thesis is introduced in the beginning of a composition, the hypothesis is considered a starting point as well. Whereas a thesis introduces the main point of an essay, the hypothesis introduces a proposed explanation which is being investigated through scientific or mathematical research. Thesis statements present arguments based on evidence which is presented throughout the paper, whereas hypotheses are being tested by scientists and mathematicians who may disprove or prove them through experimentation. Here is an example of a hypothesis versus a thesis:

Hypothesis:

Students skip school more often as summer vacation approaches.

This hypothesis could be tested by examining attendance records and interviewing students. It may or may not be true.

Students skip school due to sickness, boredom with classes, and the urge to rebel.

This thesis presents an argument which will be examined and supported in the paper with detailed evidence and research.

Introduction

A paper’s introduction is its first paragraph which is used to introduce the paper’s main aim and points used to support that aim throughout the paper. The thesis statement is the most important part of the introduction which states all of this information in one concise statement. Typically, introduction paragraphs require a thesis statement which ties together the entire introduction and introduces the rest of the paper.

VII. Conclusion

Theses are necessary components of well-organized and convincing essays, nonfiction pieces, narratives , and documentaries. They allow writers to organize and support arguments to be developed throughout a composition, and they allow readers to understand from the beginning what the aim of the composition is.

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What is a Thesis? Definition, Examples of Theses in Literature

Home » The Writer’s Dictionary » What is a Thesis? Definition, Examples of Theses in Literature

Thesis definition: A thesis is a statement in which the writer conveys his position regarding a topic.

What is a Thesis?

A thesis statement refers to part of an essay where the writer establishes his position regarding a topic. This is the position that the writer will further explore throughout his paper.

Example of Thesis

• Topic : religious freedom.
• Thesis : All citizens of the United States should be allowed to exercise the religion of their choice freely without interference from government.
• Explanation : In this thesis statement, the writer has taken the position that all citizens should be free to worship and practice their religion as they see fit. The government should not pressure citizens into any religion, and it should not persecute members of any faith community.

The Importance of a Thesis Statement

Thesis statements are important in order to establish the writer’s position regarding a topic or idea. They help to introduce the essay and set a focus for the reader.

Narrative thesis statements are found in narrative essays or in literature. They set the scene for the lesson that will be explored or taught through the piece.

Famous opening lines that exemplify a narrative thesis:

• The following narrative thesis is found in A Tale of Two Cities by Charles Dickens:

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair.”

The Function of Thesis in Literature

Narrative thesis statements are important in literature in order to establish the purpose for the work or introduce the lesson that the novel will attempt to teach. This allows the reader to have a focus when beginning the novel in order to effectively engage them into the story.

Examples of Theses in Literature

In the memoir, I am Malala by Malala Yousafzai, a thesis statement can be found in the beginning pages of her story.

• “One year ago I left my home for school and never returned. I was shot by a Taliban bullet and was flown out of Pakistan unconscious. Some people say I will never return home, but I believe firmly in my heart that I will. To be torn from the country that you love is not something to wish on anyone.”

In this thesis statement, Yousafzai establishes the basis of her memoir, which is to tell the story of how she was forced to leave her home.

In Vladmir Nabokov’s Lolita , a thesis can be seen in the line, “Lolita, light of my life, the fire of my loins”.

Here the narrator establishes the identity of the young nymph that he is unhealthily obsessed with in the story. Lolita is a young child while he is a grown man; therefore, this statement creates the uneasy feeling about him that continues throughout the novel.

Summary: What Are Theses?

Define thesis in literature: In summation, a thesis statement establishes a purpose in the piece of writing. It may establish the lesson or story to be told, or in an essay it may establish the position the writer assumes when exploring a topic.

Either way, it is important for the thesis to be clear in order to effectively convey the writer’s message.

Final Example:

In Edgar Allan Poe’s “The Cask of Amontillado,” the thesis statement can be found in the first line of the short story. Montresor immediately states his purpose, “the thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge.”

In this statement, Montresor states that he will be seeking revenge after being treated wrongly by Fortunato. By beginning the story with the narrative thesis establishes the purpose for the remainder of the piece.

Thesis Definition

Importance of a thesis statement, narrative thesis, narrative thesis examples, example #1: pride and prejudice (by jane austen).

“It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.”

Example #2: One Hundred Years of Solitude (By Gabriel García Márquez)

“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”

Example #3: Lolita (By Vladimir Nabokov)

“Lolita, light of my life, fire of my loins.”

Example #4: Anna Karenina (By Leo Tolstoy)

“Happy families are all alike; every unhappy family is unhappy in its own way.”

Example #5: 1984 (By George Orwell)

“It was a bright cold day in April, and the clocks were striking thirteen.”

Example #6: A Tale of Two Cities (By Charles Dickens)

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness , it was the spring of hope, it was the winter of despair.”

Example #7: The Catcher in the Rye (By J. D. Salinger)

“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.”

Example #8: A Portrait of the Artist as a Young Man (By James Joyce)

“Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo.”

Function of Thesis

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12.6: Literary Thesis Statements

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• Heather Ringo & Athena Kashyap
• City College of San Francisco via ASCCC Open Educational Resources Initiative

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The Literary Thesis Statement

Literary essays are argumentative or persuasive essays. Their purpose is primarily analysis, but analysis for the purposes of showing readers your interpretation of a literary text. So the thesis statement is a one to two sentence summary of your essay's main argument, or interpretation.

Just like in other argumentative essays, the thesis statement should be a kind of opinion based on observable fact about the literary work.

Thesis Statements Should Be

• This thesis takes a position. There are clearly those who could argue against this idea.
• Look at the text in bold. See the strong emphasis on how form (literary devices like symbolism and character) acts as a foundation for the interpretation (perceived danger of female sexuality).
• Through this specific yet concise sentence, readers can anticipate the text to be examined ( Huckleberry Finn) , the author (Mark Twain), the literary device that will be focused upon (river and shore scenes) and what these scenes will show (true expression of American ideals can be found in nature).

Thesis Statements Should NOT Be

• While we know what text and author will be the focus of the essay, we know nothing about what aspect of the essay the author will be focusing upon, nor is there an argument here.
• This may be well and true, but this thesis does not appear to be about a work of literature. This could be turned into a thesis statement if the writer is able to show how this is the theme of a literary work (like "Girl" by Jamaica Kincaid) and root that interpretation in observable data from the story in the form of literary devices.
• Yes, this is true. But it is not debatable. You would be hard-pressed to find someone who could argue with this statement. Yawn, boring.
• This may very well be true. But the purpose of a literary critic is not to judge the quality of a literary work, but to make analyses and interpretations of the work based on observable structural aspects of that work.
• Again, this might be true, and might make an interesting essay topic, but unless it is rooted in textual analysis, it is not within the scope of a literary analysis essay. Be careful not to conflate author and speaker! Author, speaker, and narrator are all different entities! See: intentional fallacy.

Thesis Statement Formula

One way I find helpful to explain literary thesis statements is through a "formula":

Thesis statement = Observation + Analysis + Significance

• Observation: usually regarding the form or structure of the literature. This can be a pattern, like recurring literary devices. For example, "I noticed the poems of Rumi, Hafiz, and Kabir all use symbols such as the lover's longing and Tavern of Ruin "
• Analysis: You could also call this an opinion. This explains what you think your observations show or mean. "I think these recurring symbols all represent the human soul's desire." This is where your debatable argument appears.
• Significance: this explains what the significance or relevance of the interpretation might be. Human soul's desire to do what? Why should readers care that they represent the human soul's desire? "I think these recurring symbols all show the human soul's desire to connect with God. " This is where your argument gets more specific.

Thesis statement: The works of ecstatic love poets Rumi, Hafiz, and Kabir use symbols such as a lover’s longing and the Tavern of Ruin to illustrate the human soul’s desire to connect with God .

Thesis Examples

SAMPLE THESIS STATEMENTS

These sample thesis statements are provided as guides, not as required forms or prescriptions.

______________________________________________________________________________________________________________

The Literary Device Thesis Statement

The thesis may focus on an analysis of one of the elements of fiction, drama, poetry or nonfiction as expressed in the work: character, plot, structure, idea, theme, symbol, style, imagery, tone, etc.

In “A Worn Path,” Eudora Welty creates a fictional character in Phoenix Jackson whose determination, faith, and cunning illustrate the indomitable human spirit.

Note that the work, author, and character to be analyzed are identified in this thesis statement. The thesis relies on a strong verb (creates). It also identifies the element of fiction that the writer will explore (character) and the characteristics the writer will analyze and discuss (determination, faith, cunning).

The character of the Nurse in Romeo and Juliet serves as a foil to young Juliet, delights us with her warmth and earthy wit, and helps realize the tragic catastrophe.

The Genre / Theory Thesis Statement

The thesis may focus on illustrating how a work reflects the particular genre’s forms, the characteristics of a philosophy of literature, or the ideas of a particular school of thought.

“The Third and Final Continent” exhibits characteristics recurrent in writings by immigrants: tradition, adaptation, and identity.

Note how the thesis statement classifies the form of the work (writings by immigrants) and identifies the characteristics of that form of writing (tradition, adaptation, and identity) that the essay will discuss.

Samuel Beckett’s Endgame reflects characteristics of Theatre of the Absurd in its minimalist stage setting, its seemingly meaningless dialogue, and its apocalyptic or nihilist vision.

A close look at many details in “The Story of an Hour” reveals how language, institutions, and expected demeanor suppress the natural desires and aspirations of women.

Generative Questions

One way to come up with a riveting thesis statement is to start with a generative question. The question should be open-ended and, hopefully, prompt some kind of debate.

• What is the effect of [choose a literary device that features prominently in the chosen text] in this work of literature?
• How does this work of literature conform or resist its genre, and to what effect?
• How does this work of literature portray the environment, and to what effect?
• How does this work of literature portray race, and to what effect?
• How does this work of literature portray gender, and to what effect?
• What historical context is this work of literature engaging with, and how might it function as a commentary on this context?

These are just a few common of the common kinds of questions literary scholars engage with. As you write, you will want to refine your question to be even more specific. Eventually, you can turn your generative question into a statement. This then becomes your thesis statement. For example,

• How do environment and race intersect in the character of Frankenstein's monster, and what can we deduce from this intersection?

Expert Examples

While nobody expects you to write professional-quality thesis statements in an undergraduate literature class, it can be helpful to examine some examples. As you view these examples, consider the structure of the thesis statement. You might also think about what questions the scholar wondered that led to this statement!

• "Heart of Darkness projects the image of Africa as 'the other world,' the antithesis of Europe and therefore civilization, a place where man's vaunted intelligence and refinement are finally mocked by triumphant bestiality" (Achebe 3).
• "...I argue that the approach to time and causality in Boethius' sixth-century Consolation of Philosophy can support abolitionist objectives to dismantle modern American policing and carceral systems" (Chaganti 144).
• "I seek to expand our sense of the musico-poetic compositional practices available to Shakespeare and his contemporaries, focusing on the metapoetric dimensions of Much Ado About Nothing. In so doing, I work against the tendency to isolate writing as an independent or autonomous feature the work of early modern poets and dramatists who integrated bibliographic texts with other, complementary media" (Trudell 371).

Works Cited

Achebe, Chinua. "An Image of Africa" Research in African Literatures 9.1 , Indiana UP, 1978. 1-15.

Chaganti, Seeta. "Boethian Abolition" PMLA 137.1 Modern Language Association, January 2022. 144-154.

"Thesis Statements in Literary Analysis Papers" Author unknown. https://resources.finalsite.net/imag...handout__1.pdf

Trudell, Scott A. "Shakespeare's Notation: Writing Sound in Much Ado about Nothing " PMLA 135.2, Modern Language Association, March 2020. 370-377.

