creative writing book 4

The 20+ Best Books on Creative Writing

If you’ve ever wondered, “How do I write a book?”, “How do I write a short story?”, or “How do I write a poem?” you’re not alone. I’m halfway done my MFA program at Vermont College of Fine Arts , and I ask myself these questions a lot, too, though I’m noticing that by now I feel more comfortable with the answers that fit my personal craft. Fortunately, you don’t need to be a Master’s of Fine Arts in Writing candidate, or even a college graduate, in order to soak up the great Wisdom of Words, as I like to call it. Another word for it is craft . That’s because there are so many great books out there on writing craft. In this post, I’ll guide you through 20+ of the most essential books on creative writing. These essential books for writers will teach you what you need to know to write riveting stories and emotionally resonant books—and to sell them.

I just also want to put in a quick plug for my post with the word count of 175 favorite novels . This resource is helpful for any writer.

Now, with that done… Let’s get to it!

What Made the List of Essential Books for Writers—and What Didn’t

So what made the list? And what didn’t?

Unique to this list, these are all books that I have personally used in my journey as a creative and commercial writer.

That journey started when I was 15 and extended through majoring in English and Creative Writing as an undergrad at UPenn through becoming a freelance writer in 2014, starting this book blog, pursuing my MFA in Writing for Children and Young Adults at Vermont College of Fine Arts , and publishing some fiction and nonfiction books myself . My point here is not to boast, just to explain that these books have all helped me better understand and apply the craft, discipline, and business of writing over the course of more than half my life as I’ve walked the path to become a full-time writer. Your mileage my vary , but each of these books have contributed to my growth as a writer in some way. I’m not endorsing books I’ve never read or reviewed. This list comes from my heart (and pen!).

Most of these books are geared towards fiction writers, not poetry or nonfiction writers

It’s true that I’m only one human and can only write so much in one post. Originally, I wanted this list to be more than 25 books on writing. Yes, 25 books! But it’s just not possible to manage that in a single post. What I’ll do is publish a follow-up article with even more books for writers. Stay tuned!

The most commonly recommended books on writing are left out.

Why? Because they’re everywhere! I’m aiming for under-the-radar books on writing, ones that aren’t highlighted often enough. You’ll notice that many of these books are self-published because I wanted to give voice to indie authors.

But I did want to include a brief write-up of these books… and, well, you’ve probably heard of them, but here are 7 of the most recommended books on writing:

The Artist’s Way by Julia Cameron – With her guided practice on how to rejuvenate your art over the course of 16 weeks, Cameron has fashioned an enduring classic about living and breathing your craft (for artists as well as writers). This book is perhaps best known for popularizing the morning pages method.

The Art of Fiction by John Gardner – If you want to better understand how fiction works, John Gardner will be your guide in this timeless book.

Bird by Bird by Anne Lamott – A beloved writing book on process, craft, and overcoming stumbling blocks (both existential and material).

On Writing by Stephen King – A must-read hybrid memoir-craft book on the writer mythos and reality for every writer.

Reading Like a Writer by Francine Prose – A core writing book that teaches you how to read with a writer’s eye and unlock the ability to recognize and analyze craft for yourself.

Steering the Craft by Ursula K. Le Guin – Many writers consider this to be their bible on craft and storytelling.

Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg – A favorite of many writers, this book takes an almost spiritual approach to the art, craft, and experience of writing.

I’m aiming for under-the-radar books on writing on my list.

These books are all in print.

Over the years, I’ve picked up several awesome books on creative writing from used bookstores. Oh, how I wish I could recommend these! But many of them are out of print. The books on this list are all available new either as eBooks, hardcovers, or paperbacks. I guess this is the right time for my Affiliate Link disclaimer:

This article contains affiliate links, which means I might get a small portion of your purchase. For more on my affiliate link policy, check out my official Affiliate Link Disclaimer .

You’ll notice a lot of the books focus on the business of writing.

Too often, money is a subject that writers won’t talk about. I want to be upfront about the business of writing and making a living as a writer (or not ) with these books. It’s my goal to get every writer, even poets!, to look at writing not just from a craft perspective, but from a commercial POV, too.

And now on to the books!

Part i: the best books on writing craft, the anatomy of story by john truby.

For you if: You want to develop an instinctive skill at understanding the contours of storytelling .

All I want to do as a writer, my MO, is tell good stories well. It took me so long to understand that what really matters to me is good storytelling. That’s it—that’s the essence of what we do as writers… tell good stories well. And in The Anatomy of Story , legendary screenwriting teacher John Truby takes you through story theory. This book is packed with movie references to illustrate the core beat points in story, and many of these example films are actually literary adaptations, making this a crossover craft book for fiction writers and screenwriters alike.

How to read it: Purchase The Anatomy of Story on Amazon and add it on Goodreads

The art of memoir by mary karr.

For you if: You’re writing a memoir book or personal essays .

Nobody is a better person to teach memoir writing than Mary Karr, whose memoirs The Liar’s Club and Lit are considered classics of the genre. In The Art of Memoir , Karr delivers a master class on memoir writing, adapted from her experience as a writer and a professor in Syracuse’s prestigious MFA program. What I love about this book as an aspiring memoirist is Karr’s approach, which blends practical, actionable advice with more bigger-picture concepts on things like truth vs. fact in memoir storytelling. Like I said in the intro to this list, I didn’t include many nonfiction and poetry books on this list, but I knew I had to make an exception for The Art of Memoir .

How to read it: Purchase The Art of Memoir on Amazon and add it on Goodreads

The emotional craft of fiction by donald maass.

For you if: Plot isn’t your problem, it’s character .

From literary agent Donald Maass, The Emotional Craft of Fiction gives you the skill set you need to master emotionally engaging fiction. Maass’s technique is to show you how readers get pulled into the most resonant, engaging, and unforgettable stories: by going through an emotional journey nimbly crafted by the author. The Emotional Craft of Fiction is a must-have work of craft to balance more plot-driven craft books.

How to read it: Purchase the The Emotional Craft of Fiction on Amazon and add it on Goodreads

How to Write Using the Snowflake Method by Randy Ingermanson

For you if: You need a quick-and-dirty plotting technique that’s easy to memorize .

I first heard of the “Snowflake Method” in the National Novel Writing Month forums (which, by the way, are excellent places for finding writing craft worksheets, book recommendations, and online resources). In How to Write a Novel Using the Snowflake Method , the Snowflake Method is introduced by its creator. This quick yet thorough plotting and outlining structure is humble and easy to master. If you don’t have time to read a bunch of books on outlining and the hundreds of pages that would require, check out How to Write a Novel Using the Snowflake Method for a quick, 235-page read.

How to read it: Purchase How to Write a Novel Using the Snowflake Method on Amazon and add it on Goodreads

Meander, spiral, explode: design and pattern in narrative by jane alison.

For you if: You want to do a deep dive understanding of the core theory of story, a.k.a. narrative.

A most unconventional writing craft book, Meander, Spiral, Explode offers a theory of narrative (story) as recognizable patterns. According to author Jane Alison, there are three main narrative narratives in writing: meandering, spiraling, and exploding. This cerebral book (chock full of examples!) is equal parts seminar on literary theory as it is craft, and it will make you see and understand storytelling better than maybe any book on this list.

How to read it: Purchase Meander, Spiral, Explode on Amazon and add it on Goodreads

The modern library writer’s workshop by stephen koch.

For you if: You’re wondering what it means to be the writer you want to become .

This is one of the earliest creative writing books I ever bought and it remains among the best I’ve read. Why? Reading The Modern Library Writer’s Workshop echoes the kind of mind-body-spirit approach you need to take to writing. The Modern Library Writer’s Workshop doesn’t teach you the nuts and bolts of writing as much as it teaches you how to envision the machine. Koch zooms out to big picture stuff as much as zeroes in on the little details. This is an outstanding book about getting into the mindset of being a writer, not just in a commercial sense, but as your passion and identity. It’s as close as you’ll get to the feel of an MFA in Fiction education.

How to read it: Purchase The Modern Library Writer’s Workshop on Amazon and add it on Goodreads

Romancing the beat by gwen hayes.

For you if: You write or edit the romance genre and want a trusted plotting strategy to craft the perfect love story .

If you’re writing romance, you have to get Gwen Hayes’s Romancing the Beat . This book breaks down the plot points or “beats” you want to hit when you’re crafting your romance novel. When I worked as a romance novel outliner (yes, a real job), our team used Romancing the Beat as its bible; every outline was structured around Hayes’s formula. For romance writers (like myself) I cannot endorse it any higher.

How to read it: Purchase Romancing the Beat on Amazon and add it on Goodreads

Save the cat writes a novel by jessica brody.

For you if: You have big ideas for a plot but need to work on the smaller moments that propel stories .

Jessica Brody’s Save the Cat! Writes a Novel adapts Blake Snyder’s bestselling screenwriting book Save the Cat! into story craft for writing novels. Brody reworks the Save the Cat! methodology in actionable, point-by-point stages of story that are each explained with countless relevant examples. If you want to focus your efforts on plot, Save the Cat! Writes a Novel is an excellent place to go to start learning the ins and outs of what makes a good story.

How to read it: Purchase Save the Cat! Writes a Novel on Amazon and add it on Goodreads

Story genius by lisa cron.

For you if: You’re a pantser and are terrified at outlining yet also realize you might have a “plot problem .”

More than any other book, Lisa Cron’s Story Genius will get you where you need to go for writing amazing stories. Story Genius helps you look at plotting differently, starting from a point of characterization in which our protagonists have a clearly defined need and misbelief that play off each other and move the story forward from an emotional interior and action exterior standpoint. For many of my fellow MFA students—and myself— Story Genius is the missing link book for marrying plot and character so you innately understand the contours of good story.

How to read it: Purchase Story Genius on Amazon and add it on Goodreads

Wonderbook: the illustrated guide to creating imaginative fiction by jeff vandermeer.

For you if: You’re writing in a speculative fiction genre—like science fiction, fantasy, or horror—or are trying to better understand those genres.

Jeff VanderMeer’s Wonderbook is a dazzling gem of a book and a can’t-miss-it writing book for sci-fi, fantasy, and horror writers. This book will teach you all the skills you need to craft speculative fiction, like world-building, with micro-lessons and close-reads of excellent works in these genres. Wonderbook is also one to linger over, with lavish illustrations and every inch and corner crammed with craft talk for writing imaginative fiction (sometimes called speculative fiction). And who better to guide you through this than Jeff VanderMeer, author of the popular Southern Reach Trilogy, which kicks off with Annihilation , which was adapted into a feature film.

How to read it: Purchase Wonderbook on Amazon and add it on Goodreads

Writing picture books by ann whitford paul.

For you if: You’re looking to write picture books and/or understand how they work .

This book is the only one you need to learn how to write and sell picture books. As an MFA student studying children’s literature, I’ve consulted with this book several times as I’ve dipped my toes into writing picture books, a form I considered scary and intimidating until reading this book. Writing Picture Books should be on the shelf of any writer of children’s literature. a.k.a. “kid lit.”

