1920 movie review rediff

Home » Movies » Movie Reviews

‘1920’ | Film Review

Hindi film about a young architect and his wife, who move into a haunted mansion. Full of analogy and references to familiar Western films, it was directed by Vikram Bhatt in 2008 and set in 1920 India.

1920 is the story of a young architect, Arjun (Rajneesh Duggal), who moves to an old stately home to measure it up and redesign it as a hotel. He takes his beautiful wife Lisa (Adah Sharma), who feels a little uneasy there and – after many weird and supernatural events – becomes possessed. That’s the simple synopsis, though the backstory surrounding this couple and the house provide plenty of details and motivation which are ripe with cultural significance.

The conflict is evident right from the start, when Arjun’s family attempts drastic measures to prevent his marriage to Lisa, because of her different religious upbringing; he was raised Hindu, she Catholic. Consequently, Arjun rejects his family and their religion, but this leaves him feeling alone when he needs to seek a solution to his wife’s possession later on, and he finds himself torn between both spiritual influences again. When we find out the source of the spirit which has taken hold on Lisa, the history is rooted in [spoiler alert] a betrayal of the Indian army to the British, which is very clearly compared to a betrayal within marriage . The allegory is heavy-handed here, especially at the end where Arjun’s cultural loyalty is rewarded.

Both lead actors were relatively unknown when picked up for 1920 , but have become stars as a result; especially Sharma, who plays innocent and possessed wife equally well. The acting style is a little exaggerated, of course, like much of Bollywood (but not much different to Western classics like the old House on Haunted Hill ); but still, the acting overall is five times better than that in Horror Story , which I saw a couple of months ago. I think the slight overacting fits here, though, as – along with the tropes and clichés – it keeps things simple, allowing the story itself to come to the fore.

I found the film entertaining; but more than that, found it fascinating. If you’ve watched the recent Ghoul and wonder if India has other horrors to offer, give 1920 a try. It was followed by three sequels … though I assure you they have nothing to do with 1922 , also to be found on Netflix: that one is a Stephen King story.

THIS REVIEW IS PART OF OUR #31DAYSOFHORROR FEATURE WHICH IS RUNNING ALL THROUGHOUT OCTOBER.  CHECK OUT THE OTHER ENTRIES.

Article by Alix Turner

Alix joined Ready Steady Cut back in 2017, bringing their love for horror movies and nasty gory films. Unsurprisingly, they are Rotten Tomatoes Approved, bringing vast experience in film critiquing. You will likely see Alix enjoying a bloody horror movie or attending a genre festival.

I Love America review – a pretentious misfire

Hold Tight episode 4 recap - more trouble in the community

This website cannot be displayed as your browser is extremely out of date.

Please update your browser to one of the following: Chrome , Firefox , Edge

1920 (Movie Review)

The horror film is so horrible you’d be scared to see it

After “Phoonk”, you’d think the possessed woman was a thing of the past. But wait, it’s time for another lady to elevate far beyond her bed in a horizontal high that gives you a crick in the neck.

“1920” is “Phoonk” in Scotland (or whichever foreign scenic spot), where the devil catches hold of the leading lady as she rests her head on the rattling bed, moved back by almost a century.

Screenwriter Vikram Bhatt attempts to thrust a weight over the theme of exorcism by taking the supernatural theme to British India. So we have soldiers, mutineers, rebels and renegades popping into the Scottish scenario like random guests at an outdoor masquerade party.

And then we have a doctor mentioning a certain “Dr Sigmund Fried” who is doing research somewhere far away from this film’s horrific domestic tussles, researching on the human psychology.

By the time we get to the grisly climax with flying chairs and human limbs, writer-director Bhatt, trying to do a razz-matazz to his supernatural hit “Raaz” five years ago, is on to a bigger formula.

The holy chants of the Christian priest (Raj Zutsi, trying hard to pronounce Latin correctly and translating it promptly into English and Hindi) merge into the chants of the Hanuman Chalisa. This is secularism gone supernatural!