Contributors and Attributions

Thesis Examples. Authored by: University of Arlington Texas. License: CC BY-NC

What Should a Thesis Statement on an Essay About a Short Story Look Like?

How to Start a Good Book Report

A literary analysis of short stories allows writers to explain the basic elements of the story and make a deeper statement about the plot, characters, symbolism or theme. Writing such an analysis allows students to learn more about the story and gain an appreciation of literature in general. One of the most significant elements of the literary analysis is the thesis statement.

In any essay, the thesis statement establishes the purpose of the essay for the reader. A good thesis fits the assignment length, makes a statement about your overall point and includes the specific points you will give to support that idea about the story. The thesis must relate to a specific point about the short story such as the argumentative point you want to explain or defend. Place the thesis at the end of the introductory paragraph of the analysis.

When writing your thesis statement, make sure to clearly state the purpose of your essay to the reader. Narrow your focus to aspects of the story that fits the scope of the assignment, both in terms of the depth of your discussion as well as the minimum word count. For instance, saying a character is "interesting" or that many symbols appear in the story does not give your reader a clear idea of what you will discuss. Instead, choose words that emphasize your point, such as how a character's flaw causes his downfall or how a particular set of symbols illustrate the theme of the story.

The thesis for a literary analysis will determine the organization you will use in the body of the paper. Consider comparing or contrasting characters or situations, explaining a causal relationship between events in the plot, relating how a character fulfills a certain role or discussing how elements, such as the setting, illustrate the theme. Write your thesis with language like "differences," "similar," "cause," "effects" and the element or elements you will cover such as "theme," "character" and "setting."

Add subpoints to your thesis to preview the specifics you will provide in support of your thesis. These may list the characters, symbols, plot elements, similarities, differences, causes or effects you will discuss. Write these subpoints in the same order in your thesis that you will present them in the body of the paper and list them after your main idea in your thesis. For example, a good thesis might be, "The man in Jack London's 'To Build a Fire' fails in his mission due to his overconfidence in himself, his disdain toward nature’s power and his inability to retain his composure."

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• Gwynedd-Mercy College: How to Write a Literary Analysis Essay
• Purdue Online Writing Lab: Tips and Examples for Writing Thesis Statements
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Kristie Sweet has been writing professionally since 1982, most recently publishing for various websites on topics like health and wellness, and education. She holds a Master of Arts in English from the University of Northern Colorado.

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How to Write a Thesis for a Narrative Essay

Last Updated: June 4, 2024 Fact Checked

This article was co-authored by Alicia Cook . Alicia Cook is a Professional Writer based in Newark, New Jersey. With over 12 years of experience, Alicia specializes in poetry and uses her platform to advocate for families affected by addiction and to fight for breaking the stigma against addiction and mental illness. She holds a BA in English and Journalism from Georgian Court University and an MBA from Saint Peter’s University. Alicia is a bestselling poet with Andrews McMeel Publishing and her work has been featured in numerous media outlets including the NY Post, CNN, USA Today, the HuffPost, the LA Times, American Songwriter Magazine, and Bustle. She was named by Teen Vogue as one of the 10 social media poets to know and her poetry mixtape, “Stuff I’ve Been Feeling Lately” was a finalist in the 2016 Goodreads Choice Awards. There are 7 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 107,931 times.

In a narrative essay, your thesis will be a bit different than in an argumentative or explanatory paper. A narrative essay is basically you writing a story for the reader. The purpose of a narrative essay is to make a certain point, using personal experiences or life events to convey your main point or theme. [1] X Trustworthy Source Purdue Online Writing Lab Trusted resource for writing and citation guidelines Go to source However, just as in a standard paper, your thesis will still appear in the introduction of your narrative essay.

Creating Your Thesis

• For example: “In this essay, I will discuss the issue of grief by discuss my grandmother's sickness, discuss my grandmother's death, talk about what happened afterwards.”
• Adjust your first attempt so it is grammatically correct: “In this essay, I will discuss the issue of grief by discussing my grandmother's sickness, my grandmother's death, and what happened afterward.”

• You may want to create a thesis that is a bit more sophisticated and less stilted by removing the more formal phrase, “I will discuss”.
• For example: “Grief affects everyone's life at one point or another, and it certainly has affected mine; when my grandmother became sick and passed away, I had to learn how to deal with the aftermath of her death.”

• Avoid packing too many ideas into one sentence. Your thesis should help ease the reader into your essay, not confuse them.

Preparing to Write the Thesis

• Come up with a topic that is important to you and that you feel you can talk about in a personal way.

• Another way to find a personal event is to look through your old social media posts, as they often chronicle important or meaningful events in your life.

• Remembering the details of the event through your five senses will also help to trigger other details or images you may have forgotten.
• For example, maybe you remember the taste of coconut after your grandmother's funeral, which will then help you remember that you all ate your grandmother's favorite coconut cake at the gathering after the funeral. You can then try to find that recipe and use it as a way to jog other memories of your grandmother.

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Expert Interview

Thanks for reading our article! If you’d like to learn more about writing essays, check out our in-depth interview with Alicia Cook .

• ↑ https://owl.purdue.edu/owl/general_writing/academic_writing/essay_writing/narrative_essays.html
• ↑ http://writingcenter.unc.edu/handouts/thesis-statements/
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/thesis_statement_tips.html
• ↑ https://writing.wisc.edu/handbook/process/thesis/
• ↑ https://writingcenter.unc.edu/tips-and-tools/brainstorming/
• ↑ https://www.grammarly.com/blog/narrative-writing/
• ↑ https://www.indeed.com/career-advice/career-development/how-to-write-narrative-essay

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How to Write a Thesis Statement

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• 01 What Is a Thesis Statement?
• 02 Best Way to Write a Thesis Statement
• 03 How to Write a Thesis Statement
• 04 Tips for Writing a Thesis Statement
• 05 What Makes a Thesis Statement Strong?
• 06 Frequently Asked Questions About Writing a Thesis Statement

Think about the last time you made an argument in favor of or against something/someone. Think about your stance and how you delivered your message to your audience. Were your points valid? Did they make sense? Did you get your message across concisely and thoroughly? Now, did you realize that your argument ended with a thesis statement? Yep, it's true, and it can be that simple for your academic essays, as well.

Today's topic is all about the thesis statement: the different types of thesis statements, what makes a thesis statement good, what to include in a thesis statement, and how a thesis statement can be used in the future . I'll also give you some tips on how to write a thesis statement, as well as how to prepare a thesis statement, so if you have papers coming due, mid-terms or simply want to know how to write a good thesis statement, look no further. I got you!

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What Is a Thesis Statement?

Before we get started, I think it's important to go over what exactly a thesis statement is , so we don't get it confused with anything else.

A thesis statement is a summary of the main point, central idea, or claim of an essay, research paper, or any other piece of academic writing . It usually appears at the end of the introduction and prepares the reader on what to expect in the rest of your paper.

When I was in school, I remember struggling when it came to sorting out my thoughts and putting my ideas, thesis statement and supporting evidence down on paper. If you're someone who deals the same obstacles, one thing that worked for me was thinking of it like a real-life argument. Ask yourself what the main point you're trying to make is and boom. You got yourself a compelling thesis statement.

Types of thesis statements

However, things can get tricky if you don't know what kind of thesis statement you're writing. There are several types of thesis statements that can be used depending on the purpose and structure of your paper. Let's talk about them:

• Analytical thesis statement : This type of thesis breaks down an issue or idea into its component parts, evaluates the issue or idea, and presents this breakdown and evaluation to the audience.
• Expository thesis statement : This type of thesis explains something to the audience, presenting information in a clear and concise manner.
• Argumentative thesis statement : This type of thesis makes a claim about a topic and justifies this claim with specific evidence and reasoning.
• Narrative thesis statement : This type of thesis tells a story or recounts an event, providing a narrative structure to the academic work.

So, before you start your paper, I suggest carefully going over your essay guidelines to figure out what kind of thesis statement you're aiming to write . Whether it be for expository and argumentative essays or persuasive essays, if your thesis statement adheres to the rules of the essay, you'll be good to go.

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What to Include in a Thesis Statement

Now, I don't want to give the impression that writing a solid thesis statement is all you need to be compelling in your argument because it's not. There are several components you should include in your thesis statement to really make it stand out to your audience. These components are (but are not limited to):

1. Knowing the main topic/subject of your paper . Clearly state what the paper is about to provide context for the reader.

2. Having a specific claim or argument . Make a clear and concise statement that outlines your main point or position on the topic.

3. Showcasing the scope of your paper : Provide a preview of the main points or arguments that will be discussed in the paper to give the reader an idea of what to expect.

4. The significance of your argument : Explain why your claim is important/relevant to the topic being discussed.

While these are a few key elements you should have in your thesis statement, they're also not the end-all-be-all. You want to make sure that your main point is strong and backed with supporting evidence and clear opinions on the topic at hand, as well.

Best Way to Write a Thesis Statement

Like most things, writing a thesis statement takes the right amount of concentration and dedication . This means zero distractions and 100% focus. I know—zero distractions can be difficult, but it’s completely doable! All you need is a fresh piece of paper, a pen, and discipline. Here, let’s go over some of the best ways to write a thesis statement.

First, you’re going to want to get rid of any distractions . Yes, that means your cellphone (don’t hate me!). Along with your cellphone, you want to make sure you remove any other devices like TVs, radios, etc. from your vicinity to remain focused. This can also mean people and places, as well. Make sure you set yourself up in a quiet, no-traffic area to make sure there is nothing and no one around that can deter you from the task at hand.

You also want to make sure you prioritize your time and block out a piece of your day to get this done. By setting aside time for your academic essays, you are setting yourself up for success . And if you don’t have a lot of time to spare, that’s totally okay.

You have to figure out what works best with your schedule, so even if it’s 30 minutes to write down your topic sentence, central ideas, or even a working final thesis statement, that helps! Anything counts. You just want to make sure you don’t waste the time you have.

And don’t neglect yourself from breaks . I know that being in a role can be exhilarating—your brain is working, your thoughts are flowing, and work is getting done, but you don’t want to burn yourself out too fast.

Make sure you take 5-to-10-minute breaks every 30 minutes to an hour to keep your momentum. Just don’t get lost in the break! Train yourself to have enough discipline to give yourself some grace but still be able to pick up right where you left off.

Preparing Your Thesis Statement

There’s something about hearing the words ‘thesis statement’ that immediately overwhelms you, but it doesn’t have to. If you have a plan, coming up with a solid thesis statement can be as easy as 1, 2, 3 . That’s why preparing your thesis statement can help you effectively convey the main point or argument of your work. Here are some steps to help you prepare a strong thesis statement:

• Understand the assignment : It sounds silly to say, but you want to make sure you fully understand the requirements and expectations of your assignment before working your thesis statement. If you need to, ask questions to clarify any confusion you may have.
• Choose a topic : Writing can be boring for some, so you want to choose a topic that interests you and is relevant to the assignment. Consider the scope of the topic and how you can narrow it down to your specific focus of interest.
• Conduct research : It’s important to gather any relevant information and evidence there is to support your thesis statement, even if you aren’t working on a research paper. It can be tedious, but trust me, it will help you develop a strong argument.
• Brainstorm ideas : Take the time to brainstorm different angles or perspectives on your topic. I’m a huge believer in details, so think of any background context or supporting evidence for your topic. Consider different approaches to your argument that you can use in your thesis statement, as well.
• Draft your thesis statement : Based on your research and brainstorming, draft a preliminary thesis statement that clearly states the main point or argument of your paper.
• Revise and refine : Review your thesis statement and revise it as many times as necessary. Step away from your work and revisit it if you need to. This will help you make sure it is specific, arguable, clear, and focused.
• Seek feedback : Consider sharing your thesis statement with peers, instructors, or writing tutors to get feedback and suggestions for improvement. Constructive feedback always helps

I know these are just tips I like to follow, but they are meant to set you up for success, as well. By taking them into consideration, you can effectively prepare a strong and well-crafted thesis statement for your academic work.