How to read it: Purchase Writing Picture Books on Amazon and add it on Goodreads

Writing with emotion, conflict, and tension by cheryl st. john.

For you if: You need to work on the conflict, tension, and suspense that keep readers turning pages and your story going forward .

Mmm, conflict. As I said earlier, it’s the element of fiction writing that makes a story interesting and a key aspect of characterization that is underrated. In Writing with Emotion, Tension, and Conflict , bestselling romance author Cheryl St. John offers a masterclass on the delicate dance between incorporating conflict, the emotions it inspires in characters, and the tension that results from those two factors.

How to read it: Purchase Writing with Emotion, Tension, and Conflict on Amazon and add it on Goodreads

Part ii: the best books on the productivity, mfas, and the business of writing, 2k to 10k: writing faster, writing better, and writing more of what you love by rachel aaron.

For you if: You struggle to find the time to write and always seem to be a chapter or two behind schedule .

If you’re struggling to find time of your own to write with competing obligations (family, work, whatever) making that hard, you need Rachel Aaron’s 2k to 10k . This book will get you in shape to go from writing just a few words an hour to, eventually, 10,000 words a day. Yes, you read that right. 10,000 words a day. At that rate, you can complete so many more projects and publish more. Writers simply cannot afford to waste time if they want to keep up the kind of production that leads to perpetual publication. Trust me, Aaron’s method works. It has for me. I’m on my way to 10k in the future, currently at like 4 or 5k a day for me at the moment.

How to read it: Purchase 2k to 10k on Amazon and add it on Goodreads

The 3 a.m. epiphany by brian kitele.

For you if: You’re going through writer’s block, have been away from writing for a while, or just want to loosen up and try something new .

Every writer must own an an exercise or prompt book. Why? Because regularly practicing your writing by going outside your current works-in-progress (or writer’s block) will free you up, help you plant the seeds for new ideas, and defrost your creative blocks. And the best book writing exercise book I know is The 3 A.M. Epiphany by Brian Kiteley, an MFA professor who uses prompts like these with his grad students. You’ll find that this book (and its sequel, The 4 A.M. Breakthrough ) go beyond cutesy exercises and forces you to push outside your comfort zone and learn something from the writing you find there.

How to read it: Purchase The 3 A.M. Epiphany on Amazon and add it on Goodreads

The 4-hour workweek by timothy ferriss.

For you if: You think being a writer means you have to be poor .

The 4-Hour Workweek changed my life. Although not strictly about writing in the traditional sense, The 4-Hour Workweek does an excellent job teaching you about how passive income can offer you freedom. I first heard about The 4-Hour Workweek when I was getting into tarot in 2013. On Biddy Tarot , founder Brigit (author of some of the best books on tarot ) related how she read this book, learned how to create passive income, and quit her corporate job to read tarot full time. As a person with a total and permanent disability, this spoke to me because it offered a way out of the 9-to-5 “active” income that I thought was the only way. I picked up Ferriss’s book and learned that there’s more than one option, and that passive income is a viable way for me to make money even when I’m too sick to work. I saw this come true last year when I was in the hospital. When I got out, I checked my stats and learned I’d made money off my blog and books even while I was hospitalized and couldn’t do any “active” work. I almost cried.; I’ve been working on my passive income game since 2013, and I saw a return on that time investment when I needed it most.

That’s why I’m recommending The 4-Hour Workweek to writers. So much of our trade is producing passive income products. Yes, your books are products! And for many writers, this means rewiring your brain to stop looking at writing strictly as an art that will leave you impoverished for life and start approaching writing as a business that can earn you a real living through passive income. No book will help you break out of that mindset better than The 4-Hour Workweek and its actionable steps, proven method, and numerous examples of people who have followed the strategy and are living the lifestyle they’ve always dreamed of but never thought was possible.

How to read it: Purchase The 4-Hour Workweek on Amazon and add it on Goodreads

Before and After the Book Deal: A Writer’s Guide to Finishing, Publishing, Promoting, and Surviving Your First Book by Courtney Maum

For you if: You’re serious about making a living as a writer and publishing with a Big 5 or major indie publisher .

Courtney Maum’s Before and After the Book Deal addresses exactly what its title suggests: what happens after you sell your first book. This book is for ambitious writers intent on submission who know they want to write and want to avoid common pitfalls while negotiating terms and life after your debut. As many published authors would tell you, the debut is one thing, but following that book up with a sustainable, successful career is another trick entirely. Fortunately, we have Maum’s book, packed with to-the-moment details and advice.

How to read it: Purchase Before and After the Book Deal on Amazon and add it on Goodreads

Diy mfa: write with focus, read with purpose, build your community by gabriela pereira.

For you if: You’re stressed out wondering if you really need an MFA .

The MFA is under this header “business of writing” because it is absolutely an economic choice you make. And, look, I’m biased. I’m getting an MFA. But back when I was grappling with whether or not it was worth it—the debt, the time, the stress—I consulted with DIY MFA , an exceptional guide to learning how to enrich your writing craft, career, and community outside the structures of an MFA program. I’ve also more than once visited the companion site, DIYMFA.com , to find a kind of never-ending rabbit hole of new and timeless content on the writing life. On DIYMFA.com and in the corresponding book, you’ll find a lively hub for author interviews, writing craft shop talk, reading lists, and business of writing articles.

How to read it: Purchase DIY MFA on Amazon and add it on Goodreads

Mfa vs. nyc by chad harbach.

For you if: You’re wondering how far an MFA really gets you—and you’re ready to learn the realities of the publishing world .

About a thousand years ago (well, in 2007), I spent the fall of my sophomore year of college as a “Fiction Submissions and Advertising Intern” for the literary magazine n+1 , which was co-founded by Chad Harbach, who you might know from his buzzy novel, The Art of Fielding . In MFA vs NYC , Harbach offers his perspective as both an MFA graduate and someone deeply enmeshed in the New York City publishing industry. This thought-provoking look at these two arenas that launch writers will pull the wool up from your eyes about how publishing really works . It’s not just Harbach’s voice you get in here, though. The book, slim but mighty, includes perspectives from the likes of George Saunders and David Foster Wallace in the MFA camp and Emily Gould and Keith Gessen speaking to NYC’s writing culture.

How to read it: Purchase MFA vs. NYC on Amazon and add it on Goodreads

Scratch: writers, money, and the art of making a living – edited by manjula martin.

For you if: a) You’re worried about how to balance writing with making a living; b) You’re not worried about how to balance writing with making a living .

Scratch: Writers, Money, and the Art of Making a Living is alternately one of the most underrated and essential books on writing out there. This collection of personal essays and interviews all revolve around the taboo theme of how writers make their living, and it’s not always—indeed, rarely—through writing alone. Some of the many contributing authors include Cheryl Strayed ( Wild ), Alexander Chee ( How to Write an Autobiographical Novel ), Jennifer Weiner ( Mrs. Everything ), Austin Kleon ( Steal Like an Artist ), and many others. Recently a young woman asked me for career advice on being a professional freelance writer, and I made sure to recommend Scratch as an eye-opening and candid read that is both motivating and candid.

How to read it: Purchase Scratch: Writers, Money, and the Art of Making a Living on Amazon and add it on Goodreads

Write to market: deliver a book that sells by chris fox.

For you if: You don’t know why your books aren’t selling—and you want to start turning a profit by getting a real publishing strategy

So you don’t have to be an indie author to internalize the invaluable wisdom you’ll find here in Write to Market . I first heard about Write to Market when I first joined the 20Booksto50K writing group on Facebook , a massive, supportive, motivating community of mostly indie authors. Everyone kept talking about Write to Market . I read the book in a day and found the way I looked at publishing change. Essentially, what Chris Fox does in Write to Market is help you learn to identify what are viable publishing niches. Following his method, I’ve since published several successful and #1 bestselling books in the quotations genre on Amazon . Without Fox’s book, I’m not sure I would have gotten there on my own.

How to read it: Purchase Write to Market on Amazon and add it on Goodreads

And that’s a wrap what are some of your favorite writing books, share this:, you might be interested in.

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Sarah S. Davis is the founder of Broke by Books, a blog about her journey as a schizoaffective disorder bipolar type writer and reader. Sarah's writing about books has appeared on Book Riot, Electric Literature, Kirkus Reviews, BookRags, PsychCentral, and more. She has a BA in English from the University of Pennsylvania, a Master of Library and Information Science from Clarion University, and an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.

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Nonfiction Books » Language » Writing Books

The best books on creative writing, recommended by andrew cowan.

The professor of creative writing at UEA says Joseph Conrad got it right when he said that the sitting down is all. He chooses five books to help aspiring writers.

Becoming a Writer by Dorothea Brande

On Becoming a Novelist by John C. Gardner

On Writing: A Memoir of the Craft by Stephen King

The Forest for the Trees by Betsy Lerner

Worstward Ho by Samuel Beckett

1 Becoming a Writer by Dorothea Brande

2 on becoming a novelist by john c. gardner, 3 on writing: a memoir of the craft by stephen king, 4 the forest for the trees by betsy lerner, 5 worstward ho by samuel beckett.

How would you describe creative writing?

But because it is in academia there is all this paraphernalia that has to go with it. So you get credits for attending classes. You have to do supporting modules; you have to be assessed. If you are doing an undergraduate degree you have to follow a particular curriculum and only about a quarter of that will be creative writing and the rest will be in the canon of English literature . If you are doing a PhD you have to support whatever the creative element is with a critical element. So there are these ways in which academia disciplines writing and I think of that as Creative Writing with a capital C and a capital W. All of us who teach creative writing are doing it, in a sense, to support our writing, but it is also often at the expense of our writing. We give up quite a lot of time and mental energy and also, I think, imaginative and creative energy to teach.

Your first choice is Dorothea Brande’s Becoming a Writer , which for someone writing in 1934 sounds pretty forward thinking.

Because creative writing has now taken off and has become this very widespread academic discipline it is beginning to acquire its own canon of key works and key texts. This is one of the oldest of them. It’s a book that almost anyone who teaches creative writing will have read. They will probably have read it because some fundamentals are explained and I think the most important one is Brande’s sense of the creative writer being comprised of two people. One of them is the artist and the other is the critic.

Actually, Malcolm Bradbury who taught me at UEA, wrote the foreword to my edition of Becoming a Writer , and he talks about how Dorothea Brande was writing this book ‘in Freudian times’ – the 1930s in the States. And she does have this very Freudian idea of the writer as comprised of a child artist on the one hand, who is associated with spontaneity, unconscious processes, while on the other side there is the adult critic making very careful discriminations.

And did she think the adult critic hindered the child artist?

No. Her point is that the two have to work in harmony and in some way the writer has to achieve an effective balance between the two, which is often taken to mean that you allow the artist child free rein in the morning. So you just pour stuff on to the page in the morning when you are closest to the condition of sleep. The dream state for the writer is the one that is closest to the unconscious. And then in the afternoon you come back to your morning’s work with your critical head on and you consciously and objectively edit it. Lots of how-to-write books encourage writers to do it that way. It is also possible that you can just pour stuff on to the page for days on end as long as you come back to it eventually with a critical eye.