There’s something terribly artificial about implanting a historical element into a tale that essentially wants to tap the most primitive and primeval fears of the audience. Rather than going into a tale of betrayal during times of cruel colonialism, Bhatt’s narrative should have just stuck to its gory guns.

Then maybe, just maybe, the B and C centre audiences who got the jitters watching “Phoonk” would’ve trembled at the diabolic toss and turn that the love birds experience in a verdant castle that is supposed to be situated somewhere in India in the year 1920.

So panoramic and National Geographic is the view that we often want the lead pair (both wooden and uninspired even when the ghouls provoke them into animated retaliation) to just move out of camera range.

Alas, “1920” has a scary story to tell.

We are scared all right. Though for reasons other than the ones Bhatt would want us to be.

Cast: Rajneesh Duggal, Adah Sharma

Director: Vikram Bhatt

Music: Adnan Sami

Indo-Asian News Service

Masala! Review: Vidya Balan is predictably good, but the real star of ‘Do Aur Do Pyaar’ is Pratik Gandhi

Daniel Craig starrer Glass Onion: A Knives Out Mystery to premiere at TIFF

Dinesh Vijan’s Maddock Films to release six new films this year featuring these stars

Ek Villain Returns: The nefarious looks of the cast are out now

Shamshera: Vaani Kapoor unveils her dazzling character ‘Sona’ from the periodic drama

Taapsee Pannu starring Dobaaraa goes to London Film Festival

Akshay Kumar reacts to Raksha Bandhan’s clash with Laal Singh Chaddha

Ajay Devgn’s Thank God to clash with Akshay Kumar’s Ram Setu?

Brahmastra trailer reunites Marvel fans witnessing ‘the madness of astraverse’

Abhishek Bachchan starrer Ghoomer: Makers drop intriguing first look

Brace yourselves! Joker 2 is on the cards

Qatar to ban Akshay Kumar starrer Samrat Prithviraj like Oman and Kuwait?

Movies in the 1920s: An Era of Silent Film and Innovation

By: Author Valerie Forgeard

Posted on April 6, 2024

Categories Entertainment , History

The 1920s was a pivotal decade in the film industry, marking both an end and a beginning in cinema. It was an era where filmmaking matured into a full-fledged industry centered in Hollywood. Silent films peaked in artistic quality and popularity before the transition to sound films began. Introducing “talkies” in the latter part of the decade revolutionized the industry and brought new challenges and opportunities for filmmakers and actors.

During this decade, the film industry experienced exponential growth. Hollywood became synonymous with movie-making, establishing a studio system that dominated film production, distribution, and exhibition. This period saw the rise of influential movies, such as “Metropolis” and “The Gold Rush,” which left lasting impressions on audiences and future filmmakers. Movie stars like Charlie Chaplin and Greta Garbo rose to iconic status, captivating millions with their performances and contributing to the glamor associated with the film industry.

Key Takeaways

• The 1920s heralded the zenith of silent films and the emergence of sound films, transforming the cinema experience.
• Hollywood’s studio system centralized movie-making, and influential films from this era set standards for future cinematic endeavors.
• Iconic stars rose to prominence, enhancing the cultural impact of cinema and solidifying its significance in popular culture.

The Rise of Hollywood Cinema

In the 1920s , Hollywood transformed into the epicenter of the American film industry. This era, commonly called the silent era , was characterized by films without synchronized dialogue. The storytelling relied heavily on expressive body language and facial expressions accompanied by title cards.

Universal Pictures and Warner Brothers were the pioneering studios that established Hollywood’s foundation. These studios and others formed the studio system, which became a defining feature of Hollywood’s industrial organization. Major studios produced a slate of films, controlled their distribution channels, and held contracts with a roster of actors, directors, and technical staff.

The decade saw a significant shift towards feature-length films, elevating Hollywood to a dominant position in global cinema. Studios like 20th Century Fox emerged, further solidifying Hollywood’s reputation for grandiosity and innovation.