While there is no one way of knowing how to write a thesis statement, there are some rules you can follow to make it easier on yourself. To write a good, working thesis statement, follow these steps :

• Identify the topic : First thing, determine the topic/subject of your paper. (I found this is best done in the form of an outline)
• Narrow down the focus : Narrow down your topic to a specific aspect or angle that you want to explore in your paper.
• Make a claim : Form a clear and concise statement that presents your main argument or position on the topic.
• Provide reasons : Include reasons or evidence that support your claim and give context to your argument.
• Revise and refine : Again, edit, edit, edit. Review your thesis statement multiple times if necessary to ensure it is clear and focused. Revise as needed to strengthen your statement and deepen your argument.
• Place the thesis statement : Typically, the thesis statement is placed at the end of the introduction paragraph to guide the reader on what to expect in the rest of the paper.

I don’t want to toot my own horn, but I can assure you that these are the key elements you need for a strong thesis . Follow me, and I’ll lead you to more academic success.

Tips for Writing a Thesis Statement

Everyone has their own way of doing things, especially when it comes to learning, and if I want anything, it's to help set you up with the clearest, most organized way to write a thesis statement. Here are some tips I like to follow when writing a thesis statement . I hope they work for you, too.

• Be specific : Your thesis statement should clearly state the main point or argument of your paper in a concise and specific manner.
• Create an Outline :
• Have an argument : Your thesis statement should present a claim that can be debated or challenged by others. Avoid stating facts or obvious statements.
• Be clear : Your thesis statement should provide a clear direction for the reader and what they should expect to be in the rest of the paper.
• Stay focused : Your thesis statement should address a single main idea or topic. Avoid including multiple ideas in one thesis statement.

Feel free to add or put your own twist on tips for thesis statements . It's important that you create or find your own way of doing these things so they can help you in the future.

What Makes a Thesis Statement Strong?

A strong thesis statement possesses many factors. It isn't summed up in a single sentence or general statement. The tone you set in your first paragraph is the tone for the entirety of your paper. For instance, specificity. Being clear and precise makes the main point or argument of the paper that much more impactful . It also provides clarity on the subject, which makes it easy to understand and provides a clear direction for the reader.

Your argument is also key . It presents a straightforward claim that can be debated or challenged by others. A good argument can help compare and contrast ideas and which only strengthens your thesis. Your argument should also be relevant and directly relate to the topic of the paper and guide the reader on what to expect, as well as focused and supported by evidence, reasoning, or analysis throughout the paper.

But most importantly, your thesis should be original . Having a unique main idea presents interesting, out-of-the-box perspectives on the topic, which can leave a lasting impression as an academic. This will keep your reader engaged and interested in your work.

Using Thesis Statements in the Future

There is no way of telling when you'll be using thesis statements in your future, especially once you graduate from school, but I promise you you will, without realizing it, for instance, in a regular discussion with a friend, family member, colleague, or peer.

We don't notice how the conversations and discussions we have with others are just essays in verbal form . They, too, include main ideas, specific details, and an argument, all leading up to a thesis statement.

Aside from essays, thesis statements can be found in presentations and reports in professional settings, as well. When giving presentations or reviewing reports, a thesis statement will help structure your content and communicate your main message effectively to your audience. It will articulate the main findings or recommendations of your work.

Example Thesis Statements

It's only fair that I leave examples of thesis statements for you to review and gain ideas from. They can also be used as blueprints for any future essays you have.

Example 1: "Studying abroad is one of the most valuable experiences one can have in college. It is the only way to get completely immersed in another language and learn how other cultures and countries are different from your own."

Example 2 : "Learning how to manage money at a young age can not only set you up for financial success, it can also help you build a life of financial freedom for your future."

Example 3 : "The quality of TV series today has grown so much over the last few years and sometimes matches the one of a full-length film, even though the two forms have some dramatic differences."

Be sure to do more research on thesis statement examples in order to sharpen your skills , as well as thought processes for upcoming essays or presentations you may have in the future. You have all the tools for success. Now it's time to put them to use!

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Frequently Asked Questions About Writing a Thesis Statement

What makes a thesis statement good.

A good thesis statement is made up of different elements, like identifying a topic, making an argument, and supporting your claims with specific examples and evidence. Make sure you don't derail from your topic, and remember to stay focused on the argument at hand.

What is something to keep in mind when writing a thesis statement?

When writing a thesis statement, keep in mind that you will need 100% of your focus in order to form a solid thesis statement. Disconnect yourself from social media, electronics, and any other devices you may have that keep you distracted. Find yourself a quiet place you can work from and watch how the ideas pour out of you like water!

When will you use thesis statements?

You may stop writing essays once you graduate from college, but that doesn't mean forming a quality thesis statement is going to leave you. Though I can't say when and where, I can guarantee you will use thesis statements in your everyday life, like when you are having a discussion with others, presenting a professional report at work, or simply engaging in debates with others. The writing stops, but knowing how to make a good argument stays with you for life.

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About Chanelle

Chanelle is a dedicated and seasoned writer, editor, and researcher. She’s familiar with college admissions, finding and applying for scholarships, and the financial aid process.

She graduated from the University of South Florida with a major in English, Creative Writing with a specialization in Technical Writing.

Chanelle has over a decade of experience in the writing industry, specializing in blog writing, SEO writing, editing, translations, corporate writing, and various forms of creative writing. She founded and operated Femme Feature Magazine, an online and print publication dedicated to celebrating women in all corners of the creative field. An avid reader, Chanelle is constantly seeking refined and innovative ways to tell her stories. Writing is her foremost passion, and she is always on the lookout for her next narrative adventure.

Since joining the Bold.org team as a Content Writer in 2023, Chanelle has brought her enthusiasm for merging the writing and digital worlds. She is dedicated to assisting students and young adults in navigating their educational and professional journeys.

Chanelle's unwavering commitment to her craft and her dedication to helping others shine through in her work. Leveraging her personal and professional experiences, she provides invaluable support to students, empowering them to achieve their goals and realize their potential.

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How to Write a Solid Thesis Statement

The important sentence expresses your central assertion or argument

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• Writing Research Papers
• Writing Essays
• English Grammar
• M.Ed., Education Administration, University of Georgia
• B.A., History, Armstrong State University

A thesis statement provides the foundation for your entire research paper or essay. This statement is the central assertion that you want to express in your essay. A successful thesis statement is one that is made up of one or two sentences clearly laying out your central idea and expressing an informed, reasoned answer to your research question.

Usually, the thesis statement will appear at the end of the first paragraph of your paper. There are a few different types, and the content of your thesis statement will depend upon the type of paper you’re writing.

Key Takeaways: Writing a Thesis Statement

• A thesis statement gives your reader a preview of your paper's content by laying out your central idea and expressing an informed, reasoned answer to your research question.
• Thesis statements will vary depending on the type of paper you are writing, such as an expository essay, argument paper, or analytical essay.
• Before creating a thesis statement, determine whether you are defending a stance, giving an overview of an event, object, or process, or analyzing your subject

Expository Essay Thesis Statement Examples

An expository essay "exposes" the reader to a new topic; it informs the reader with details, descriptions, or explanations of a subject. If you are writing an expository essay , your thesis statement should explain to the reader what she will learn in your essay. For example:

• The United States spends more money on its military budget than all the industrialized nations combined.
• Gun-related homicides and suicides are increasing after years of decline.
• Hate crimes have increased three years in a row, according to the FBI.
• Post-traumatic stress disorder (PTSD) increases the risk of stroke and arterial fibrillation (irregular heartbeat).

These statements provide a statement of fact about the topic (not just opinion) but leave the door open for you to elaborate with plenty of details. In an expository essay, you don't need to develop an argument or prove anything; you only need to understand your topic and present it in a logical manner. A good thesis statement in an expository essay always leaves the reader wanting more details.

Types of Thesis Statements

Before creating a thesis statement, it's important to ask a few basic questions, which will help you determine the kind of essay or paper you plan to create:

• Are you defending a stance in a controversial essay ?
• Are you simply giving an overview or describing an event, object, or process?
• Are you conducting an analysis of an event, object, or process?

In every thesis statement , you will give the reader a preview of your paper's content, but the message will differ a little depending on the essay type .

Argument Thesis Statement Examples

If you have been instructed to take a stance on one side of a controversial issue, you will need to write an argument essay . Your thesis statement should express the stance you are taking and may give the reader a preview or a hint of your evidence. The thesis of an argument essay could look something like the following:

• Self-driving cars are too dangerous and should be banned from the roadways.
• The exploration of outer space is a waste of money; instead, funds should go toward solving issues on Earth, such as poverty, hunger, global warming, and traffic congestion.
• The U.S. must crack down on illegal immigration.
• Street cameras and street-view maps have led to a total loss of privacy in the United States and elsewhere.

These thesis statements are effective because they offer opinions that can be supported by evidence. If you are writing an argument essay, you can craft your own thesis around the structure of the statements above.

Analytical Essay Thesis Statement Examples

In an analytical essay assignment, you will be expected to break down a topic, process, or object in order to observe and analyze your subject piece by piece. Examples of a thesis statement for an analytical essay include:

• The criminal justice reform bill passed by the U.S. Senate in late 2018 (" The First Step Act ") aims to reduce prison sentences that disproportionately fall on nonwhite criminal defendants.
• The rise in populism and nationalism in the U.S. and European democracies has coincided with the decline of moderate and centrist parties that have dominated since WWII.
• Later-start school days increase student success for a variety of reasons.

Because the role of the thesis statement is to state the central message of your entire paper, it is important to revisit (and maybe rewrite) your thesis statement after the paper is written. In fact, it is quite normal for your message to change as you construct your paper.

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• How to Write a Good Thesis Statement
• What Is Expository Writing?
• An Introduction to Academic Writing
• Definition and Examples of Analysis in Composition
• Write an Attention-Grabbing Opening Sentence for an Essay
• How To Write an Essay
• Tips on How to Write an Argumentative Essay
• How to Write a Response Paper
• The Ultimate Guide to the 5-Paragraph Essay
• Understanding What an Expository Essay Is
• The Introductory Paragraph: Start Your Paper Off Right
• Tips for Writing an Art History Paper

Jemma Kuster

Narrative Essay Thesis Statements: Tips and Examples

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Introduction

A narrative essay, put simply, is an essay that tells a story. Narrative essays are usually both creative and personal, which makes it difficult to know where to start and how to incorporate the traditional elements of essays that we might be more familiar with. 

When we think of essays in general, one important component is the thesis statement, which tells us the main idea or argument of an overall work. In a narrative essay, however, a thesis does not follow the same rules it does in other types of writing. A narrative essay thesis statement can do one or both of the following: (1) convey a theme, lesson, or main idea, or (2) introduce the action of the story you want to tell. 

How you write your thesis will depend on the purpose of your essay, any instructions or prompt you may have received, and what flows with your writing style. In most cases, when writing a narrative essay, you will be focusing on a single event or experience that was important to you. If your goal is to convey a lesson, theme, or moral from that experience, you might think about the following questions: 

• Why am I telling this story?
• What happened or changed in my life as a result of this event?
• What did I learn from this experience?
• What is the most important idea/lesson that I want my reader to take away after reading my essay?
• What point am I making with this, in general?

Once you have an idea of what you want to say, all that is left is to turn that thought into a thesis. Let’s take a closer look at some examples of narrative essay thesis statements to see how that works:

• Over the few months I spent with those mice, I learned that unexpected instructors can often have the most to teach us. 
• That single failing grade was enough to shift my perspective on personal responsibility. 
• Overcoming grief is a slow process that never truly ends, but confiding in the people in our lives can make it less painful. 