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Good! Your next book, John Gardner’s On Becoming a Novelist , is described as comfort food for the aspiring novelist.

This is another one of the classics. He was quite a successful novelist in the States, but possibly an even more successful teacher of creative writing. The short story writer and poet Raymond Carver, for instance, was one of his students. And he died young in a motorcycle accident when he was 49. There are two classic works by him. One is this book, On Becoming a Novelist , and the other is The Art of Fiction: Notes on Craft for Young Writers . They were both put together from his teaching notes after he died.

On Becoming a Novelist  is the more succinct and, I think, is the better of the two. He talks about automatic writing and the idea, just like Dorothea Brande, of the artist being comprised of two people. But his key idea is the notion of the vivid and continuous dream. He suggests that when we read a novel we submit to the logic of that novel in the same way as we might submit to the logic of a dream – we sink into it, and clearly the events that occur could not exist outside the imagination.

What makes student writing in particular go wrong is when it draws attention to itself, either through bad writing or over-elaborate writing. He suggests that these faults in the aspirant writer alert the reader to the fact that they are reading a fiction and it is a bit like giving someone who is dreaming a nudge. It jolts them out of the dream. So he proposes that the student writer should try to create a dream state in the reader that is vivid and appeals to all the senses and is continuous. What you mustn’t do is alert the reader to the fact that they are reading a fiction.

It is a very good piece of advice for writers starting out but it is ultimately very limiting. It rules out all the great works of modernism and post-modernism, anything which is linguistically experimental. It rules out anything which draws attention to the words as words on a page. It’s a piece of advice which really applies to the writing of realist fiction, but is a very good place from which to begin.

And then people can move on.

I never would have expected the master of terror Stephen King to write a book about writing. But your next choice, On Writing , is more of an autobiography .

Yes. It is a surprise to a lot of people that this book is so widely read on university campuses and so widely recommended by teachers of writing. Students love it. It’s bracing: there’s no nonsense. He says somewhere in the foreword or preface that it is a short book because most books are filled with bullshit and he is determined not to offer bullshit but to tell it like it is.

It is autobiographical. It describes his struggle to emerge from his addictions – to alcohol and drugs – and he talks about how he managed to pull himself and his family out of poverty and the dead end into which he had taken them. He comes from a very disadvantaged background and through sheer hard work and determination he becomes this worldwide bestselling author. This is partly because of his idea of the creative muse. Most people think of this as some sprite or fairy that is usually feminine and flutters about your head offering inspiration. His idea of the muse is ‘a basement guy’, as he calls him, who is grumpy and turns up smoking a cigar. You have to be down in the basement every day clocking in to do your shift if you want to meet the basement guy.

Stephen King has this attitude that if you are going to be a writer you need to keep going and accept that quite a lot of what you produce is going to be rubbish and then you are going to revise it and keep working at it.

Do you agree with him?

He sounds inspirational. Your next book, Betsy Lerner’s The Forest for the Trees , looks at things from the editor’s point of view.

Yes, she was an editor at several major American publishing houses, such as Simon & Schuster. She went on to become an agent, and also did an MFA in poetry before that, so she came through the US creative writing process and understands where many writers are coming from.

The book is divided into two halves. In the second half she describes the process that goes from the completion of the author’s manuscript to submitting it to agents and editors. She explains what goes on at the agent’s offices and the publisher’s offices. She talks about the drawing up of contracts, negotiating advances and royalties. So she takes the manuscript from the author’s hands, all the way through the publishing process to its appearance in bookshops. She describes that from an insider’s point of view, which is hugely interesting.

But the reason I like this book is for the first half of it, which is very different. Here she offers six chapters, each of which is a character sketch of a different type of author. She has met each of them and so although she doesn’t mention names you feel she is revealing something to you about authors whose books you may have read. She describes six classic personality types. She has the ambivalent writer, the natural, the wicked child, the self-promoter, the neurotic and a chapter called ‘Touching Fire’, which is about the addictive and the mentally unstable.

Your final choice is Worstward Ho by Samuel Beckett .

This is a tiny book – it is only about 40 pages and it has got these massive white margins and really large type. I haven’t counted, but I would guess it is only about two to three thousand words and it is dressed up as a novella when it is really only a short story. On the first page there is this riff: ‘Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.’

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When I read this I thought I had discovered a slogan for the classroom that I could share with my students. I want to encourage them to make mistakes and not to be perfectionists, not to feel that everything they do has to be of publishable standard. The whole point of doing a course, especially a creative writing MA and attending workshops, is that you can treat the course as a sandpit. You go in there, you try things out which otherwise you wouldn’t try, and then you submit it to the scrutiny of your classmates and you get feedback. Inevitably there will be things that don’t work and your classmates will help you to identify those so that you can take it away and redraft it – you can try again. And inevitably you are going to fail again because any artistic endeavour is doomed to failure because the achievement can never match the ambition. That’s why artists keep producing their art and writers keep writing, because the thing you did last just didn’t quite satisfy you, just wasn’t quite right. And you keep going and trying to improve on that.

But why, when so much of it is about failing – failing to get published, failing to be satisfied, failing to be inspired – do writers carry on?

I have a really good quote from Joseph Conrad in which he says the sitting down is all. He spends eight hours at his desk, trying to write, failing to write, foaming at the mouth, and in the end wanting to hit his head on the wall but refraining from that for fear of alarming his wife!

It’s a familiar situation; lots of writers will have been there. For me it is a kind of obsessive-compulsive disorder. It is something I have to keep returning to. I have to keep going back to the sentences, trying to get them right. Trying to line them up correctly. I can’t let them go. It is endlessly frustrating because they are never quite right.

You have published four books. Are you happy with them?

Reasonably happy. Once they are done and gone I can relax and feel a little bit proud of them. But at the time I just experience agonies. It takes me ages. It takes me four or five years to finish a novel partly because I always find distractions – like working in academia – something that will keep me away from the writing, which is equally as unrewarding as it is rewarding!

September 27, 2012

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Andrew Cowan

Andrew Cowan is Professor of Creative Writing and Director of the Creative Writing programme at UEA. His first novel, Pig , won the Sunday Times Young Writer of the Year Award, the Betty Trask Award, the Ruth Hadden Memorial Prize, the Author’s Club First Novel Award and a Scottish Council Book Award. He is also the author of the novels Common Ground , Crustaceans ,  What I Know  and  Worthless Men . His own creative writing guidebook is  The  Art  of  Writing  Fiction .

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• > The Cambridge Introduction to Creative Writing
• > Composition and creative writing

Book contents

• Frontmatter
• Acknowledgements
• Chapter 1 Introducing creative writing
• Chapter 2 Creative writing in the world
• Chapter 3 Challenges of creative writing
• Chapter 4 Composition and creative writing
• Chapter 5 Processes of creative writing
• Chapter 6 The practice of fiction
• Chapter 7 Creative nonfiction
• Chapter 8 Writing poetry
• Chapter 9 Performing writing
• Chapter 10 Writing in the community and academy
• Illustrative bibliography

Chapter 4 - Composition and creative writing

Published online by Cambridge University Press:  05 June 2012

Whether it is right or advisable to create beings like Heathcliff, I do not know: I scarcely think it is. But this I know: the writer who possesses the creative gift owns something of which he is not always master – something that, at times, strangely wills and works for itself. He may lay down rules and devise principles, and to rules and principles it will perhaps for years lie in subjection; and then, haply without any warning of revolt, there comes a time when it will no longer consent to ‘harrow the valleys, or be bound with a band in the furrow’ – when it ‘laughs at the multitude of the city, and regards not the crying of the driver’ – when, refusing absolutely to make ropes out of sea-sand any longer, it sets to work on statue-hewing … As for you – the nominal artist – your share in it has been to work passively under dictates you neither delivered nor could question – that would not be uttered at your prayer, nor suppressed nor changed at your caprice. If the result be attractive, the World will praise you; if it be repulsive, the same World will blame you, who almost as little deserve blame.

We have seen how the composition of fiction, poetry and creative nonfiction is mostly a matter of reading and practice.

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• Composition and creative writing
• David Morley , University of Warwick
• Book: The Cambridge Introduction to Creative Writing
• Online publication: 05 June 2012
• Chapter DOI: https://doi.org/10.1017/CBO9780511803024.005

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11 Best Creative Writing Books (Fiction & Non-Fiction Picks)

Writing is a craft, and like any craft, it requires practice. Aspiring writers need to hone their skills to express their ideas and imagination in a meaningful way. Creative writing books can be a great instrument in helping newbie writers grow and succeed. In this article, we will highlight the best creative writing books for aspiring writers, with fiction and non-fiction genres shown separately below.

Why Creative Writing Books Are Essential for Aspiring Writers

Aspiring writers sometimes struggle to find their voice and develop their skills. It’s essential to understand that writing is a lifelong learning process. Creative writing books can offer guidance and insights into the craft, providing an opportunity for writers to expand their knowledge and develop their skills. These books can help you learn writing techniques, inspire your creativity, and guide you through the publishing process.

Enhancing your writing skills

Have you ever read something and became mesmerized by the prose? Acclaimed authors have developed their writing skills through years of practice. Yet, with the right tools and guidance, aspiring authors can master these skills much faster. Some of the best creative writing books offer insights on grammar and style that can enhance your writing skills.

For example, sifting through “ The Elements of Style ” by William Strunk Jr. and E.B. White can help in grammar and guide you in using figures of speech appropriately. This classic book teaches you how to structure your sentences and essays, ideal for writers looking to add a polished finish to their writing skills. Similarly, “ On Writing Well ” by William Zinsser guides writers on how to develop their voice, rhythm, and flow – which are all vital elements in improving writing skills.

Another excellent book that can help you enhance your writing skills is “ Bird by Bird ” by Anne Lamott. This book is full of practical advice and exercises that can help you develop your writing skills. Lamott’s humorous and engaging style makes it an enjoyable read, making it easier to digest the information and apply it to your writing.

Expanding your imagination

Creative writing books not only help you develop your writing skills, but they can also expand your imagination, which is the heart of any great piece of writing. They allow you to explore different worlds and narratives, learn how to describe settings and characters, and master the art of symbolism and metaphor. A great example of a book that can help with this is “ Writing Down the Bones ” by Natalie Goldberg. In this book, Goldberg shares effective techniques to free your mind of any mental barriers and open up your imagination. Through her prompts and writing exercises, Goldberg encourages writers to explore their creative ideas and urges them to take their writing to new heights.

Another book that can help you expand your imagination is “ The Creative Habit ” by Twyla Tharp. Tharp is a renowned choreographer, but her book is not just for dancers. It’s a practical guide to cultivating creativity in any field, including writing. Tharp shares her methods for developing creative habits, such as setting aside time for creativity and finding inspiration in unexpected places.

Learning from the experts

One of the best ways to improve your writing is to read works from successful authors. However, in addition to reading books, you can also learn from the writers themselves by reading their experiences and insights on writing. Through their personal journeys, published writers can offer insight into the industry and what it takes to become a successful author.