Hollywood’s star system also took root during this period, creating a cadre of legendary performers whose fame spurred the industry’s growth. This rise was fueled by an increase in worldwide film attendance and a burgeoning American fascination with the silver screen. Hollywood cinema thus became a defining element of 20th-century entertainment, shaping the cultural landscape for decades to come.

Influential Movies of the 1920s

The 1920s witnessed the advent of films that not only pushed the boundaries of cinema but have remained influential through the decades. These movies span a wealth of genres and introduced groundbreaking techniques in storytelling and visual effects.

Metropolis: Futuristic Storytelling

Directed by Fritz Lang in 1927 , Metropolis is a cornerstone of science fiction cinema. With its futuristic cityscape and expressionist style, the film presents a dystopian future where class division is taken to extremes. The visual effects used in Metropolis were revolutionary for the time and remain impressive by today’s standards.

The General: Blending Action and Comedy

Buster Keaton’s The General (1927) is a cinematic blend of action-packed sequences and comedic moments. Keaton starred in the film and co-directed it, showcasing a unique form of physical comedy that was intricately tied with the film’s railroad chase narrative. This film is cited for its pioneering work in the action-comedy genre.

Sunrise: Art Film Meets Mainstream

Sunrise: A Song of Two Humans (1927), directed by F.W. Murnau , is a silent film known for its emotional depth and visual storytelling. Janet Gaynor starred in this piece, earning her critical acclaim. Murnau’s innovative camera techniques helped blend the art film aesthetic with mainstream narrative forms, creating a universally celebrated cinematic experience.

Wings: War Drama Takes Flight

As the first film to win the Academy Award for Best Picture, Wings (1927) set a high standard for war dramas. This ambitious project captured the brutality and camaraderie of World War I aviation with stunning aerial combat sequences. It also marked a significant achievement in realistic sound design, considering its release during the transition to talkies.

Iconic Movie Stars of the 1920s

The 1920s, commonly referred to as the “Roaring Twenties,” was an era of unprecedented growth for the film industry, with stars who became household names and still are revered today.

Charlie Chaplin is often remembered for his character “The Tramp,” a defining figure of the silent film era. His movies like “The Kid” and “City Lights” endeared him to audiences worldwide for their blend of humor and pathos.

Another silent film legend, Buster Keaton , known for his physical comedy and deadpan expression, pioneered stunt-driven slapstick. His notable works include “Sherlock Jr.” and “The General,” which showcased his daring acrobatics and comedic talent.

Clara Bow , dubbed the “It” girl, brought an energetic and flirtatious charm to the screen. She was a sex symbol of the era and exemplified the liberated woman of the 1920s in films like “It” and “Wings.”

Acclaimed for her acting prowess, Janet Gaynor made history as the first winner of the Academy Award for Best Actress for her performances in “7th Heaven,” “Street Angel,” and “Sunrise.”

Ramon Novarro was a Mexican actor who became one of the top box-office attractions of the decade. His leading roles in movies like “The Student Prince in Old Heidelberg” solidified his position in Hollywood.

Mary Pickford was known as “America’s Sweetheart.” She co-founded the film studio United Artists and was one of the original 36 founders of the Academy of Motion Picture Arts and Sciences. Her film “Coquette” earned her an Academy Award.

Lastly, Douglas Fairbanks was synonymous with swashbuckling adventure films such as “The Thief of Bagdad” and “Robin Hood,” captivating audiences with his athleticism and charismatic screen presence.

These actors left an enduring legacy on the film industry, defining the glamour and excitement of 1920s cinema.

Major Genres and Themes

During the 1920s, the film industry witnessed diverse genres, reflecting the era’s vibrant culture and technological progress. The predominant themes and genres included drama , romance , comedy , horror , and westerns. At the same time, war and science fiction were less prevalent but still notable entries in the cinematic landscape of the time.

• Drama and Romance : They often merged, portraying intense emotional narratives and explorations of human relationships. Films in these genres captivated audiences with elaborate sets and dramatic storylines.
• Comedy : Silent slapstick comedies flourished in the 1920s thanks to the ingenious physical humor and visual gags that transcended the era’s language barriers.