These statements tell us a main idea, lesson, or theme from their respective narrative. Still, it can be hard to understand how these sentences would fit into an essay when looking at them in isolation. Here are two examples from well-known narrative essays so you can see what thesis statements look like in actual paragraphs:

“I was less playing a particular kind of animal than enacting a form of wildness that I recognized in myself.” – From “The Wild, Sublime Body” by Melissa Febos, published in The Yale Review. The full essay can be accessed here.

“Beyond those things our culture might specialize in money, and celebrity, and natural beauty. These are not universal. You enjoy work and will love your grandchildren, and somewhere in there you die.” – From “This is the Life” by Annie Dillard, originally published in  Image: A Journal of the Arts and Religio n. The full essay can be accessed here.

Both of these excerpts convey the main idea of their respective essay. They are not extremely direct, but they give us a hint at what we should be taking away from these essays nonetheless.

But what about thesis statements that simply introduce the action of a story, or do that while telling us a theme or main idea? These can also be a great, flexible option for your writing. Here is another contextual example:

“I foresaw no particular problems or difficulties. I was as strong as a bull, in the prime, the pride, the high noon of life. I looked forward to the walk with assurance and pleasure.” – From “The Bull on the Mountain” by Oliver Sacks, published in The New York Review. The full essay can be accessed here.

Not only do these sentences introduce the story’s action (the narrator will soon begin to walk), but they also hint at an underlying message. We know immediately that the narrator’s assuredness and pride will likely come before a fall, even though it is not stated. 

Drafting a thesis statement is difficult, especially for a creative medium like a narrative essay. Remember that writing is a process of revision; you can always return to your “thesis” after you’ve written some or all of your essay. This may help you eliminate any awkwardness in how your thesis flows with the rest of your writing. You can also test for awkward or too-direct phrasing by reading the surrounding sentences out loud and making sure they sound natural in your voice.

Keep in mind that the examples here are not exhaustive; there are infinite ways to tell a compelling story, and it is up to you to find what works for your goals. Continuing to seek out and read other narrative essays can help you understand what makes them tick and how you can achieve similar things in your writing.

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What’s a Thesis Statement?

A thesis statement:

• Tells the reader your opinion / point of view / interpretation of the subject under discussion. 
• Indicates the direction the essay will take by stating the main points. 
• Makes a claim that others might dispute. This aspect makes your thesis debatable, which is key to writing an analytical essay. Theses that aren’t debatable tend to be descriptive, summarizing a text rather than formulating an opinion from textual evidence.

How do I write a thesis? 

• A thesis is a product of thoughtful close reading, analysis, and brainstorming.  
• Before you develop an argument on any topic, you have to collect and organize detailed textual evidence.  
• Once you close read and interpret the text, you will probably have a “working thesis,” an argument that you think you can support with evidence (but may need adjustments as you write). 

When reviewing your working thesis, ask yourself the following: 

Do I answer the question?  

Re-reading the question after constructing a working thesis helps you focus and make sure that you're on the right track. 

Have I taken a position that others might challenge or oppose? 

If your thesis simply states facts that no one would, or even could, disagree with, it’s possible that you are simply providing a summary or describing the text, rather than making an argument. 

Is my thesis statement specific enough?   

Thesis statements that are too vague often do not have a strong argument. If your thesis contains words like “good” or “successful,” see if you could be more specific: why is something “good”; what specifically makes something “successful”? 

Does my essay support my thesis specifically and without wandering off topic?  

If your thesis and the body of your essay do not seem to go together, one of them has to change. Your thesis statement should be like a thread that is weaved in throughout your entire essay. 

Does my thesis answer “how” or “why”? 

If a reader’s first response is “how?” or “why?” your thesis may be too general. Answering these questions will help you be more specific and as a result will outline your main points to the reader. 

For Example : 

Suppose your topic is asking you to write an essay that makes an argument about the importance of one of the primary themes of the "Story of An Hour" by Kate Chopin.  

Your immediate thought might be: 

"The story of an hour" is about how a woman feels when her husband dies. 

This thesis simply summarizes the story without providing the theme. A reader might think, “How does she feel? And why does she feel that way?” Ask yourself these same questions! 

As you think about these ‘hows’ and ‘whys,’ you should begin recalling specific examples from the text. 

The woman in "the Story of an Hour" feels relieved and liberated when she learns that her husband died, because she was in an unhappy marriage. 

Next, push your thesis towards an interpretation. Look for detailed, textual evidence to explain the how and the why. 

The theme of "The Story of an Hour" focuses on a woman’s freedom from a male-dominated relationship.  

Notice how the above statement still does not answer the ‘how’ question. Perhaps you would like to discuss how the language of the story indicates that the woman was indeed oppressed by her husband, and that as a result of this oppression she became ill.  

The theme of "The Story of An Hour" focuses on a woman’s lack of freedom from a male-dominated relationship, and we see this theme played out in the oppressive language, the illness of the character, and the imagery of life and nature only seen through a window. 

Compare the above thesis to the original working one. This final thesis presents a way of interpreting evidence that reflects the significance of the question. Keep in mind that this is just an example of many possibilities you can write about!

This piece was originally submitted to our community forums by a reader. Due to audience interest, we’ve preserved it. The opinions expressed here are the writer’s own.

Frequently asked questions

What is a thesis statement.

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

Frequently asked questions: Writing an essay

For a stronger conclusion paragraph, avoid including:

• Important evidence or analysis that wasn’t mentioned in the main body
• Generic concluding phrases (e.g. “In conclusion…”)
• Weak statements that undermine your argument (e.g. “There are good points on both sides of this issue.”)

Your conclusion should leave the reader with a strong, decisive impression of your work.

Your essay’s conclusion should contain:

• A rephrased version of your overall thesis
• A brief review of the key points you made in the main body
• An indication of why your argument matters

The conclusion may also reflect on the broader implications of your argument, showing how your ideas could applied to other contexts or debates.

The conclusion paragraph of an essay is usually shorter than the introduction . As a rule, it shouldn’t take up more than 10–15% of the text.

An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The “hook” is the first sentence of your essay introduction . It should lead the reader into your essay, giving a sense of why it’s interesting.

To write a good hook, avoid overly broad statements or long, dense sentences. Try to start with something clear, concise and catchy that will spark your reader’s curiosity.

Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

Let’s say you’re writing a five-paragraph  essay about the environmental impacts of dietary choices. Here are three examples of topic sentences you could use for each of the three body paragraphs :

• Research has shown that the meat industry has severe environmental impacts.
• However, many plant-based foods are also produced in environmentally damaging ways.
• It’s important to consider not only what type of diet we eat, but where our food comes from and how it is produced.

Each of these sentences expresses one main idea – by listing them in order, we can see the overall structure of the essay at a glance. Each paragraph will expand on the topic sentence with relevant detail, evidence, and arguments.

The topic sentence usually comes at the very start of the paragraph .

However, sometimes you might start with a transition sentence to summarize what was discussed in previous paragraphs, followed by the topic sentence that expresses the focus of the current paragraph.

Topic sentences help keep your writing focused and guide the reader through your argument.

In an essay or paper , each paragraph should focus on a single idea. By stating the main idea in the topic sentence, you clarify what the paragraph is about for both yourself and your reader.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

The thesis statement is essential in any academic essay or research paper for two main reasons:

• It gives your writing direction and focus.
• It gives the reader a concise summary of your main point.

Without a clear thesis statement, an essay can end up rambling and unfocused, leaving your reader unsure of exactly what you want to say.

The thesis statement should be placed at the end of your essay introduction .

Follow these four steps to come up with a thesis statement :

• Ask a question about your topic .
• Write your initial answer.
• Develop your answer by including reasons.
• Refine your answer, adding more detail and nuance.

An essay isn’t just a loose collection of facts and ideas. Instead, it should be centered on an overarching argument (summarized in your thesis statement ) that every part of the essay relates to.

The way you structure your essay is crucial to presenting your argument coherently. A well-structured essay helps your reader follow the logic of your ideas and understand your overall point.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

The vast majority of essays written at university are some sort of argumentative essay . Almost all academic writing involves building up an argument, though other types of essay might be assigned in composition classes.

Essays can present arguments about all kinds of different topics. For example:

• In a literary analysis essay, you might make an argument for a specific interpretation of a text
• In a history essay, you might present an argument for the importance of a particular event
• In a politics essay, you might argue for the validity of a certain political theory

At high school and in composition classes at university, you’ll often be told to write a specific type of essay , but you might also just be given prompts.

Look for keywords in these prompts that suggest a certain approach: The word “explain” suggests you should write an expository essay , while the word “describe” implies a descriptive essay . An argumentative essay might be prompted with the word “assess” or “argue.”

In rhetorical analysis , a claim is something the author wants the audience to believe. A support is the evidence or appeal they use to convince the reader to believe the claim. A warrant is the (often implicit) assumption that links the support with the claim.

Logos appeals to the audience’s reason, building up logical arguments . Ethos appeals to the speaker’s status or authority, making the audience more likely to trust them. Pathos appeals to the emotions, trying to make the audience feel angry or sympathetic, for example.

Collectively, these three appeals are sometimes called the rhetorical triangle . They are central to rhetorical analysis , though a piece of rhetoric might not necessarily use all of them.

The term “text” in a rhetorical analysis essay refers to whatever object you’re analyzing. It’s frequently a piece of writing or a speech, but it doesn’t have to be. For example, you could also treat an advertisement or political cartoon as a text.

The goal of a rhetorical analysis is to explain the effect a piece of writing or oratory has on its audience, how successful it is, and the devices and appeals it uses to achieve its goals.

Unlike a standard argumentative essay , it’s less about taking a position on the arguments presented, and more about exploring how they are constructed.

You should try to follow your outline as you write your essay . However, if your ideas change or it becomes clear that your structure could be better, it’s okay to depart from your essay outline . Just make sure you know why you’re doing so.

If you have to hand in your essay outline , you may be given specific guidelines stating whether you have to use full sentences. If you’re not sure, ask your supervisor.

When writing an essay outline for yourself, the choice is yours. Some students find it helpful to write out their ideas in full sentences, while others prefer to summarize them in short phrases.

You will sometimes be asked to hand in an essay outline before you start writing your essay . Your supervisor wants to see that you have a clear idea of your structure so that writing will go smoothly.

Even when you do not have to hand it in, writing an essay outline is an important part of the writing process . It’s a good idea to write one (as informally as you like) to clarify your structure for yourself whenever you are working on an essay.

Comparisons in essays are generally structured in one of two ways:

• The alternating method, where you compare your subjects side by side according to one specific aspect at a time.
• The block method, where you cover each subject separately in its entirety.

It’s also possible to combine both methods, for example by writing a full paragraph on each of your topics and then a final paragraph contrasting the two according to a specific metric.

Your subjects might be very different or quite similar, but it’s important that there be meaningful grounds for comparison . You can probably describe many differences between a cat and a bicycle, but there isn’t really any connection between them to justify the comparison.

You’ll have to write a thesis statement explaining the central point you want to make in your essay , so be sure to know in advance what connects your subjects and makes them worth comparing.

Some essay prompts include the keywords “compare” and/or “contrast.” In these cases, an essay structured around comparing and contrasting is the appropriate response.

Comparing and contrasting is also a useful approach in all kinds of academic writing : You might compare different studies in a literature review , weigh up different arguments in an argumentative essay , or consider different theoretical approaches in a theoretical framework .

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

If you’re not given a specific prompt for your descriptive essay , think about places and objects you know well, that you can think of interesting ways to describe, or that have strong personal significance for you.

The best kind of object for a descriptive essay is one specific enough that you can describe its particular features in detail—don’t choose something too vague or general.

If you’re not given much guidance on what your narrative essay should be about, consider the context and scope of the assignment. What kind of story is relevant, interesting, and possible to tell within the word count?