For instance, the book “ The Writing Life ” by Annie Dillard delves into the raw and honest realities of being a writer. It’s a must-read for aspiring writers looking for inspiration and guidance, as Dillard offers a unique perspective on the craft of writing. Similarly, “ The Art of Memoir ” by Mary Karr details how to write vivid memoirs, with honest and sometimes painful hints of Karr’s own journey.

Another book that can offer insights into the publishing industry is “ On Writing” by Stephen King. In this memoir, King shares his journey to becoming a successful writer and offers practical advice on writing and publishing. King’s candid and straightforward approach makes it an entertaining and informative read.

Overall, creative writing books are essential for aspiring writers who want to develop their skills, expand their imagination, and learn from successful authors. With the right guidance and tools, you can improve your writing and take your craft to the next level.

Top Fiction Writing Books

Writing fiction is an art that requires skill, creativity, and dedication. Whether you’re a beginner or an experienced writer, there are always ways to improve your craft. Reading books on writing can be a great way to gain new insights and techniques that can help you become a better writer. Here are the top 5 fiction writing books that every aspiring writer should read:

“On Writing” by Stephen King

“ On Writing ” by Stephen King is a must-read for any aspiring writer. King shares his personal journey as a writer, from his early struggles to his eventual success. He provides practical advice on everything from grammar and style to the importance of reading and revision. King’s candid and humorous writing style makes this book an enjoyable read that will leave you feeling inspired and motivated to write.

“Bird by Bird” by Anne Lamott

In “ Bird by Bird ,” Anne Lamott offers a refreshing and honest perspective on the writing process. She emphasizes the importance of taking things one step at a time and encourages writers to embrace their imperfections. Lamott’s witty and relatable anecdotes will make you feel like you’re chatting with a friend who understands the struggles of being a writer.

“The Elements of Style” by William Strunk Jr. and E.B. White

“ The Elements of Style ” is a classic writing guide that has stood the test of time. Written by William Strunk Jr. and E.B. White, this book offers practical advice on grammar, style, and usage. It’s a concise and easy-to-read guide that will help you improve your writing skills and make your prose more polished and professional.

“Writing Down the Bones” by Natalie Goldberg

If you’re looking for a book that will help you tap into your creativity, “ Writing Down the Bones ” is the perfect choice. Natalie Goldberg’s book is a collection of short essays that offer practical advice on writing and creativity. She encourages writers to let go of their inhibitions and write freely, without worrying about perfection. Goldberg’s exercises and prompts will help you develop a daily writing practice that can unlock your full creative potential.

“The War of Art” by Steven Pressfield

“ The War of Art ” is a book that every writer should read. Steven Pressfield’s book is a powerful manifesto on the creative process and the obstacles that writers face. He identifies the internal forces of resistance that can prevent writers from pursuing their dreams and offers practical advice on how to overcome them. Pressfield’s book is a call to action for writers who want to take their craft to the next level.

Reading these books will not only improve your writing skills but also provide you with the inspiration and motivation you need to keep writing. Remember, writing is a journey, and every step you take will bring you closer to your goal of becoming a successful writer.

Top Non-Fiction Writing Books

If you’re looking to improve your non-fiction writing skills, you’re in luck. There are many excellent books out there that can help you sharpen your craft and take your writing to the next level. Here are five of the best non-fiction writing books, each with its unique insights and tips.

“The Art of Memoir” by Mary Karr

“ The Art of Memoir ” by Mary Karr is a must-read for anyone interested in writing memoirs. Karr is a master of the genre, and she draws on her own experiences to provide invaluable guidance on how to craft compelling and vivid stories. In this book, Karr explores the dynamics of memory, the challenges of writing about real people, and the importance of honesty and vulnerability in memoir writing. Whether you’re a seasoned writer or just starting, “The Art of Memoir” is an excellent resource for anyone looking to improve their memoir writing skills.

“The Writing Life” by Annie Dillard

“ The Writing Life ” by Annie Dillard is a classic book on the challenges and rewards of being a writer. Dillard shares her own experiences and insights, offering honest and encouraging guidance to anyone looking to make a career out of writing. In this book, Dillard explores the difficulties and struggles involved in the writing process, as well as the joys and rewards of creating something new. Whether you’re a novice or an experienced writer, “The Writing Life” is an inspiring and insightful read.

“On Writing Well” by William Zinsser

“ On Writing Well ” by William Zinsser is one of the best books out there on writing non-fiction. Zinsser lays out guidelines for clear, concise writing, using excellent examples and insights to help writers craft engaging and compelling pieces. In this book, Zinsser covers everything from grammar and syntax to style and voice, offering practical tips and advice for anyone looking to improve their non-fiction writing skills.

“The Right to Write” by Julia Cameron

“ The Right to Write ” by Julia Cameron is an excellent resource for anyone looking to develop a consistent writing habit. Cameron offers practical tips and exercises to help writers find their voice and develop their writing skills. In this book, Cameron explores the importance of cultivating a writing practice, overcoming writer’s block, and finding inspiration in everyday life. Whether you’re a beginner or an experienced writer, “The Right to Write” is an inspiring and practical guide to the writing life.

“The Writer’s Journey” by Christopher Vogler

“ The Writer’s Journey ” by Christopher Vogler is an essential guide for anyone looking to craft engaging non-fiction. Vogler teaches writers how to develop character arcs, build tension, and create compelling stories that keep readers engaged from beginning to end. Whether you’re working on a memoir, a journalistic piece, or any other type of non-fiction, “The Writer’s Journey” is a valuable resource for learning the essential elements of storytelling.

So there you have it – five of the best non-fiction writing books on the market today. Whether you’re a beginner or an experienced writer, these books offer invaluable insights and tips for improving your craft and taking your writing to the next level. So pick up a copy, start reading, and get ready to take your writing to new heights!

The Verdict

There you have it, the best creative writing books for aspiring writers out there. Whether you’re passionate about writing fiction or non-fiction, these books offer valuable tips and insights into how to approach the craft. These books aren’t magical solutions to becoming a writer but are incredibly useful aids in the ongoing process of developing your skills and finding your voice. Investing time in studying these books is worth it for anyone looking to grow and develop as a writer.

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10 Types of Creative Writing (with Examples You’ll Love)

A lot falls under the term ‘creative writing’: poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is , it may be easier to understand what it does by looking at examples that demonstrate the sheer range of styles and genres under its vast umbrella.

To that end, we’ve collected a non-exhaustive list of works across multiple formats that have inspired the writers here at Reedsy. With 20 different works to explore, we hope they will inspire you, too. 

People have been writing creatively for almost as long as we have been able to hold pens. Just think of long-form epic poems like The Odyssey or, later, the Cantar de Mio Cid — some of the earliest recorded writings of their kind. 

Poetry is also a great place to start if you want to dip your own pen into the inkwell of creative writing. It can be as short or long as you want (you don’t have to write an epic of Homeric proportions), encourages you to build your observation skills, and often speaks from a single point of view . 

Here are a few examples:

“Ozymandias” by Percy Bysshe Shelley

Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.

This classic poem by Romantic poet Percy Shelley (also known as Mary Shelley’s husband) is all about legacy. What do we leave behind? How will we be remembered? The great king Ozymandias built himself a massive statue, proclaiming his might, but the irony is that his statue doesn’t survive the ravages of time. By framing this poem as told to him by a “traveller from an antique land,” Shelley effectively turns this into a story. Along with the careful use of juxtaposition to create irony, this poem accomplishes a lot in just a few lines. 

“Trying to Raise the Dead” by Dorianne Laux

 A direction. An object. My love, it needs a place to rest. Say anything. I’m listening. I’m ready to believe. Even lies, I don’t care.

Poetry is cherished for its ability to evoke strong emotions from the reader using very few words which is exactly what Dorianne Laux does in “ Trying to Raise the Dead .” With vivid imagery that underscores the painful yearning of the narrator, she transports us to a private nighttime scene as the narrator sneaks away from a party to pray to someone they’ve lost. We ache for their loss and how badly they want their lost loved one to acknowledge them in some way. It’s truly a masterclass on how writing can be used to portray emotions. 

If you find yourself inspired to try out some poetry — and maybe even get it published — check out these poetry layouts that can elevate your verse!

Song Lyrics

Poetry’s closely related cousin, song lyrics are another great way to flex your creative writing muscles. You not only have to find the perfect rhyme scheme but also match it to the rhythm of the music. This can be a great challenge for an experienced poet or the musically inclined. 

To see how music can add something extra to your poetry, check out these two examples:

“Hallelujah” by Leonard Cohen

 You say I took the name in vain I don't even know the name But if I did, well, really, what's it to ya? There's a blaze of light in every word It doesn't matter which you heard The holy or the broken Hallelujah 

Metaphors are commonplace in almost every kind of creative writing, but will often take center stage in shorter works like poetry and songs. At the slightest mention, they invite the listener to bring their emotional or cultural experience to the piece, allowing the writer to express more with fewer words while also giving it a deeper meaning. If a whole song is couched in metaphor, you might even be able to find multiple meanings to it, like in Leonard Cohen’s “ Hallelujah .” While Cohen’s Biblical references create a song that, on the surface, seems like it’s about a struggle with religion, the ambiguity of the lyrics has allowed it to be seen as a song about a complicated romantic relationship. 

“I Will Follow You into the Dark” by Death Cab for Cutie

 ​​If Heaven and Hell decide that they both are satisfied Illuminate the no's on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark

You can think of song lyrics as poetry set to music. They manage to do many of the same things their literary counterparts do — including tugging on your heartstrings. Death Cab for Cutie’s incredibly popular indie rock ballad is about the singer’s deep devotion to his lover. While some might find the song a bit too dark and macabre, its melancholy tune and poignant lyrics remind us that love can endure beyond death.

Plays and Screenplays

From the short form of poetry, we move into the world of drama — also known as the play. This form is as old as the poem, stretching back to the works of ancient Greek playwrights like Sophocles, who adapted the myths of their day into dramatic form. The stage play (and the more modern screenplay) gives the words on the page a literal human voice, bringing life to a story and its characters entirely through dialogue. 

Interested to see what that looks like? Take a look at these examples:

All My Sons by Arthur Miller

“I know you're no worse than most men but I thought you were better. I never saw you as a man. I saw you as my father.” 

Arthur Miller acts as a bridge between the classic and the new, creating 20th century tragedies that take place in living rooms and backyard instead of royal courts, so we had to include his breakout hit on this list. Set in the backyard of an all-American family in the summer of 1946, this tragedy manages to communicate family tensions in an unimaginable scale, building up to an intense climax reminiscent of classical drama. 

💡 Read more about Arthur Miller and classical influences in our breakdown of Freytag’s pyramid . 

“Everything is Fine” by Michael Schur ( The Good Place )

“Well, then this system sucks. What...one in a million gets to live in paradise and everyone else is tortured for eternity? Come on! I mean, I wasn't freaking Gandhi, but I was okay. I was a medium person. I should get to spend eternity in a medium place! Like Cincinnati. Everyone who wasn't perfect but wasn't terrible should get to spend eternity in Cincinnati.” 