In an age where sound was yet to become a mainstay in cinema, filmmakers relied on expressive performances and visual storytelling. Although science fiction and war films did not dominate the scene, they occasionally offered audiences thoughtful reflections on technology and the human experience, particularly in the wake of World War I.

The era’s films continue to be celebrated for their pioneering spirit and enduring influence on filmmaking.

Echoes of the American Dream

The 1920s, known as the Roaring Twenties, were a time of great economic prosperity and social change in the United States.

This era saw the emergence of the film industry as a major cultural force. Movies of this period often reflected the American Dream’s ideals , portraying stories of success, ambition, and the triumph of the individual.

As silent films evolved, they became a medium through which the hopes and aspirations of a generation were expressed.

This was when America was viewed as the land of opportunity, and movies played a significant role in reflecting and shaping this perception.

They provided a canvas for Americans to project their aspirations and see their dreams played out on the big screen, influencing the nation’s collective consciousness.

Technological Breakthroughs and Innovations

During the 1920s, the film industry experienced significant technological advancements that transformed the cinema experience. Two notable innovations were the introduction sound film and the talkie , revolutionizing silent films.

The Jazz Singer , released in 1927, is one of the most prominent examples of the early talkie , marking a pivotal moment in cinematic history. It was the first feature-length film that synchronized music and dialogue with the on-screen action, although it still contained segments of silent film with subtitles. This milestone demonstrated the potential of sound in movies, leading to the widespread adoption of the technology.

Before the advent of sound, silent films relied on exaggerated physical actions, title cards, and live musical accompaniment to convey the story. The integration of sound enabled directors to explore more complex narratives, capturing the nuances of dialogue and the subtleties of a musical score directly into the film.

These innovations did not just enhance storytelling but also broadened the film industry’s reach. Sound films attracted larger audiences, making cinema an even more integral part of cultural life in the 20s. The advancement in technology also required upgraded equipment in production and theatres, fostering an era of rapid development in recording and playback systems.

In summary, the 1920s was a decade marked by dynamic breakthroughs in film technology, with sound films and talkies paving the way for modern cinema. The advancements made during this era fundamentally altered the course of the entertainment industry.

Transition From Silent to Sound

During the 1920s , the film industry experienced a transformative era, transitioning from silent films to sound films , also known as talkies . This shift began with pioneering movies like The Jazz Singer, released in 1927, which incorporated synchronized dialogue and marked the decline of the silent era.

The introduction of sound had a profound impact on storytelling in cinema. It allowed for a broader range of emotions to be conveyed through voice, fostering a deeper connection with the audience. The complexity of plots increased as sound-enabled dialogue-driven narratives and character development.

In the silent era, acting was broadly expressive and dramatic to compensate for the lack of spoken words, using intertitles to convey dialogue and narrative exposition. With talkies , naturalistic performances became more common, relying on spoken language to express subtleties.

As talkies gained popularity, the film industry had to adapt. New sound technologies were developed and cinemas were equipped with the necessary audio equipment. This revolutionized the industry, though not without resistance. Some audiences and filmmakers initially resisted the change, valuing the artistry of silent storytelling and the global appeal of non-dialogue films.

Nevertheless, the transition was inevitable. Sound films provided a new dimension of realism to the cinematic experience, forever changing the landscape of motion pictures.

Stylistic Movements in 1920s Cinema

The 1920s in cinema were marked by remarkable stylistic movements that deeply influenced filmmaking. Among these was German Expressionism , characterized by its highly stylized visuals, asymmetrical frames, and stark contrast of light and shadow. This movement sought to externalize characters’ emotions and states of mind, resulting in visually captivating films that often explored themes of insanity, betrayal, and other psychological states.