The best kind of story for a narrative essay is one you can use to reflect on a particular theme or lesson, or that takes a surprising turn somewhere along the way.

Don’t worry too much if your topic seems unoriginal. The point of a narrative essay is how you tell the story and the point you make with it, not the subject of the story itself.

Narrative essays are usually assigned as writing exercises at high school or in university composition classes. They may also form part of a university application.

When you are prompted to tell a story about your own life or experiences, a narrative essay is usually the right response.

The majority of the essays written at university are some sort of argumentative essay . Unless otherwise specified, you can assume that the goal of any essay you’re asked to write is argumentative: To convince the reader of your position using evidence and reasoning.

In composition classes you might be given assignments that specifically test your ability to write an argumentative essay. Look out for prompts including instructions like “argue,” “assess,” or “discuss” to see if this is the goal.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

An argumentative essay tends to be a longer essay involving independent research, and aims to make an original argument about a topic. Its thesis statement makes a contentious claim that must be supported in an objective, evidence-based way.

An expository essay also aims to be objective, but it doesn’t have to make an original argument. Rather, it aims to explain something (e.g., a process or idea) in a clear, concise way. Expository essays are often shorter assignments and rely less on research.

An expository essay is a common assignment in high-school and university composition classes. It might be assigned as coursework, in class, or as part of an exam.

Sometimes you might not be told explicitly to write an expository essay. Look out for prompts containing keywords like “explain” and “define.” An expository essay is usually the right response to these prompts.

An expository essay is a broad form that varies in length according to the scope of the assignment.

Expository essays are often assigned as a writing exercise or as part of an exam, in which case a five-paragraph essay of around 800 words may be appropriate.

You’ll usually be given guidelines regarding length; if you’re not sure, ask.

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The Three-Story Thesis

Author: amy guptill.

Guptill, Amy. “English Composition I.” English Composition I, Lumen Learning, courses.lumenlearning.com/engcomp1-wmopen/chapter/text-the-three-story-thesis/.

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You have no doubt been drilled on the need for a thesis statement and its proper location at the end of the introduction. And you also know that all of the key points of the paper should clearly support the central driving thesis. Indeed, the whole model of the five-paragraph theme hinges on a clearly stated and consistent thesis. However, some students are surprised—and dismayed—when some of their early college papers are criticized for not having a good thesis. Their professor might even claim that the paper doesn’t have a thesis when, in the author’s view it clearly does. So, what makes a good thesis in college?

• A good thesis is non-obvious . High school teachers needed to make sure that you and all your classmates mastered the basic form of the academic essay. Thus, they were mostly concerned that you had a clear and consistent thesis, even if it was something obvious like “sustainability is important.” A thesis statement like that has a wide-enough scope to incorporate several supporting points and concurring evidence, enabling the writer to demonstrate his or her mastery of the five-paragraph form. Good enough! When they can, high school teachers nudge students to develop arguments that are less obvious and more engaging. College instructors, though, fully expect you to produce something more developed.
• A good thesis is arguable . In everyday life, “arguable” is often used as a synonym for “doubtful.” For a thesis, though, “arguable” means that it’s worth arguing: it’s something with which a reasonable person might disagree. This arguability criterion dovetails with the non-obvious one: it shows that the author has deeply explored a problem and arrived at an argument that legitimately needs 3, 5, 10, or 20 pages to explain and justify. In that way, a good thesis sets an ambitious agenda for a paper. A thesis like “sustainability is important” isn’t at all difficult to argue for, and the reader would have little intrinsic motivation to read the rest of the paper. However, an arguable thesis like “sustainability policies will inevitably fail if they do not incorporate social justice,” brings up some healthy skepticism. Thus, the arguable thesis makes the reader want to keep reading.
• A good thesis is well specified . Some student writers fear that they’re giving away the game if they specify their thesis up front; they think that a purposefully vague thesis might be more intriguing to the reader. However, consider movie trailers: they always include the most exciting and poignant moments from the film to attract an audience. In academic papers, too, a well specified thesis indicates that the author has thought rigorously about an issue and done thorough research, which makes the reader want to keep reading. Don’t just say that a particular policy is effective or fair; say what makes it is so. If you want to argue that a particular claim is dubious or incomplete, say why in your thesis.
• A good thesis includes implications . Suppose your assignment is to write a paper about some aspect of the history of linen production and trade, a topic that may seem exceedingly arcane. And suppose you have constructed a well supported and creative argument that linen was so widely traded in the ancient Mediterranean that it actually served as a kind of currency. [1] That’s a strong, insightful, arguable, well specified thesis. But which of these thesis statements do you find more engaging?

Version A: Paragraph 6 0 No paragraph-level conversations. Start one. Paragraph 6, Sentence 1 0 No sentence-level conversations. Start one. Linen served as a form of currency in the ancient Mediterranean world, connecting rival empires through circuits of trade. Paragraph 7 0 No paragraph-level conversations. Start one. Paragraph 7, Sentence 1 0 No sentence-level conversations. Start one. Version B: Paragraph 8 0 No paragraph-level conversations. Start one. Paragraph 8, Sentence 1 0 No sentence-level conversations. Start one. Linen served as a form of currency in the ancient Mediterranean world, connecting rival empires through circuits of trade. The economic role of linen raises important questions about how shifting environmental conditions can influence economic relationships and, by extension, political conflicts. Paragraph 9 0 No paragraph-level conversations. Start one. Paragraph 9, Sentence 1 0 No sentence-level conversations. Start one. Paragraph 9, Sentence 2 0 No sentence-level conversations. Start one.

Putting your claims in their broader context makes them more interesting to your reader and more impressive to your professors who, after all, assign topics that they think have enduring significance. Finding that significance for yourself makes the most of both your paper and your learning.

How do you produce a good, strong thesis? And how do you know when you’ve gotten there? Many instructors and writers find useful a metaphor based on this passage by Oliver Wendell Holmes, Sr. [2] :

There are one-story intellects, two-story intellects, and three-story intellects with skylights. All fact collectors who have no aim beyond their facts are one-story men. Two-story men compare, reason, generalize using the labor of fact collectors as their own. Three-story men idealize, imagine, predict—their best illumination comes from above the skylight. Paragraph 12 0 No paragraph-level conversations. Start one. Paragraph 12, Sentence 1 0 No sentence-level conversations. Start one. Paragraph 12, Sentence 2 0 No sentence-level conversations. Start one. Paragraph 12, Sentence 3 0 No sentence-level conversations. Start one. Paragraph 12, Sentence 4 0 No sentence-level conversations. Start one.

The biggest benefit of the three-story metaphor is that it describes a process for building a thesis. To build the first story, you first have to get familiar with the complex, relevant facts surrounding the problem or question. You have to be able to describe the situation thoroughly and accurately. Then, with that first story built, you can layer on the second story by formulating the insightful, arguable point that animates the analysis. That’s often the most effortful part: brainstorming, elaborating and comparing alternative ideas, finalizing your point. With that specified, you can frame up the third story by articulating why the point you make matters beyond its particular topic or case.

For example, imagine you have been assigned a paper about the impact of online learning in higher education. You would first construct an account of the origins and multiple forms of online learning and assess research findings about its use and effectiveness. If you’ve done that well, you’ll probably come up with a well considered opinion that wouldn’t be obvious to readers who haven’t looked at the issue in depth. Maybe you’ll want to argue that online learning is a threat to the academic community. Or perhaps you’ll want to make the case that online learning opens up pathways to college degrees that traditional campus-based learning does not. In the course of developing your central, argumentative point, you’ll come to recognize its larger context; in this example, you may claim that online learning can serve to better integrate higher education with the rest of society, as online learners bring their educational and career experiences together.

To outline this example:

• First story : Online learning is becoming more prevalent and takes many different forms.
• Second story : While most observers see it as a transformation of higher education, online learning is better thought of an extension of higher education in that it reaches learners who aren’t disposed to participate in traditional campus-based education.
• Third story : Online learning appears to be a promising way to better integrate higher education with other institutions in society, as online learners integrate their educational experiences with the other realms of their life, promoting the freer flow of ideas between the academy and the rest of society.

Here’s another example of a three-story thesis: [4]

• First story : Edith Wharton did not consider herself a modernist writer, and she didn’t write like her modernist contemporaries.
• Second story : However, in her work we can see her grappling with both the questions and literary forms that fascinated modernist writers of her era. While not an avowed modernist, she did engage with modernist themes and questions.
• Third story : Thus, it is more revealing to think of modernism as a conversation rather than a category or practice.

Here’s one more example:

• First story : Scientists disagree about the likely impact in the U.S. of the light brown apple moth (LBAM) , an agricultural pest native to Australia.
• Second story : Research findings to date suggest that the decision to spray pheromones over the skies of several southern Californian counties to combat the LBAM was poorly thought out.
• Third story : Together, the scientific ambiguities and the controversial response strengthen the claim that industrial-style approaches to pest management are inherently unsustainable.

A thesis statement that stops at the first story isn’t usually considered a thesis. A two-story thesis is usually considered competent, though some two-story theses are more intriguing and ambitious than others. A thoughtfully crafted and well informed three-story thesis puts the author on a smooth path toward an excellent paper.

• For more see Fabio Lopez-Lazaro “Linen.” In Encyclopedia of World Trade from Ancient Times to the Present . Armonk: M.E. Sharpe, 2005. ↵
• Oliver Wendell Holmes Sr., The Poet at the Breakfast Table (New York: Houghton & Mifflin, 1892) ↵
• The metaphor is extraordinarily useful even though the passage is annoying. Beyond the sexist language of the time, it displays condescension toward “fact-collectors” which reflects a general modernist tendency to elevate the abstract and denigrate the concrete. In reality, data-collection is a creative and demanding craft, arguably more important than theorizing. ↵
• Drawn from Jennifer Haytock, Edith Wharton and the Conversations of Literary Modernism (New York: Palgrave-MacMillan, 2008). ↵
• Revision and Adaptation. Provided by : Lumen Learning. License : CC BY-NC-SA: Attribution-NonCommercial-ShareAlike
• The three-story thesis: from the ground up. Authored by : Amy Guptill. Provided by : The College at Brockport, SUNY. Located at : http://textbooks.opensuny.org/writing-in-college-from-competence-to-excellence/ . Project : Writing in College: From Competence to Excellence. License : CC BY-NC-SA: Attribution-NonCommercial-ShareAlike
• Image of pagoda corner. Authored by : Takashi Hososhima. Located at : https://flic.kr/p/gGhtya . License : CC BY-SA: Attribution-ShareAlike

DMU Timestamp: November 27, 2019 01:26

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The 8 Parts of a Story You Need to Know

by Sue Weems and Joe Bunting | 0 comments

Whether you're a student analyzing a story or a writer intent on crafting a compelling story, there are a few basic story elements that will help you better understand the parts of a story. 

If you want to see some of these key story elements specifically applied to short fiction, take a look at Sarah Gribble's article on the 9 Elements of Short Fiction . 

What are the parts of a story?

If you're an avid reader, it might feel annoying to be asked to look at the various parts of a given story. I get it. We don't always want to see the recipe behind the magic of our favorite character or story. But story magic is so often born of a mix of basic elements combined with the unique voice or storytelling perspective of the author, so there is still plenty of mystique to appreciate.

If you're a student of story, knowing the parts and essential elements can help you appreciate the craft and replicate it in your own work. 

A number of basic elements go into any story. You may notice that some stories focus on one key element over another, but all stories include most of these core elements (especially a character with a goal and conflict).

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Table of Contents: Character Setting Conflict Plot and Story Structure Point-of-View Genre Tone Theme

1. Characters

The most important part of any story is character. Whether those characters are animal, human, superhuman, or otherworldly, your story must have at least one character (even in the most simple narrative).

Why? Characters have capacity for change– they react in the face of conflict and mirror back our own humanity (even if they are not human!). A story is always about the pursuit of change, and that's why characters are necessary. 