A screenplay, especially a TV pilot, is like a mini-play, but with the extra job of convincing an audience that they want to watch a hundred more episodes of the show. Blending moral philosophy with comedy, The Good Place is a fun hang-out show set in the afterlife that asks some big questions about what it means to be good. 

It follows Eleanor Shellstrop, an incredibly imperfect woman from Arizona who wakes up in ‘The Good Place’ and realizes that there’s been a cosmic mixup. Determined not to lose her place in paradise, she recruits her “soulmate,” a former ethics professor, to teach her philosophy with the hope that she can learn to be a good person and keep up her charade of being an upstanding citizen. The pilot does a superb job of setting up the stakes, the story, and the characters, while smuggling in deep philosophical ideas.

Personal essays

Our first foray into nonfiction on this list is the personal essay. As its name suggests, these stories are in some way autobiographical — concerned with the author’s life and experiences. But don’t be fooled by the realistic component. These essays can take any shape or form, from comics to diary entries to recipes and anything else you can imagine. Typically zeroing in on a single issue, they allow you to explore your life and prove that the personal can be universal.

Here are a couple of fantastic examples:

“On Selling Your First Novel After 11 Years” by Min Jin Lee (Literary Hub)

There was so much to learn and practice, but I began to see the prose in verse and the verse in prose. Patterns surfaced in poems, stories, and plays. There was music in sentences and paragraphs. I could hear the silences in a sentence. All this schooling was like getting x-ray vision and animal-like hearing. 

This deeply honest personal essay by Pachinko author Min Jin Lee is an account of her eleven-year struggle to publish her first novel . Like all good writing, it is intensely focused on personal emotional details. While grounded in the specifics of the author's personal journey, it embodies an experience that is absolutely universal: that of difficulty and adversity met by eventual success. 

“A Cyclist on the English Landscape” by Roff Smith (New York Times)

These images, though, aren’t meant to be about me. They’re meant to represent a cyclist on the landscape, anybody — you, perhaps. 

Roff Smith’s gorgeous photo essay for the NYT is a testament to the power of creatively combining visuals with text. Here, photographs of Smith atop a bike are far from simply ornamental. They’re integral to the ruminative mood of the essay, as essential as the writing. Though Smith places his work at the crosscurrents of various aesthetic influences (such as the painter Edward Hopper), what stands out the most in this taciturn, thoughtful piece of writing is his use of the second person to address the reader directly. Suddenly, the writer steps out of the body of the essay and makes eye contact with the reader. The reader is now part of the story as a second character, finally entering the picture.

Short Fiction

The short story is the happy medium of fiction writing. These bite-sized narratives can be devoured in a single sitting and still leave you reeling. Sometimes viewed as a stepping stone to novel writing, that couldn’t be further from the truth. Short story writing is an art all its own. The limited length means every word counts and there’s no better way to see that than with these two examples:

“An MFA Story” by Paul Dalla Rosa (Electric Literature)

At Starbucks, I remembered a reading Zhen had given, a reading organized by the program’s faculty. I had not wanted to go but did. In the bar, he read, "I wrote this in a Starbucks in Shanghai. On the bank of the Huangpu." It wasn’t an aside or introduction. It was two lines of the poem. I was in a Starbucks and I wasn’t writing any poems. I wasn’t writing anything. 

This short story is a delightfully metafictional tale about the struggles of being a writer in New York. From paying the bills to facing criticism in a writing workshop and envying more productive writers, Paul Dalla Rosa’s story is a clever satire of the tribulations involved in the writing profession, and all the contradictions embodied by systemic creativity (as famously laid out in Mark McGurl’s The Program Era ). What’s more, this story is an excellent example of something that often happens in creative writing: a writer casting light on the private thoughts or moments of doubt we don’t admit to or openly talk about. 

“Flowering Walrus” by Scott Skinner (Reedsy)

I tell him they’d been there a month at least, and he looks concerned. He has my tongue on a tissue paper and is gripping its sides with his pointer and thumb. My tongue has never spent much time outside of my mouth, and I imagine it as a walrus basking in the rays of the dental light. My walrus is not well. 

A winner of Reedsy’s weekly Prompts writing contest, ‘ Flowering Walrus ’ is a story that balances the trivial and the serious well. In the pauses between its excellent, natural dialogue , the story manages to scatter the fear and sadness of bad medical news, as the protagonist hides his worries from his wife and daughter. Rich in subtext, these silences grow and resonate with the readers.

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Perhaps the thing that first comes to mind when talking about creative writing, novels are a form of fiction that many people know and love but writers sometimes find intimidating. The good news is that novels are nothing but one word put after another, like any other piece of writing, but expanded and put into a flowing narrative. Piece of cake, right?

To get an idea of the format’s breadth of scope, take a look at these two (very different) satirical novels: 

Convenience Store Woman by Sayaka Murata

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality — all simply store workers. 

Keiko, a thirty-six-year-old convenience store employee, finds comfort and happiness in the strict, uneventful routine of the shop’s daily operations. A funny, satirical, but simultaneously unnerving examination of the social structures we take for granted, Sayaka Murata’s Convenience Store Woman is deeply original and lingers with the reader long after they’ve put it down.

Erasure by Percival Everett

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it.  

Erasure is a truly accomplished satire of the publishing industry’s tendency to essentialize African American authors and their writing. Everett’s protagonist is a writer whose work doesn’t fit with what publishers expect from him — work that describes the “African American experience” — so he writes a parody novel about life in the ghetto. The publishers go crazy for it and, to the protagonist’s horror, it becomes the next big thing. This sophisticated novel is both ironic and tender, leaving its readers with much food for thought.

Creative Nonfiction

Creative nonfiction is pretty broad: it applies to anything that does not claim to be fictional (although the rise of autofiction has definitely blurred the boundaries between fiction and nonfiction). It encompasses everything from personal essays and memoirs to humor writing, and they range in length from blog posts to full-length books. The defining characteristic of this massive genre is that it takes the world or the author’s experience and turns it into a narrative that a reader can follow along with.

Here, we want to focus on novel-length works that dig deep into their respective topics. While very different, these two examples truly show the breadth and depth of possibility of creative nonfiction:

Men We Reaped by Jesmyn Ward

Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear as ghosts. In death, they transcend the circumstances of this place that I love and hate all at once and become supernatural. 

Writer Jesmyn Ward recounts the deaths of five men from her rural Mississippi community in as many years. In her award-winning memoir , she delves into the lives of the friends and family she lost and tries to find some sense among the tragedy. Working backwards across five years, she questions why this had to happen over and over again, and slowly unveils the long history of racism and poverty that rules rural Black communities. Moving and emotionally raw, Men We Reaped is an indictment of a cruel system and the story of a woman's grief and rage as she tries to navigate it.

Cork Dork by Bianca Bosker

He believed that wine could reshape someone’s life. That’s why he preferred buying bottles to splurging on sweaters. Sweaters were things. Bottles of wine, said Morgan, “are ways that my humanity will be changed.” 

In this work of immersive journalism , Bianca Bosker leaves behind her life as a tech journalist to explore the world of wine. Becoming a “cork dork” takes her everywhere from New York’s most refined restaurants to science labs while she learns what it takes to be a sommelier and a true wine obsessive. This funny and entertaining trip through the past and present of wine-making and tasting is sure to leave you better informed and wishing you, too, could leave your life behind for one devoted to wine. 

Illustrated Narratives (Comics, graphic novels)

Once relegated to the “funny pages”, the past forty years of comics history have proven it to be a serious medium. Comics have transformed from the early days of Jack Kirby’s superheroes into a medium where almost every genre is represented. Humorous one-shots in the Sunday papers stand alongside illustrated memoirs, horror, fantasy, and just about anything else you can imagine. This type of visual storytelling lets the writer and artist get creative with perspective, tone, and so much more. For two very different, though equally entertaining, examples, check these out:

Calvin & Hobbes by Bill Watterson

"Life is like topography, Hobbes. There are summits of happiness and success, flat stretches of boring routine and valleys of frustration and failure." 

This beloved comic strip follows Calvin, a rambunctious six-year-old boy, and his stuffed tiger/imaginary friend, Hobbes. They get into all kinds of hijinks at school and at home, and muse on the world in the way only a six-year-old and an anthropomorphic tiger can. As laugh-out-loud funny as it is, Calvin & Hobbes ’ popularity persists as much for its whimsy as its use of humor to comment on life, childhood, adulthood, and everything in between. 

From Hell by Alan Moore and Eddie Campbell 

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." 

Comics aren't just the realm of superheroes and one-joke strips, as Alan Moore proves in this serialized graphic novel released between 1989 and 1998. A meticulously researched alternative history of Victorian London’s Ripper killings, this macabre story pulls no punches. Fact and fiction blend into a world where the Royal Family is involved in a dark conspiracy and Freemasons lurk on the sidelines. It’s a surreal mad-cap adventure that’s unsettling in the best way possible. 

Video Games and RPGs

Probably the least expected entry on this list, we thought that video games and RPGs also deserved a mention — and some well-earned recognition for the intricate storytelling that goes into creating them. 

Essentially gamified adventure stories, without attention to plot, characters, and a narrative arc, these games would lose a lot of their charm, so let’s look at two examples where the creative writing really shines through: 

80 Days by inkle studios

"It was a triumph of invention over nature, and will almost certainly disappear into the dust once more in the next fifty years." 

Named Time Magazine ’s game of the year in 2014, this narrative adventure is based on Around the World in 80 Days by Jules Verne. The player is cast as the novel’s narrator, Passpartout, and tasked with circumnavigating the globe in service of their employer, Phileas Fogg. Set in an alternate steampunk Victorian era, the game uses its globe-trotting to comment on the colonialist fantasies inherent in the original novel and its time period. On a storytelling level, the choose-your-own-adventure style means no two players’ journeys will be the same. This innovative approach to a classic novel shows the potential of video games as a storytelling medium, truly making the player part of the story. 

What Remains of Edith Finch by Giant Sparrow

"If we lived forever, maybe we'd have time to understand things. But as it is, I think the best we can do is try to open our eyes, and appreciate how strange and brief all of this is." 

This video game casts the player as 17-year-old Edith Finch. Returning to her family’s home on an island in the Pacific northwest, Edith explores the vast house and tries to figure out why she’s the only one of her family left alive. The story of each family member is revealed as you make your way through the house, slowly unpacking the tragic fate of the Finches. Eerie and immersive, this first-person exploration game uses the medium to tell a series of truly unique tales. 

Fun and breezy on the surface, humor is often recognized as one of the trickiest forms of creative writing. After all, while you can see the artistic value in a piece of prose that you don’t necessarily enjoy, if a joke isn’t funny, you could say that it’s objectively failed.

With that said, it’s far from an impossible task, and many have succeeded in bringing smiles to their readers’ faces through their writing. Here are two examples:

‘How You Hope Your Extended Family Will React When You Explain Your Job to Them’ by Mike Lacher (McSweeney’s Internet Tendency)

“Is it true you don’t have desks?” your grandmother will ask. You will nod again and crack open a can of Country Time Lemonade. “My stars,” she will say, “it must be so wonderful to not have a traditional office and instead share a bistro-esque coworking space.” 

Satire and parody make up a whole subgenre of creative writing, and websites like McSweeney’s Internet Tendency and The Onion consistently hit the mark with their parodies of magazine publishing and news media. This particular example finds humor in the divide between traditional family expectations and contemporary, ‘trendy’ work cultures. Playing on the inherent silliness of today’s tech-forward middle-class jobs, this witty piece imagines a scenario where the writer’s family fully understands what they do — and are enthralled to hear more. “‘Now is it true,’ your uncle will whisper, ‘that you’ve got a potential investment from one of the founders of I Can Haz Cheezburger?’”

‘Not a Foodie’ by Hilary Fitzgerald Campbell (Electric Literature)

I’m not a foodie, I never have been, and I know, in my heart, I never will be. 

Highlighting what she sees as an unbearable social obsession with food , in this comic Hilary Fitzgerald Campbell takes a hilarious stand against the importance of food. From the writer’s courageous thesis (“I think there are more exciting things to talk about, and focus on in life, than what’s for dinner”) to the amusing appearance of family members and the narrator’s partner, ‘Not a Foodie’ demonstrates that even a seemingly mundane pet peeve can be approached creatively — and even reveal something profound about life.

We hope this list inspires you with your own writing. If there’s one thing you take away from this post, let it be that there is no limit to what you can write about or how you can write about it. 

In the next part of this guide, we'll drill down into the fascinating world of creative nonfiction.

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Fourth Grade Creative Writing Worksheets

• Who Am I? – Character Description
• The Parts of a Letter
• Write Your Own Mad Libs ®
• Fill-in Story: The Halloween Party
• Fill-in Halloween Story: A Scary Night
• Fill-in Story: Halloween Carnival
• Story Starters
• Writing a Personal Narrative (Gr. 4)
• Student Proofreading Checklist
• Creative Writing with Photo Inspiration
• Same Name Word Puzzle
• Life in the Sea
• Bio Poem Handout
• Favorite Foods
• Writing a Research Report (Gr. 4)
• Slavery Writing Prompt
• Writing Assignment Rubric
• Discovering Prepositions 5
• Discovering Subjects and Predicates
• Fill in the Beginning and End of Comic Strips
• Script Writing Handout
• Writing Self-Assessment
• Make Your Own Holiday
• A Note About Witches: Fill-in-the-Blanks
• Antonyms and Synonyms
• Immigration Picture Prompts
• My New Year's Resolutions (3-6)
• Discovering Pronouns 10
• Discovering Punctuation 2
• Discovering Capitalization 4
• More Creative Writing Printables, 4th Grade

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10 Best Creative Writing Books to Read in 2023

The world of creative writing possesses an extraordinary ability to unleash imagination, craft narratives, and evoke emotions that resonate with readers. Whether you're an aspiring writer or simply someone who appreciates the art of storytelling, consider Oxford Summer Courses. Embark on a transformative journey through our Creative Writing summer school, where you will have the opportunity to explore the art of crafting compelling narratives, experimenting with various writing styles, and honing your literary skills.

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Disclaimer:.

Please note that the following list of books is recommended reading to broaden your knowledge and deepen your appreciation of creative writing and literature. While some of these books may be included in the Oxford Summer Courses curriculum, the specific content of the summer school can vary. If you wish to study these subjects with us, you can apply to our Creative Writing summer school.

1. On Writing, by Stephen King

• "Amateurs sit and wait for inspiration; the rest of us just get up and go to work."
• Published in 2000, "On Writing" by Stephen King is a masterclass in the craft of storytelling. It combines King's personal journey as a writer with practical advice on honing your writing skills during your time at Oxford Summer Courses.
• Discussion: How can Stephen King's advice on discipline and the writing process benefit aspiring writers at Oxford Summer Courses today?

2. Bird by Bird, by Anne Lamott

• "Almost all good writing begins with terrible first efforts. You need to start somewhere."
• Anne Lamott's "Bird by Bird" is an encouraging guide for writers facing the daunting task of putting words on the page. Through humor and personal anecdotes, she offers valuable insights into the writing process during your Creative Writing summer school at Oxford Summer Courses.
• Discussion: How does Lamott's emphasis on "shitty first drafts" resonate with your own experiences as a writer at Oxford Summer Courses?

3. The Elements of Style, by William Strunk Jr. and E.B. White

• "Omit needless words."
• A timeless classic, "The Elements of Style" is a concise guide to writing well. It provides essential rules of grammar and composition that every writer should know, especially during their time at Oxford Summer Courses.
• Discussion: How do the principles outlined in "The Elements of Style" apply to various forms of creative writing, from fiction to poetry, at Oxford Summer Courses?

4. The story, by Robert McKee

• "Stories are the creative conversion of life itself into a more powerful, clearer, more meaningful experience. They are the currency of human contact."
• Robert McKee's "Story" is a comprehensive exploration of the principles behind effective storytelling. It's a must-read for anyone looking to understand the structure and elements of compelling narratives during their time at Oxford Summer Courses.
• Discussion: How can the insights from "Story" enhance your ability to construct engaging and impactful stories during your Creative Writing summer school at Oxford Summer Courses?

5. Big Magic, by Elizabeth Gilbert

• "Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart."
• In "Big Magic," Elizabeth Gilbert delves into the creative process and encourages writers to embrace their creativity with courage and curiosity, a valuable lesson during your time at Oxford Summer Courses.
• Discussion: How can Gilbert's philosophy on creativity inspire you to approach your writing with a sense of wonder and daring at Oxford Summer Courses?

6. The Art of Fiction, by John Gardner

• "Fiction seeks out truth. The writer has to go into the dark, quiet spaces of himself and feel around for the truth."
• John Gardner's "The Art of Fiction" offers profound insights into the art and craft of writing fiction. It explores the intricacies of character development, plot, and the writer's role in conveying truth through storytelling during your Creative Writing summer school at Oxford Summer Courses.
• Discussion: How can Gardner's exploration of truth in fiction inform your own creative writing endeavors at Oxford Summer Courses?

7. Writing Down the Bones, by Natalie Goldberg

• "Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open."
• Natalie Goldberg's "Writing Down the Bones" is a meditative guide to writing practice. It encourages writers to tap into their innermost thoughts and emotions during their Creative Writing summer school at Oxford Summer Courses.
• Discussion: How can Goldberg's approach to writing as a form of meditation help you access deeper layers of creativity in your work at Oxford Summer Courses?

8. The Elements of Eloquence, by Mark Forsyth

• "Rhetoric is the art of dressing up some unimportant matter to fool the audience for the moment."
• "The Elements of Eloquence" explores the art of rhetoric and language play. Mark Forsyth's witty and informative book will inspire you to experiment with language in your writing during your time at Oxford Summer Courses.
• Discussion: How can a deeper understanding of rhetorical devices enhance your ability to craft persuasive and evocative prose at Oxford Summer Courses?

9. Zen in the Art of Writing, by Ray Bradbury

• "Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spent the rest of the day putting the pieces together."
• Ray Bradbury's "Zen in the Art of Writing" is a collection of essays that celebrate the joy and passion of writing. Bradbury shares his insights on creativity and the writing life during your Creative Writing summer school at Oxford Summer Courses.
• Discussion: How can Bradbury's enthusiasm for writing infuse your own creative process with energy and purpose at Oxford Summer Courses?

10. The Nighttime Novelist, by Joseph Bates

• "Writing is an exploration of the heart."
• "The Nighttime Novelist" by Joseph Bates is a practical guide for writers who balance their craft with busy lives. It offers strategies for maximizing your writing time and making progress on your projects during your time at Oxford Summer Courses.
• Discussion: How can the techniques outlined in "The Nighttime Novelist" help you maintain a consistent and productive writing practice at Oxford Summer Courses?

Oxford Summer Courses invites you to immerse yourself in the enchanting world of creative writing during your time at our summer school. In this blog post, we present a meticulously curated list of 10 classic books that will ignite your imagination and deepen your understanding of the art of storytelling. From Stephen King's practical wisdom in "On Writing" to Ray Bradbury's celebration of the writing life in "Zen in the Art of Writing," these books will serve as your companions on your creative writing journey at Oxford Summer Courses. Through our Creative Writing program, you will have the opportunity to explore these influential texts, share your insights with fellow writers, and refine your craft. Join us on this literary adventure and embark on a transformative experience that will shape your writing skills and inspire your creative spirit during your time at Oxford Summer Courses. Who knows, you might just discover a newfound passion for the art of storytelling and create narratives that resonate with readers for generations to come.

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After submitting your application, we'll be in touch very soon to inform you of the outcome. Apply now to begin your journey with Oxford Summer Courses!

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Ignite your passion for creative writing at Oxford Summer Courses. Immerse yourself in a carefully curated list of books that will spark your creativity, refine your storytelling abilities, and help you embark on a transformative journey as a writer.

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101 Exciting 4th Grade Writing Prompts for 2023 (Free Printable!)

Use them for journal writing, essay topics, and more!

Fourth grade is a time for students to continue to hone their writing chops as they put to use the skills they’ve learned and gain confidence in their abilities. We’ve collected this list of fourth grade writing prompts—including opinion, persuasive, informational, and narrative—to spur your students’ imaginations and get them writing!

You can get 50 of these fourth grade writing prompts in a free PowerPoint slideshow bundle! They make it easy to share these writing ideas with your students.  Grab your free PowerPoint bundle by submitting your email here .

• Persuasive and Opinion Writing Prompts
• Descriptive and Expository Writing Prompts
• Narrative and Personal Writing Prompts
• Creative Writing Prompts
• Current Events Writing Prompts

Persuasive and Opinion 4th Grade Writing Prompts

Would you rather be good at sports or good in school? Why?

Would you rather have lots of money or lots of friends? Why?

What is your favorite subject in school? Why?

Are fourth graders ready to stay home alone? Why or why not?

Name two characters from different books that you think might be good friends. Why?

Which is more important for success, skill or luck?

Should kids be paid an allowance to do chores around the house? Why or why not?

Why are classroom rules important?

If you had a time machine, what era of history would you visit?

Why is math important?

Why is science important?

Should fourth graders have cell phones? Why or why not?

If you could open a store, what type of store would it be and why?

Which would you rather read: a scary story that gives you goosebumps or a funny story that cracks you up? Why?

What is the hardest thing about being a fourth grader?

If I were the ruler of the world, the first law I would pass would be … because …

If you found a backpack filled with dollar bills, what would you do?

Is it ever OK to tell secrets? Why or why not?

What animal makes the best pet? Why?

Is it better to spend an hour a day reading or an hour a day exercising? Why?

Descriptive and Expository 4th Grade Writing Prompts

If you had a YouTube channel, what would you talk about?

What’s the best book you’ve read recently? What was it all about?

If you won a million dollars, how would you spend the money?

Describe what you think of as perfect weather.

Describe how to build a birdhouse step by step.

Write five rules for staying organized.