Types of characters

Main or central characters: In most stories there is one main character, the protagonist, that we are rooting for as readers. You can identify the main character by looking at two things:

who has the strongest goal in the story and faces the most conflict getting there?

Who changes the most in the course of the story?

Protagonist: the protagonist is the main character in a story, often the hero or heroine. 

Antagonist : the antagonist is the character or force that opposes the protagonist or main character. Sometimes the antagonist will be cast as a villain, but it can be anyone who creates conflict and obstacles for the protagonist to overcome. 

Note: an antagonist doesn't have to be human. Forces of society or nature can counter a protagonist and make their pursuit difficult. 

Minor or secondary characters: All the other characters in a story are minor, secondary, or supporting characters. If you are analyzing how these minor characters work, consider what each one brings out in the main character.

How does the sidekick challenge their friend to reject the status quo? Do they draw out the best or the worst in the protagonist? 

If you're writing a story, take a look at the article What Characters You Need to decide how to cull your character list if needed. 

Other character considerations:

Sometimes, especially in courses, you'll find questions that ask you to evaluate characters based on their actions, development, or degree of change. Here's what to look for when you come across those types of questions as a student. 

Static vs dynamic characters: These terms are used to describe how much a character changes throughout a story.

Static characters are those who remain relatively unchanged from the beginning to the end of a story. They may encounter obstacles and challenges, but their core beliefs, values, and personalities stay the same. Think of them as consistent or unchanging in their behavior.

On the flip side, dynamic characters are the ones who undergo significant change and growth throughout the story. They are affected by the events and conflicts they face, causing them to evolve in some way. Dynamic characters often learn valuable lessons, overcome personal flaws, or develop new perspectives as a result of their experiences.

Flat vs. round characters: Another way to think about characters is in terms of their complexity and depth.

Flat characters are those who lack depth and development. They are often one-dimensional, with a limited range of traits or characteristics. Flat characters typically serve a specific purpose in the story, such as providing comic relief or serving as a plot device. They do not undergo significant change or growth throughout the narrative.

On the other hand, round characters are more fully developed and multi-dimensional. They have complex personalities, motivations, and emotions. Round characters feel like real people with layers of depth and nuance. They may have conflicting desires, flaws, and strengths that make them more relatable and interesting to readers.

Interested in learning more about characters? Check out our most popular articles on characters:

Character Development: Create Characters Readers Will Love

Why Are Characters Important in a Story?

How Characters Change

Setting depicts the world of your characters, and it's just as important to get right for a contemporary romance novel as a time period historical piece or a magical fantasy world.

It includes the locations, time period, culture, and overall mood of the narrative.

When creating a setting for your story, think about how it influences the characters and their actions. Is the setting a bustling city with skyscrapers and honking horns, or a peaceful countryside with rolling hills and chirping birds? How does the setting impact the characters' behavior, motivations, and interactions?

Consider how the setting can create conflict or tension in the story. For example, a character struggling to survive in a harsh desert environment will face different challenges than someone living in a lush, thriving jungle.

The setting can also help establish the tone of the story – a gloomy city might create a sense of mystery or foreboding, while a sunny beach setting could evoke feelings of relaxation and joy. (Also note that in horror, using a setting that should feel lighthearted and fun can be terrifying. See Shirley Jackson's story “The Lottery.”)

In addition to physical locations, consider the time period of your story. Is it set in the past, present, or future? How does the time period influence the characters' beliefs, values, and experiences? Historical settings can provide rich opportunities for exploring themes like social change, cultural norms, and political upheaval.

Conversely, futuristic settings can offer a glimpse into potential advancements in technology, society, and human behavior.

Overall, setting is a crucial element of storytelling that helps establish the world in which your characters live and the events of your story unfold.

For more, check out our World Building article . 

3. Conflict

Once you have a character working toward a goal in a setting, you need conflict to make it a story. The conflict forces the character to act and change. Types of conflict in fiction can be divided into several categories, including:

Internal conflict: This type of conflict occurs within a character's own mind. It involves the struggle between opposing desires, beliefs, or emotions. For example, a character may be torn between following their heart and following their head, or they may grapple with feelings of guilt or self-doubt. You will likely have at least one source of major conflict that is internal. 

External conflict: External conflict occurs between a character and an outside force, such as another character, nature, society, or fate . This type of conflict can take many forms, including:

Man vs. man: A character faces conflict with another character, such as a rival, enemy, or antagonist.

Or Man vs. nature: A character must overcome obstacles presented by the natural world, such as extreme weather, dangerous animals, or physical challenges.

Man vs. society: A character struggles against societal norms, expectations, or institutions that restrict or oppress them.

Man vs. fate: A character battles against forces beyond their control, such as destiny, luck, or supernatural entities.

Relationship conflict: This type of conflict involves tensions and disagreements between characters in a relationship, whether it's romantic, familial, or professional. Relationship conflicts can stem from misunderstandings, differing values or beliefs, jealousy, betrayal, or other interpersonal issues.

Moral conflict: Moral conflict arises when a character is forced to make difficult ethical decisions that challenge their beliefs or values. They may be torn between doing what is right and what is convenient, or they may struggle with conflicting principles or moral dilemmas.

Situational conflict: Situational conflict occurs when characters are faced with challenging circumstances or unexpected events that disrupt their lives or goals. This could include a sudden disaster, a betrayal by a trusted ally, or a twist of fate that changes everything.

Understanding the different types of conflict in fiction can help you create dynamic and engaging stories that keep readers hooked from beginning to end. By incorporating various forms of conflict into your narrative, you can deepen the complexity of your characters, drive the plot forward, and explore themes of struggle, growth, and resolution.

More reading: How to Find the Conflict in a Story

One other thing to mention here, especially for writers, is that there are nine types of stories that are defined by the type of conflict the protagonist faces. We have a full series on the nine types of stories that you can check out for more in depth story analysis. 

4. Plot and Story Structure

Plot is a sequence of events in a story that force a character to make increasingly difficult decisions, driving the entire story toward a climactic event and resolution.

Structure is how those events are ordered to create the maximum amount of drama, entertainment, or instruction.

The thing to note is that every writing form has structure and every good story has a plot. There are other ways to organize, but just know that most stories will include these structural elements, even if used out of order for a certain narrative effect.

Here's how Joe outlines them in his book The Write Structure:

Exposition is the opening of a story where you introduce the character and their setting. Sometimes you'll hint at the opening problem, what makes the character tick, or other world information needed to help the reader begin to root for your character. 

More on exposition here . 

Inciting Incident

The inciting incident prompts the character to act on behalf of their goal. It forces them to stop coasting or living in the status quo. In hero's journey stories, this is the moment they have to set out on their adventure. In romance, it's likely the meet-cute where the pursuit begins. 

If you're looking for the inciting incident, you'll usually find it in the first 10-20% of a story depending on the genre. 

For more tips on the inciting incident, check out this article . 

Rising Action

The rising action, also called progressive complications, is where the character begins to act and react to the new conditions caused by the inciting incident. This is the middle of our story. 

In the rising action, we see characters try and fail, try and learn, try and adjust. It's a battle between values—to hide or be known, to risk or stay safe. 

Our full guide to rising action is here . 

The crisis is the moment when our character has to face the toughest choice yet. It is this dilemma where they know that nothing will stay the same no matter what they choose. That's what makes the choice difficult. 

The crisis is the moment they realize they have two choices and they don't like either one. 

Read more on literary crisis here . 

The climax is usually during or directly after the crisis, as it is the moment of greatest tension in a story. If the crisis is where the character realizes they have two choices, the climax is the place where they choose one and commit to it, knowing there will be fall out.

Read more about climax here .  

The denouement is the action after the climax, where we see how the character or their world has changed as a result of their choice. It's where the reader feels a sense of closure, even when the story ends in a surprising way. 

More on denouement here . 

Other Story Structures: 

There are other popular plot structure methods, but most correspond loosely with those in the Write Structure above. Here are a few you might be asked to work with as a student trying to understand specific types of texts: 

Freytag's Pyramid

Five-act structure

Three-act structure

You'll notice quite a bit of overlap as you look through the various structures. That's because stories using any structure still need a strong character, after a goal we care about, facing conflict in their pursuit of the goal. 

5. Point of View (POV)

You can read our full guide on Point of View here . Point of view is crucial because it determines who is narrating the story and how much information the reader has access to.

First-person point of view is when the narrator is a character in the story, using pronouns like “I” and “me” to tell the reader about their experiences and thoughts. This type of POV allows for a deeper connection to the protagonist and their emotions, but limits the reader's perspective to only what that character knows or experiences.

 In a third-person limited POV , the narrator is not part of the story but focuses on one character's thoughts, feelings, and experiences. This allows the reader to get inside the head of the protagonist and understand their motivations and emotions, but still maintains a sense of objectivity.

A third-person omniscient narrator is an all-knowing narrator who has full access to the thoughts and experiences of all characters in the story. This is a much broader perspective.

Much less common is a second-person POV , using “you” pronouns to put the reader in the story. See our full guide on second person here . 

Narrative Devices

As you consider point of view, you might also choose from a narrative device. 

Narrative devices, also known as narrative framing devices, are the method which a story is narrated. Narrative devices involve who is narrating the story and how they’re narrating it. The narrative device becomes the guideposts by which you tell your story.

Most stories default to chronological narrative, but there are others writers can use that may be more effective for certain stories. In my article on narrative devices , I identify nine:

Chronological Narrative Reverse Chronological Narrative Real Time Narrative Breaking the Fourth Wall Epistolic or Diary Narrative Mockumentary Narrative Story Within a Story, also known as Framing Story Story Within a Story Within a Story Stream of Consciousness

Learn more about each narrative device here .

Every story is a dance between the author and the reader. A story doesn’t exist in isolation from the reader. And the expectations that your readers are bringing to the story  is just as important as the story you’re trying to tell (assuming, of course, you want to tell a story that connects with the reader and not just tell a story for your own sake).

Genre is about understanding the reader’s expectations, meeting those expectations and then going beyond them to craft a story that is both familiar and unexpected.

When I talk about genre, we’re not talking about more than just where the story appears on the bookshelf or what category it’s on in your Netflix queue. Although commercial genres are related to a story’s genre, from a writing perspective, genre is a much richer subject that gets down to what kind of story you’re trying to tell.

Genre itself is made up of several parts, including:

Desires, Needs, and Values

What does your principle character want? What do they need ?

Perhaps it’s safety, as in a horror story or an action story. Maybe it’s love or belonging, as in a romance story (or buddy story involving best friends). Perhaps it’s the discovery of their calling and their unique offering to the world, as in a coming of age story.

Needs and desires are central to story, so much so that the definition of story itself involves them:

A story is a character who wants something and goes through conflict to get it.

Since there are only so many things people need, you can categorize stories based on the needs of the protagonist, which is how we get genre.

Character Alignment and Maturity

Characters are an essential part of every story, and we’re going to discuss them in more detail later on. However, for the purposes of genre, there are four important characteristics we need to focus on.

Anti hero vs hero. Do we like this character or not? Are they essentially good or bad with a good side?

Naive vs. sophisticated. Many stories follow a character as he or she moves from a simple, naive understanding of the world to a more complex, sophisticated (and perhaps even cynical) understanding of the world.

Where the character fits on the scale of each of these traits changes the genre and the reader’s expectations for your story.

According to The Story Grid by Shawn Coyne (a resource I highly recommend), there are twelve content genres and seventy-seven or so subgenres. Each is based on a different needs and different character alignment and maturity.

Conventions and Tropes

Every genre has conventions and tropes, things that other stories in the same genre have done so much that it would be weird if a story didn’t have them.

That doesn’t mean you can’t leave out one or two of them. It just means that you better know what you’re leaving out before you do it, and that you shouldn’t leave out all of them or risk alienating your readers.