What is the worst book you ever read?

Describe the physical appearance of someone in your family in detail.

Imagine you are in a hot-air balloon above your house. Describe everything you can see.

Describe how to play your favorite board game.

There’s an old saying: “The squeaky wheel gets the grease.” What do you think this saying means?

Describe your perfect day.

One of your little cousins is very nervous about starting kindergarten. What would you tell them to make them feel better?

Imagine you are an adult and describe your dream job.

Explain your morning routine in detail, from waking up to arriving at school.

Describe the perfect meal, including what you’d eat and where you’d dine.

Share what you do on a typical non-school day.

Explain the right way to do one of your household chores, like making your bed or cleaning your room.

Describe your favorite room at home in detail.

How do you prepare for a big test? Describe the ways you study or practice.

Narrative and Personal 4th Grade Writing Prompts

Share one of the stories your family has told you about when you were a baby.

What is the funniest thing that has ever happened to you?

Write about an adult you look up to.

What’s the nicest thing anybody has ever done for you?

If you could change one thing about yourself, what would it be?

Write about a time you felt like quitting but didn’t. How did you keep yourself going?

Do you like nonfiction books or fiction books better? Why?

What makes your family unique?

What would you say is your greatest strength? Greatest weakness?

Are you a patient person? Why or why not?

What is something you’ve never done that you would like to try?

What is the weirdest thing that has ever happened to you?

Write about a time you tried something new and how you felt before, during, and after.

What is your earliest memory?

What’s your favorite holiday? What makes it so special?

Write about a time when you felt proud of yourself.

Tell the story of your favorite field trip of all time.

If you could relive any day in your life, what would it be? Would you want it to be the same or different?

What holiday is important to your family? Describe how you celebrate it together.

What’s the best gift you’ve ever gotten? How did it make you feel?

Creative 4th Grade Writing Prompts

If you met an alien, what three questions would you ask them?

Pretend you drank a magic potion that made you as tiny as an ant. Where would you go and what would you do?

Pretend you ate a magic pill that made you as tall as a redwood tree. Where would you go and what would you do?

Write a story that includes these five words: keys, spaghetti, uncle, jellyfish, spaceship.

What would the world be like if dinosaurs still existed?

If you could invent something new the world really needs, what would it be? How would it work?

Retell a classic story, making the villain the hero instead.

Imagine that one day you woke up and found everyone in the world could no longer talk. What would happen next?

Write a new chapter of your favorite book, with yourself as a new character.

Imagine you woke up one morning with a superpower, like invisibility or the ability to fly. Describe your experiences learning how to use that power.

Use these words to start a story: “When I opened the box that came in the mail, I never expected to find …”

Describe a world where it rains fruit juice and snows M&Ms.

Come up with the most ridiculous excuse possible for why you are unable to turn in your homework today.

Describe a world where all the adults are robots, but kids are still human kids.

Imagine a conversation between yourself and a talking animal.

Describe the kind of creature you’d create if you were a mad scientist. Would it be scary and mean? Nice and friendly?

Invent a new kind of candy. Give it a name, and write a commercial jingle for it.

Write about a day where kids are in charge instead of grown-ups.

Imagine you’re lost in a haunted wood, and tell the story of your escape.

Tell a story that ends with these words: “… and that’s how we all learned to fly.”

Describe a night in the life of the tooth fairy.

Current Events 4th Grade Writing Prompts

If you made a time capsule for this year, what would you put in it?

Describe something that you saw in the news recently and how it made you feel.

Tell about an event that happened recently at your school or in your town.

What do you think is one of the world’s biggest problems right now, and how would you solve it?

Read a news story about something happening in another country and summarize it.

Write a news article about something important that happened to you this week.

Create a poem about something in the local news right now.

Write a letter to the editor about a current issue, explaining your opinion.

Find a “good news” story, and share why it makes you happy.

What living famous person do you most admire and why?

What do you think kids today can do about climate change and global warming?

Learn about an endangered animal, and describe what we can do to help it.

What does the word “racism” mean to you?

What is one thing you would do to make your school or town a better place?

Choose an upcoming sports event, and explain who you think will win.

Describe a current fashion trend or something that’s very popular in your school right now, and how you feel about it.

What can we do to help people with different opinions get along with one another better?

Interview a grown-up you know, and write a news article about them.

What do you think is the best new song right now? The worst? Why?

Describe an event that’s happening in the world right now that you don’t understand. What questions would you ask a grown-up about it?

How do you use writing prompts with your students? Come share your ideas and ask for advice in the We Are Teachers HELPLINE group on Facebook .

Also check out 57 awesome 4th grade books you’ll want to share with students ..

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Taking the leap from the primary level to the intermediate grades. Continue Reading

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10 Best Creative Writing Courses for 2024: Craft Authentic Stories

Learn how to tell your story and engage your readers with great storytelling.

As a lifelong literature enthusiast, I decided to challenge myself in 2010 by participating in NaNoWriMo (National Novel Writing Month), which tasks participants with writing a 50,000-word draft within a month. Although I’ve only achieved this goal twice since then, the experience has been invaluable. I’ve connected with a wonderful community of writers, both online and in person.

Through my experience, I can confidently say that creative writing is a skill that can be developed and honed, just like any other. While traditionally associated with literature, creative writing is increasingly being recognized as a powerful tool in various forms of writing, from copywriting and storytelling to novels and poetry. It has the ability to captivate readers and elevate the impact of written expression.

If you’re searching for the best online Creative Writing courses and resources, you’ve come to the right place. This Best Courses Guide (BCG) is built from Class Central’s catalog of over 300 Creative Writing courses and selected according to a methodology that you can check below.

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What is Creative Writing?

Courses overview, why you should trust us, how we made our picks and tested them, here are our top picks.

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Creative writing is a genre of writing that seeks to evoke emotions and feelings in its readers. It surpasses the limits of traditional forms of literature and emphasizes narrative craft, character development, and the use of literary tropes and poetic traditions. Creative writing finds application in various forms of writing, including screenplays, plays, novels, poems, and other written works. In this guide, I will delve into some of its most popular facets.

Enhancing resilience and creativity through writing

Research shows that the brains of professional writers work differently from those of novice writers. Moreover, creative writing has been found to boost resilience in students . If you want to enjoy the benefits of writing, it’s important to develop the habit of jotting down your thoughts and words. Doing so can help you overcome writer’s block.

Creative writing is so powerful that it’s used in prisons to give inmates a chance to express themselves in programs like PEN America . “By providing resources, mentorship, and audiences outside the walls, we help these writers to join and enrich the broader literary community.”

Creative writing is a skill that can be learned and practiced like any other. Techniques such as ABDCE structure, 1st or 3rd person point of view, “show don’t tell”, dialogues, and tropes can be easily learned through the online courses in this guide.

• Together, they account for over 1M enrollments
• Skillshare, with 2 courses, is the most featured provider
• The single most popular course has nearly 400k enrollments
• Three courses are entirely free or free-to-audit.

Best Fantasy And Short-Stories Writing Lessons For Beginners (Brandon Sanderson)

Besides being an awesome writer, Sanderson is an instructor with a very unique talent for keeping us engaged. He has also made available a full course in creative writing on YouTube , originally presented at Brigham Young University, which includes the most crucial tools for any beginner or even experienced writers. The course is comprehensive and rich in content, with great sound and video quality.

Each video discusses a specific tool or technique, so you can easily select the theme you want to explore next or watch it all in sequence. It’s up to you. I recommend you take your time, watch one video at a time and experiment with each concept, or even better, find a writing buddy or form a group to practice writing together.

What you’ll learn:

• Plot construction, character development, and engaging storytelling
• Techniques for crafting immersive worlds and believable viewpoints
• Insights into the publishing industry, tailored for emerging writers
• Strategies for writing compelling short stories and leveraging them for larger projects.

“Very informative! I’m a beginner writer looking to study writing for video games, and this class gave me a lot of helpful tools to start understanding how stories work/how to organize my ideas! Will definitely be returning to some of these lectures in the future for guidance 👍” – Paige Webster

Best University-level Creative Writing Course (Wesleyan University)

Creative Writing by Wesleyan University is a specialization for those looking for a way to improve their writing structure, scene and character creations and finding your style. Each course includes writing practice (for paying learners) and insightful interviews. It’s worth your time and effort if you are a disorganized writer like myself.

• Techniques for crafting a bracing story with memorable characters and an interesting setting
• How to employ a fresh descriptive style in your writing
• Skills for analyzing and constructively evaluating peer writing
• The ability to refine your writing, critique writing in general, and draw inspiration from existing literature
• The process of drafting, rewriting, and completing an original story in the genre of your choosing.

It should be noted that the peer-grading system often lacks depth. However, the assignments are well-crafted and can be easily evaluated with minimal effort, providing some insights from other participants in the form of feedback or inspiration from their submissions.

“Great information about plot and scene structure. The information about revision was entirely new to me – thank you! The exercises were good and difficult in a good way that helped me hone my writing.” – Laura B, Coursera learner

Best Course to Find Your Voice (Neil Gaiman)

Neil Gaiman is currently one the most prolific writers I know of: he’s written books , comics , movies and even TV shows . Even if you’re not a fan of his style, there is definitely something you can learn from him.

In Neil Gaiman Teaches The Art Of Storytelling you will discover Neil’s philosophy on what drives a story and learn to unlock new stories within yourself.

While MasterClass doesn’t sell single courses, a subscription provides access to their entire library, including other writing courses like Margaret Atwood Teaches Creative Writing , Dan Brown Teaches Writing Thrillers , Malcolm Gladwell Teaches Writing , and James Patterson Teaches Writing . If you are considering the purchase, you should definitely enjoy the rest of their catalog.

By the end of this course, you will be able to:

• Discover and develop your unique writing voice
• Generate and develop original ideas
• Create dynamic, well-rounded characters that come to life on the page.

This course includes a 94-page workbook that includes assignments and supplemental material.

Best Practical Writing Course With Support (Trace Crawford)

I love it when a passionate teacher like Trace Crawford puts the effort into creating a comprehensive curriculum. COMPLETE Creative Writing – All Genres is a 12-hour course with 145 downloadable resources. In this course, you will learn how to write engaging fiction, poetry, drama, and creative non-fiction, helping you become the successful writer you want to be.

• The four genres of creative writing: fiction, poetry, drama, and creative non-fiction
• How to discover, refine, and share your unique writing voice
• A series of authentic writing assignments designed to target the skills you need to develop
• Writing techniques, literary devices, and specialized skills to enhance your writing
• Opportunities for publishing, podcasts, and how to create a professional creative writing portfolio
• Discover multiple public outlets to share your writing with others as you gain confidence and experience success in your writing ability.

This is a practical creative writing course that includes assignments reviewed by the instructor, though response time may vary.