Tone in writing refers to both the writer's feelings and attitude towards the subject and the audience and how those feelings are expressed. Writers convey their tone through word choice and syntax.

Like tone of voice, it helps set the mood of the writing piece and influences the reader interpretation.

Examples of tone can be formal, informal, serious, humorous, sarcastic, optimistic, pessimistic, and many more.

See our full guide on Tone in Writing

Theme is like the hidden message of a story, the underlying meaning that ties everything together. It’s what gives your story depth and resonance, making it more than just a series of events happening to characters.

Students are often asked to analyze theme in a story, identifying that underlying universal truth and then backing it up with examples from the text. 

For example, in the story Little Red Riding Hood, the theme might be “Don't talk to strangers” or “Be careful who you trust.” Examples would include Red's interactions with the wolf that put her at risk. 

To see more work on theme, check out  The 25 Most Common Themes in Literature.

The Parts of a Story and Practice

Those are the most common parts of a story that you will need to know as a student or writer. Obviously more goes into writing than these eight elements, but they are a good starting place as you craft papers or stories of your own. 

Also, since we all know that our purpose is to practice, looking through this list can help you find places where you want to grow. 

Which parts of a story do you want to improve in your own writing? Share in the comments . 

Set the timer for fifteen minutes . Choose a character (or create one) and reveal that character using one of the parts of a story above. For example, if you want to improve conflict, begin a scene where your character wants something, and create conflict to keep them from getting it easily. 

When the time is up, share in the Pro Practice Workshop and leave feedback for a few other writers, too. 

Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

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Introductions

What this handout is about.

This handout will explain the functions of introductions, offer strategies for creating effective introductions, and provide some examples of less effective introductions to avoid.

The role of introductions

Introductions and conclusions can be the most difficult parts of papers to write. Usually when you sit down to respond to an assignment, you have at least some sense of what you want to say in the body of your paper. You might have chosen a few examples you want to use or have an idea that will help you answer the main question of your assignment; these sections, therefore, may not be as hard to write. And it’s fine to write them first! But in your final draft, these middle parts of the paper can’t just come out of thin air; they need to be introduced and concluded in a way that makes sense to your reader.

Your introduction and conclusion act as bridges that transport your readers from their own lives into the “place” of your analysis. If your readers pick up your paper about education in the autobiography of Frederick Douglass, for example, they need a transition to help them leave behind the world of Chapel Hill, television, e-mail, and The Daily Tar Heel and to help them temporarily enter the world of nineteenth-century American slavery. By providing an introduction that helps your readers make a transition between their own world and the issues you will be writing about, you give your readers the tools they need to get into your topic and care about what you are saying. Similarly, once you’ve hooked your readers with the introduction and offered evidence to prove your thesis, your conclusion can provide a bridge to help your readers make the transition back to their daily lives. (See our handout on conclusions .)

Note that what constitutes a good introduction may vary widely based on the kind of paper you are writing and the academic discipline in which you are writing it. If you are uncertain what kind of introduction is expected, ask your instructor.

Why bother writing a good introduction?

You never get a second chance to make a first impression. The opening paragraph of your paper will provide your readers with their initial impressions of your argument, your writing style, and the overall quality of your work. A vague, disorganized, error-filled, off-the-wall, or boring introduction will probably create a negative impression. On the other hand, a concise, engaging, and well-written introduction will start your readers off thinking highly of you, your analytical skills, your writing, and your paper.

Your introduction is an important road map for the rest of your paper. Your introduction conveys a lot of information to your readers. You can let them know what your topic is, why it is important, and how you plan to proceed with your discussion. In many academic disciplines, your introduction should contain a thesis that will assert your main argument. Your introduction should also give the reader a sense of the kinds of information you will use to make that argument and the general organization of the paragraphs and pages that will follow. After reading your introduction, your readers should not have any major surprises in store when they read the main body of your paper.

Ideally, your introduction will make your readers want to read your paper. The introduction should capture your readers’ interest, making them want to read the rest of your paper. Opening with a compelling story, an interesting question, or a vivid example can get your readers to see why your topic matters and serve as an invitation for them to join you for an engaging intellectual conversation (remember, though, that these strategies may not be suitable for all papers and disciplines).

Strategies for writing an effective introduction

Start by thinking about the question (or questions) you are trying to answer. Your entire essay will be a response to this question, and your introduction is the first step toward that end. Your direct answer to the assigned question will be your thesis, and your thesis will likely be included in your introduction, so it is a good idea to use the question as a jumping off point. Imagine that you are assigned the following question:

Drawing on the Narrative of the Life of Frederick Douglass , discuss the relationship between education and slavery in 19th-century America. Consider the following: How did white control of education reinforce slavery? How did Douglass and other enslaved African Americans view education while they endured slavery? And what role did education play in the acquisition of freedom? Most importantly, consider the degree to which education was or was not a major force for social change with regard to slavery.

You will probably refer back to your assignment extensively as you prepare your complete essay, and the prompt itself can also give you some clues about how to approach the introduction. Notice that it starts with a broad statement and then narrows to focus on specific questions from the book. One strategy might be to use a similar model in your own introduction—start off with a big picture sentence or two and then focus in on the details of your argument about Douglass. Of course, a different approach could also be very successful, but looking at the way the professor set up the question can sometimes give you some ideas for how you might answer it. (See our handout on understanding assignments for additional information on the hidden clues in assignments.)

Decide how general or broad your opening should be. Keep in mind that even a “big picture” opening needs to be clearly related to your topic; an opening sentence that said “Human beings, more than any other creatures on earth, are capable of learning” would be too broad for our sample assignment about slavery and education. If you have ever used Google Maps or similar programs, that experience can provide a helpful way of thinking about how broad your opening should be. Imagine that you’re researching Chapel Hill. If what you want to find out is whether Chapel Hill is at roughly the same latitude as Rome, it might make sense to hit that little “minus” sign on the online map until it has zoomed all the way out and you can see the whole globe. If you’re trying to figure out how to get from Chapel Hill to Wrightsville Beach, it might make more sense to zoom in to the level where you can see most of North Carolina (but not the rest of the world, or even the rest of the United States). And if you are looking for the intersection of Ridge Road and Manning Drive so that you can find the Writing Center’s main office, you may need to zoom all the way in. The question you are asking determines how “broad” your view should be. In the sample assignment above, the questions are probably at the “state” or “city” level of generality. When writing, you need to place your ideas in context—but that context doesn’t generally have to be as big as the whole galaxy!

Try writing your introduction last. You may think that you have to write your introduction first, but that isn’t necessarily true, and it isn’t always the most effective way to craft a good introduction. You may find that you don’t know precisely what you are going to argue at the beginning of the writing process. It is perfectly fine to start out thinking that you want to argue a particular point but wind up arguing something slightly or even dramatically different by the time you’ve written most of the paper. The writing process can be an important way to organize your ideas, think through complicated issues, refine your thoughts, and develop a sophisticated argument. However, an introduction written at the beginning of that discovery process will not necessarily reflect what you wind up with at the end. You will need to revise your paper to make sure that the introduction, all of the evidence, and the conclusion reflect the argument you intend. Sometimes it’s easiest to just write up all of your evidence first and then write the introduction last—that way you can be sure that the introduction will match the body of the paper.

Don’t be afraid to write a tentative introduction first and then change it later. Some people find that they need to write some kind of introduction in order to get the writing process started. That’s fine, but if you are one of those people, be sure to return to your initial introduction later and rewrite if necessary.

Open with something that will draw readers in. Consider these options (remembering that they may not be suitable for all kinds of papers):

• an intriguing example —for example, Douglass writes about a mistress who initially teaches him but then ceases her instruction as she learns more about slavery.
• a provocative quotation that is closely related to your argument —for example, Douglass writes that “education and slavery were incompatible with each other.” (Quotes from famous people, inspirational quotes, etc. may not work well for an academic paper; in this example, the quote is from the author himself.)
• a puzzling scenario —for example, Frederick Douglass says of slaves that “[N]othing has been left undone to cripple their intellects, darken their minds, debase their moral nature, obliterate all traces of their relationship to mankind; and yet how wonderfully they have sustained the mighty load of a most frightful bondage, under which they have been groaning for centuries!” Douglass clearly asserts that slave owners went to great lengths to destroy the mental capacities of slaves, yet his own life story proves that these efforts could be unsuccessful.
• a vivid and perhaps unexpected anecdote —for example, “Learning about slavery in the American history course at Frederick Douglass High School, students studied the work slaves did, the impact of slavery on their families, and the rules that governed their lives. We didn’t discuss education, however, until one student, Mary, raised her hand and asked, ‘But when did they go to school?’ That modern high school students could not conceive of an American childhood devoid of formal education speaks volumes about the centrality of education to American youth today and also suggests the significance of the deprivation of education in past generations.”
• a thought-provoking question —for example, given all of the freedoms that were denied enslaved individuals in the American South, why does Frederick Douglass focus his attentions so squarely on education and literacy?

Pay special attention to your first sentence. Start off on the right foot with your readers by making sure that the first sentence actually says something useful and that it does so in an interesting and polished way.

How to evaluate your introduction draft

Ask a friend to read your introduction and then tell you what they expect the paper will discuss, what kinds of evidence the paper will use, and what the tone of the paper will be. If your friend is able to predict the rest of your paper accurately, you probably have a good introduction.

Five kinds of less effective introductions

1. The placeholder introduction. When you don’t have much to say on a given topic, it is easy to create this kind of introduction. Essentially, this kind of weaker introduction contains several sentences that are vague and don’t really say much. They exist just to take up the “introduction space” in your paper. If you had something more effective to say, you would probably say it, but in the meantime this paragraph is just a place holder.

Example: Slavery was one of the greatest tragedies in American history. There were many different aspects of slavery. Each created different kinds of problems for enslaved people.

2. The restated question introduction. Restating the question can sometimes be an effective strategy, but it can be easy to stop at JUST restating the question instead of offering a more specific, interesting introduction to your paper. The professor or teaching assistant wrote your question and will be reading many essays in response to it—they do not need to read a whole paragraph that simply restates the question.

Example: The Narrative of the Life of Frederick Douglass discusses the relationship between education and slavery in 19th century America, showing how white control of education reinforced slavery and how Douglass and other enslaved African Americans viewed education while they endured. Moreover, the book discusses the role that education played in the acquisition of freedom. Education was a major force for social change with regard to slavery.

3. The Webster’s Dictionary introduction. This introduction begins by giving the dictionary definition of one or more of the words in the assigned question. Anyone can look a word up in the dictionary and copy down what Webster says. If you want to open with a discussion of an important term, it may be far more interesting for you (and your reader) if you develop your own definition of the term in the specific context of your class and assignment. You may also be able to use a definition from one of the sources you’ve been reading for class. Also recognize that the dictionary is also not a particularly authoritative work—it doesn’t take into account the context of your course and doesn’t offer particularly detailed information. If you feel that you must seek out an authority, try to find one that is very relevant and specific. Perhaps a quotation from a source reading might prove better? Dictionary introductions are also ineffective simply because they are so overused. Instructors may see a great many papers that begin in this way, greatly decreasing the dramatic impact that any one of those papers will have.

Example: Webster’s dictionary defines slavery as “the state of being a slave,” as “the practice of owning slaves,” and as “a condition of hard work and subjection.”

4. The “dawn of man” introduction. This kind of introduction generally makes broad, sweeping statements about the relevance of this topic since the beginning of time, throughout the world, etc. It is usually very general (similar to the placeholder introduction) and fails to connect to the thesis. It may employ cliches—the phrases “the dawn of man” and “throughout human history” are examples, and it’s hard to imagine a time when starting with one of these would work. Instructors often find them extremely annoying.

Example: Since the dawn of man, slavery has been a problem in human history.