“The short snippets of theory in combination with the short assignments suits my learning style. I don’t remember the last time I’ve written anything creative, but this course gave me the incentive to set some foundation and its actually quite enjoyable if you stick to it.” – Nikolaos-Stylianos Z., Udemy learner

Best Course to Overcome Writer’s Block: 10-Day Journaling Challenge (Emily Gould)

I couldn’t resist adding Creative Writing for All: A 10-Day Journaling Challenge to this guide. Emily Gould is a delightful instructor, and her approach to inviting you to participate in the challenge is impossible to decline. It’s the perfect course to overcome writer’s block, which is exactly what she proposes. In this 10-day creative writing challenge, filled with inspiring examples, observation prompts, and clever revision tricks, writers and enthusiasts will be able to express their creativity in a personal and artful way.

This course is the shortest one on the list, and it’s more about the challenge of keeping a journal. If you decide to subscribe to Skillshare, you can also enjoy their entire library of courses. In addition to the other two recommended courses on this list, you can also check out these other Skillshare courses: Writing Suspense: How to Write Stories That Thrill in Any Genre and The Writer’s Toolkit: 6 Steps to a Successful Writing Habit .

Best Course to Create Fiction From Personal Experience (Shaun Levin)

Shaun’s approach to writing in Short Story Writing: Create Fiction from Personal Experience is an unusual one. It draws from your personal experience to create a compelling fictional story. I can say from experience that this technique will help you write with more depth and authenticity. Every time we bring our own life to the story, it becomes alive, believable and relatable. In a way, all fictional stories are based on the author’s life.

This course will help you with techniques and a series of practical exercises to start writing your scenes from a more philosophical point of view, creating compelling stories. You’ll learn how to delve into your imagination to find everything you’ll need to become a prolific writer, no matter where you are.

By the end of the course, you will have a final project that will receive feedback from Shaun and other learners as well. Actually, if you want to check it out, in the course page on Domestika you can open the submitted projects and read the comments.

Shaun’s other courses: Creative Writing for Beginners: Bringing Your Story to Life .

“A practical course. Shaun Levin talks about theory but also demonstrates his process, which was invaluable. The exercises got my creative juices flowing. Thinking about doing his other course in the future.” – Maya Dicheva

Best Course to Make Writing Less Stressful with Best Practices (Jennie Nash)

If you struggle to start or get stuck in your writing, Write Your Book: Start Strong and Get It Done can help. With good advice and emotional support, you’ll learn techniques to make writing less stressful. The accompanying workbook guides you to think methodically by asking the right questions to keep you focused on your story and not chasing your own tail.

In this class, you’ll learn how to:

• Design every element of your novel or memoir, including the protagonist, plot, story structure and a project success plan
• Define your narrator’s voice
• Determine where your story begins and where it ends
• Decide what point you’re making about human nature
• Make sure you’re giving your ideal reader exactly what they want
• Gain the confidence you need to push past any doubts and finish your book.

This course is more of a masterclass, so there are no assignments included but it teaches good practices and provides a very useful workbook.

Best Course to Create A Compelling Story (Lisa Cron)

Writing: The Craft of Story is a series of well-produced lectures covering the basic building blocks of a story. Taught by author Lisa Cron, you will learn how to create compelling stories based on the way the brain responds to storytelling. This course emphasizes the importance of capturing the reader’s attention through techniques such as suspense, exploring the protagonist’s inner issues and dreams, specificity, and cause and effect. Upon completion of the quizzes, you will receive a certificate for your LinkedIn profile. Additionally, you can watch all the videos without subscribing to the course.

“Learning the fundamentals of crafting a story was and is a fascinating experience. And yes, I would highly recommend writing to anyone interested in learning how to express the communication of feeling.” – Nicole Gillard, LinkedIn learner.

Best Course to Write Personal Essays with Impact (Roxane Gay)

Discover the art of crafting powerful personal essays with best-selling author Roxane Gay in her course, Creative Writing: Crafting Personal Essays with Impact . Through her honest and thoughtful approach, Roxane will help you find your story, craft your truth, and write to make a difference.

This master class offers eight video lessons that are filled with practical guidance, actionable tactics, and example essays to guide you from the first idea to a final, publication-ready work.

You’ll learn how to:

• Find a specific purpose for telling your story
• Connect your work to larger conversations and timely themes
• Conduct crucial research to support your work
• Navigate personal memories to write your truth
• Write and revise your final work, and submit your work for publication.

Additionally, the class provides a downloadable worksheet to support your ongoing creative nonfiction writing practice, as well as links to additional resources.

If you enjoy creative nonfiction writing, you might consider this course that’s also on Skillshare: Creative Nonfiction: Write Truth with Style (Skillshare Original) by Susan Orlean

Best Course to Develop Your Ideas And Research for Characters (The Open University)

Start Writing Fiction explores the writing process, from journaling and idea development to reflection and editing. It features insights from established writers such as Louis de Bernières, Patricia Duncker, Alex Garland, Abdulrazak Gurnah, Tim Pears, Michèle Roberts, and Monique Roffey,  who share their approaches to research and turning events into plot. Led by Derek Neale, a novelist and short story writer, this course provides a comprehensive understanding of the writing rituals and techniques used by successful writers.

You’ll get to critique the work of other writers and receive feedback. This course is designed for individuals interested in starting or improving their fiction writing and does not require prior experience in the subject.

You’ll learn:

• Creation of characters in fiction
• Different sources and ways of presenting characters in stories
• Reading as a writer
• Writing practice including creativity, research, observation and editing
• Peer reviewing, workshops and the importance of feedback.

“This course takes learners through many aspects of writing such as developing characters, observing and describing details, finding inspiration, writing and editing. It includes some peer reviews which can be varying in quality. I was lucky enough to have some of my writing reviewed by a reviewer who gave very helpful and positive feedback.” – Pat Bowden

What’s Next

Scribophile is one of the largest online writing communities. You can get feedback on your writing and join writing groups. If you decide to join with a free plan, you need to collect points by reviewing other writers’ work before submitting your own work for review. They also developed some advanced tools for evaluating work and guidelines to make sure you give/receive feedback that is actually meaningful.

NaNoWriMo started out as a month-long challenge where you invite your friends and join other writers in your region, be it online in their forums or in person, to challenge yourself in writing your first draft. Nowadays, they run all-year round writing challenges (but November is still the biggest one in terms of participation). What is cool about it is you actually get to meet people in real life with various writing skills and backgrounds. I was able to make some great friends over the years and even met a few professional writers that decided to join our local group just to support us.

If you have any resources you would like to have added here, leave a comment below.

Class Central , a Tripadvisor for online education, has helped 60 million learners find their next course. We’ve been combing through online education for more than a decade to aggregate a catalog of 200,000 online courses and 200,000 reviews written by our users. And we’re online learners ourselves: combined, the Class Central team has completed over 400 online courses, including online degrees.

Trying to find “the best” can be daunting, even for those of us who live and breathe online courses. Here’s how I approached this task.

First, I combed through Class Central’s Catalog and the internet to find a variety of free and paid open courses, some with certificates. You don’t need to enroll in a university to learn about creative writing.

When choosing courses, I considered the following factors:

• Renowned Institutions : I looked for recognized institutions in creative writing
• Instructor experience : I sought instructors with extensive experience in creative writing and engaging presentation styles
• Popularity : I checked numbers of enrollments and views to find popular courses
• Course content : I examined courses that covered a range of topics and presentation styles, including the basics and more advanced topics. I watched some course videos to sample courses I hadn’t already taken
• Learner reviews : I read learner reviews (when available) to get a sense of the quality of each course, leveraging the Class Central database with its thousands of course ratings and reviews written by our users as well as available course provider reviews.

Then, I defined the scope for these recommendations. A creative writing course can cover various topics, so I chose top courses from a range of sub-fields.

Ultimately, I used a combination of data and my own judgment to make these picks. I’m confident these recommendations will be a reliable way to learn about creative writing.

Fabio Dantas

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22 episodes

Do you feel called to write a fiction book? Do you want to authentically honor God through your creativity without sounding preachy? Are you finding yourself in the cycle of constantly rewriting your first draft? Are you wondering how to write characters people will want to read about and plot points that will keep your reader on the edge of their seats? I am so excited you are here! This podcast will help you finish that book you’ve always wanted to write and honor God through your creativity! Hey, I’m Alivia. I’m a writer who loves Jesus, a book coach, and a certified developmental editor. For years I shut down my unique voice because I was so concerned with what culture dictated would make me a good artist. I constantly compared myself to others. I was stuck in writing routines that didn’t work for me. I could never get the motivation to write. As a result, every single one of my creative projects fell flat. Until one day, I partnered with the Holy Spirit in my creative process, and I finally felt the permission to write the book I LOVED while remaining in alignment with who God uniquely created me to be. I created a simple outlining system that got me more excited and motivated to write! I found my content was resonating on a much deeper level with my audience, prompting authentic conversations about my faith. And I’m sharing it with you! If you’re ready to find a writing system that works for you, authentically represent God in your work, create characters and plot points your reader will resonate with, and finally have the motivation to finish your book – this podcast is for you! Grab a notebook and a pen and let’s get inspired to write!

Inspired to Write | How to Write a Book, Fiction, Creativity, Plot Arc, Fictional Characters Alivia Roan

• 5.0 • 43 Ratings
• JUN 19, 2024

21| Struggling to Write Fictional Characters? 3 Simple Tips to Create Dynamic Characters

Getting to know our fictional characters can be a challenge, but it is crucial to the success of our novels. Character development worksheets don't always work. Most do not ask the right questions in order to help write a strong character arc, and often leave us confused and unsure of who the heck these people even are. That is why in todays episode we are talking about three simple tips to write dynamic characters. How do you know if your story has strong character development? Listen to todays episode and find out!  

• JUN 12, 2024

20 | Frustrated with Limited Creative Growth? Grow your Creative Writing Skills in Under 10 Minutes a Day

We all have limited time for our creativity, so how do we prioritize creative growth when we have so many other things fighting for our attention?  In today's episode we discuss how to grow our creative writing skills in under 10 minutes a day. Once you listen, you can have confidence knowing you can balance the demands of life without sacrificing your author dreams! 

• JUN 5, 2024

19 | Outline A Book With Me! Part 4 - Plot Points With Purpose

• MAY 15, 2024

18 | The Secret to Making Progress on Your Draft Through Burn Out

• MAR 27, 2024

17 | Outline a Book With Me! Part 3 Settings That Matter

• MAR 20, 2024

16 | Outline a Book With Me! Part 2 - Developing Supporting Characters That Matter

Welcome to the second part in our Outlining Series! I hope you guys are having as much fun as I am. If you haven't already, make sure you go back and listen to part one. Today is all about creating engaging supporting characters that matter in the big picture of our story. I can't wait to dive in and see what we come up with together. 

• © Copyright 2023 All rights reserved.

Customer Reviews

So powerful.

As someone who wants to write a book and has heard that directly from the Lord, but there are TOO MANY THOUGHTS swirling around my head, I needed to find this podcast! Alivia is so helpful and knowledgable and really enjoyable to listen to! Thanks Alivia!

Very encouraging!

Love the heart Alivia brings in this podcast! The helpful tips and biblical view is very inspiring and something any young writer needs!! God bless you!

Very encouraging and helpful info

Alivia is great at breaking down writing concepts

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