5. The book report introduction. This introduction is what you had to do for your elementary school book reports. It gives the name and author of the book you are writing about, tells what the book is about, and offers other basic facts about the book. You might resort to this sort of introduction when you are trying to fill space because it’s a familiar, comfortable format. It is ineffective because it offers details that your reader probably already knows and that are irrelevant to the thesis.

Example: Frederick Douglass wrote his autobiography, Narrative of the Life of Frederick Douglass, An American Slave , in the 1840s. It was published in 1986 by Penguin Books. In it, he tells the story of his life.

And now for the conclusion…

Writing an effective introduction can be tough. Try playing around with several different options and choose the one that ends up sounding best to you!

Just as your introduction helps readers make the transition to your topic, your conclusion needs to help them return to their daily lives–but with a lasting sense of how what they have just read is useful or meaningful. Check out our handout on  conclusions for tips on ending your paper as effectively as you began it!

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Douglass, Frederick. 1995. Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself . New York: Dover.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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How to structure your PhD thesis

Organising your PhD thesis in a logical order is one of the crucial stages of your writing process. Here is a list of the individual components to include

Shama Prasada Kabekkodu

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The task of writing a PhD thesis is top of mind for many aspiring scholars. After all, completing one is no small task. And while these pieces of writing often share a standard format, this can differ slightly based on the requirements of your institution or subject. So what elements make up a PhD thesis?

A doctoral thesis usually contains:

• A title page
• Declarations from the candidate and supervisor
• A certificate from the candidate and supervisor
• A plagiarism report
• Acknowledgements 
• A table of contents
• Abbreviations 
• An abstract

Chapters typically cover:

• A general introduction 
• Literature review
• Analysis of the gap in research with aims and objectives
• Materials and methods
• Summary and conclusion
• References or bibliography. 

You should also include a list of papers you have published and any relevant achievements at the end. 

An explanation of each of the components of a PhD dissertation 

Title page: a PhD thesis starts with a title page that contains the complete title of the research work, the submitting university, names of the candidate and supervisor, affiliation and month and year of submission.

Abstract: this serves as a concise synopsis of the dissertation, covering the research context, purpose of the study or research questions, methodology, findings and conclusions. This section is usually one to two pages in length. 

Table of contents: this page lists the thesis content and respective page numbers.

General introduction and literature review: this component is usually 20 to 40 pages long. It presents the readers with the primary material and discusses relevant published data. It provides an overview of pertinent literature related to the thesis such as texts that critically assess the existing literature to identify the gap in research and explain the need behind the study. 

Aims and objectives: this section of the thesis is typically one to two pages long and describes the aims and objectives of the study. Structure them as three to four bullet points describing specific points that you will investigate. Approach this by thinking about what readers should understand by the end of the thesis. Ensure you:

• Give a clear explanation of the purpose and goals of your study 
• Outline each aim concisely
• Explain how you will measure your objectives
• Ensure there is a clear connection between each aim
• Use verbs such as investigate, evaluate, explore, analyse and demonstrate.

Materials and methods: this section briefly explains how you have conducted the study and should include all the materials you used and procedures you implemented. For example, if your research involves working with chemicals, list the chemicals and instruments used, along with their catalogue numbers and manufacturers’ names. This section should also explicitly explain the methodology you used, step-by-step. Use the past tense while writing this section and do not describe any results or findings of the study yet.

Results: this section is sometimes called the “findings report” or “the experimental findings” (referring to data collection and analysis). Write the results concisely and in the past tense. Include text, figure and table infographics created with tools such as Microsoft PowerPoint, Adobe Illustrator and BioRender to visualise your data . 

Discussion: this is a chance to discuss the results and compare the findings of your study with the initial hypothesis and existing knowledge. Focus on discussing interpretations, implications, limitations and recommendations here.

• Resources on academic writing for higher education staff 
• Tips for writing a PhD dissertation: FAQs answered
• How to tackle the PhD dissertation

Summary and conclusion: this section should be shorter than the discussion and summarise your key findings. The summary and conclusion should be brief and engaging, allowing the reader to easily understand the major findings of the research work. Provide clear answers to the research questions, generate new knowledge and clarify the need for the study. 

Future perspective: this section of the thesis (which is often combined with a summary or conclusion) talks about the study's limitations, if any, and indicates the directions for future studies based on your findings. 

References or bibliography: the last section should include the list of articles, websites and other resources cited in the thesis.

Always remember that, depending on the department, university or field of study, you might have to follow specific guidelines on how to organise your PhD thesis. Ensure you consult your supervisor or academic department if you have any doubts.

Shama Prasada Kabekkodu is a professor and head of cell and molecular biology at Manipal School of Life Sciences, Manipal Academy of Higher Education, India.

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Readers Need Description to Believe a Story

Show, don't tell: a command keeping young writers from doing their best work..

Posted June 19, 2024 | Reviewed by Tyler Woods

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• Experiments indicate that action words engage people's motor systems, but the effect depends upon context.
• Writing in any field may best engage readers by combining rich descriptions with compelling scenes.

In Honoré de Balzac’s Lost Illusions , Daniel tells the young writer Lucien that Lucien has started his novel all wrong. Instead of opening with pages of dialogue among characters, Lucien should have described the characters first and shown them in action. To make readers care about who’s talking, Lucien should have given readers some passion (Balzac 227-28).

Readers vary as to what engages them. Some are pulled into stories by rich descriptions; others want immediate action. Some like getting to know characters gradually; others want to know up front who they’re dealing with. Thinking about what draws you into a story can offer insights into the way your mind works. Would you rather read a novel that starts with conversations, or one that starts with descriptions and actions?

In creative writing, no saying has been more abused than the formula, “Show, don’t tell!” People repeat it authoritatively even if they’ve never written a story in their lives. I think people cling to this idea because of a longing for certain knowledge. Craft knowledge, the wisdom of observant writers like Daniel, involves knowing how . Like the knowledge of potters and carpenters, craft knowledge entails learning creative solutions to problems by studying good and bad examples. Craft knowledge doesn’t lend itself to axiomatic rules, and it can be hard to convey in words. For people uncomfortable with uncertainty, “Show, don’t tell!” offers a convenient slogan.

In contemporary culture, “showing” suggests the presentation of direct (often visual) evidence, while “telling” implies a subjective, verbal narrative. No such distinction exists in fiction writing, where any image in a reader’s mind is evoked by words. In 2024, however, the fear of telling has become so widespread that creative writing teachers encounter student novels written almost entirely in dialogue. To avoid the dreaded “information dump,” students try to forgo description altogether, compromising their creative work.

Years ago, I was teaching George Eliot’s Middlemarch , a Victorian novel in which a wise narrator weighs the morality of the characters’ actions. Fed up with the narrator, a group of creative writing students started chanting, “Show, don’t tell!” As I stood there demoralized, wondering how to respond, two students came to Eliot’s defense. “Is it showing or telling,” asked one, “if you take a reader into a character’s consciousness?”

In art created with words, showing and telling can’t be distinguished. In a memorable demonstration, literary scholar Wayne C. Booth tried to purge all the telling from some stories by Bocaccio and Flaubert, removing every trace of an authorial voice (Booth 3-20). When Booth finished, there was nothing left. Whether or not a narrator addresses readers, a story composed of carefully chosen words will involve “instructions” to readers and will reflect the writer’s mind (Scarry 244). The question is how to balance descriptions, reflections, confrontations, and dialogue so that many different readers will care about the characters.

For some readers, a story stands or collapses based on its ability to evoke a setting. One respected writer told me and my colleagues that if a story didn’t give her a sense of place in the first five pages, she would stop reading. Admittedly, some readers skip descriptive paragraphs, but others feel that the descriptions are the story.

When I conducted interviews for Rethinking Thought , a study of how thinking varies among individuals, photographer Barbara Zettel told me that curiosity drives her to read. She likes to imagine, with all her senses, living in a place where she’s never been (Otis). Neuroscientist Hugh Wilson told me that bad writing annoys him because the writer’s use of language hinders his ability to visualize (Otis). Readers’ responses depend on the writer’s skill as well as the variations among their minds.

Cognitive literary scholar Anežka Kuzmičová has analyzed techniques writers use to make readers feel “present” in a story. She has noticed that writers often describe a place visually, then show characters interacting with their environment, especially through touch. This sequence seems to pull many readers into stories (Kuzmičová 40).

In studying how words help readers imagine bodily experiences, Kuzmičová draws on the research of cognitive psychologist Rolf A. Zwaan and his colleagues. In behavioral experiments, Zwaan’s group has demonstrated that words, phrases, and brief narratives read by participants activate their motor systems in specific ways (Zwaan & Taylor 1). For example, participants asked to rotate a knob to indicate whether a sentence was plausible or nonsensical performed faster if the sentence described a manual rotation (such as setting a washing machine) in the same direction in which they turned the knob (Zwaan & Taylor 4).

In more recent work, Zwaan has urged psychologists who study how language engages peoples’ motor systems to take context into account (Zwaan 230). One can’t conclude from a neuroimaging study of motor responses to single words that many people’s motor systems will respond to sentences or narratives with the same activation patterns (Zwaan 231). In the context of fiction reading, future studies may yield valuable results by comparing readers’ responses to information about characters “told” in descriptions or “shown” in dialogues.

To keep a broad spectrum of readers engaged, a writer must choose when to describe characters’ responses to their surroundings and when to reveal them through speech and action. In an extended metaphor, fiction writer Hanna Pylväinen has compared pacing in fiction to tempi in music (Pylväinen). At times, a piece needs to move at a walking pace (andante); at others, it can rush along at allegro. Like most musical pieces, a good story will vary its tempi and dynamics to keep from boring its readers.

Although some readers experience exposition as slow, story-time often speeds up in summaries and decelerates in scenes. When planning a story, a writer intuits what to present “in-scene” and what to convey faster, through exposition. In the "show, don't tell" formula, in-scene andante writing would be associated with showing; and expository allegro writing, with telling. Pylväinen has noticed that beginners tend to overuse andante, creating scenes to accomplish what single, well-written paragraphs could do. Deciding which confrontations readers should experience in real time and which should be quickly summarized goes to the heart of the writing process.

The need to balance description with action matters for writing far beyond fiction. Recognizing the interdependence of telling and showing, and offering description while maintaining momentum, are essential to any kind of narrative where persuasion depends on helping readers imagine an unfamiliar viewpoint. Whether the subject is medicine, politics , or marketing , an adept interweaving of evocative description, engaging exposition, and dramatic action stands the best chance to draw attention and win sympathy.

Booth, W. C. (1983). The Rhetoric of Fiction . 2nd ed. Chicago: University of Chicago Press.

de Balzac, H. (1974). Illusions perdues . Paris: Éditions Gallimard.

Kuzmičová, A. (2012). “Presence in the Reading of Literary Narrative: A Case for Motor Enactment.” Semiotica 189, pp. 23-48.

Otis, L. (2015). Rethinking Thought: Inside the Minds of Creative Scientists and Artists. New York: Oxford University Press.

Pylväinen, H. (2017). “Tempo and Time Signature: Playing with Pacing in Fiction.” Lecture. Warren Wilson MFA Program July Residency.

Scarry, E. (1999). Dreaming by the Book . New York: Farrar, Straus, Giroux.

Zwaan, R A. (2014). “Embodiment and Language Comprehension: Reframing the Discussion.” Trends in Cognitive Sciences 18, no. 5, pp. 229-233.

Zwaan, R. A., & Taylor, L. J. (2006). “Seeing, Acting, Understanding: Motor Resonance in Language Comprehension.” Journal of Experimental Psychology 135, no. 1, pp. 1-11.

Laura Otis, Ph.D. , is a professor of English at Emory University, where she teaches interdisciplinary courses on literature, neuroscience, cognitive science, and medicine. She is the author of Rethinking Thought .

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