Notable Directors and Films:

• Fritz Lang : Known for the futuristic cityscape in his film Metropolis , Lang presented viewers with a dystopian society, emphasizing sharp-edged designs and monumental architecture to reflect the social divide.
• F.W. Murnau : His directorial techniques in films like Nosferatu veered towards realistic, location-based shooting while incorporating Expressionism’s distorted lines and shadows.

Implicit within the broader German Expressionism movement was a drive toward a modern aesthetic that still resonates in cinema today. Directors looked to present a futuristic city as a setting and a character in its own right, echoing contemporary anxieties about industrialization and social stratification.

The decade also saw an increased focus on realism as filmmakers endeavored to depict life with a greater degree of authenticity. Realism strived for naturalistic performances and relatable stories that stood in contrast to the theatricality of Expressionism.

Collectively, these stylistic movements of the 1920s laid the groundwork for the diverse visual language of modern cinema, contributing significantly to the craft of storytelling through film.

The Business of Making Movies

During the 1920s , the film industry underwent significant changes, evolving into a major economic force . The studio system was central to this transformation, creating an assembly-line process for movie production. Major studios in Hollywood, such as MGM, Warner Bros., and Paramount, became powerhouses. They controlled all aspects of the filmmaking process: production, distribution, and exhibition.

Studios capitalized on the star system to draw crowds, and epic silent films like The Four Horsemen of the Apocalypse were produced during this era, with some grossing significant figures. Movie theaters mushroomed across America as the demand for films grew, with many Americans attending weekly screenings.

The introduction of sound towards the end of the 1920s revolutionized the industry. This period also saw the establishment of the Academy Awards , reflecting the industry’s growth and its recognition of artistic achievements.

• Studio System : United the production, distribution, and exhibition under a single entity.
• Hollywood : Became the global icon for movie production.
• Film Industry Evolution : Transition from silent to sound films.
• Academy Awards : Initiated in 1929 to honor cinematic achievements.

The proliferation of films also prompted the need to organize information about them, leading to the foundation of entities like IMDb, which would much later catalog the wealth of film information.

Overall, the 1920s marked the ascendancy of the film industry into a structured, lucrative business that was set to dominate the century’s entertainment landscape.

Social and Cultural Impact

In the 1920s, cinema transformed, establishing itself as a cornerstone of American culture. The nation emerged from World War I into an era where the moving picture industry typified the modern age. They were influential in shaping new societal norms and behaviors.

Movie stars became icons, influencing fashion and social trends. Audiences, enamored by the glamour and allure of the silver screen, emulated the styles and manners of celebrities like Douglas Fairbanks and Mary Pickford. The movie industry helped cultivate the idea of celebrity worship that persists.

The explosion of genres, including romance , drama , and the nascent sci-fi , catered to the diverse tastes of the American public. These genres mirrored societal hopes, fears, and aspirations. With their focus on personal affairs, romance films branched away from the stiff norms of the pre-war period, while dramas often depicted the human condition and societal conflicts.

• Fashion : Flappers and other styles popularized through films.
• Consumerism : Products and lifestyles showcased in movies fueled consumer desires.

Cinema also played an instrumental role in the collective processing of war experiences, celebrating victories and examining the human costs. As a form of escapism, it provided a platform for society to deal with the ramifications of the global conflict. It paved the way for conversations on a range of previously considered taboo topics.

Legacies and Lasting Influence

The 1920s marked a transformative era for cinema, leaving an indelible mark on the entertainment industry and society. The introduction of sound film in the late 1920s revolutionized the medium, transitioning from silent films to “talkies” and reshaping the narrative capabilities of filmmakers. This era’s influence can be observed in contemporary cinema’s use of synchronized sound as a standard.

German Expressionism offered a distinctive visual and storytelling style. Its dark themes, stylized sets, and stark lighting contrasts influenced genre films such as horror and film noir and contributed to the complex tones and aesthetics in modern cinema. It is a testament to the era’s impact that its elements are still referenced and repurposed today.

The pursuit of realism in the 1920s shifted the industry from fantastical representations to more authentic and relatable narratives. This movement set a precedent for filmmakers seeking to reflect society’s nuances, a practice that continues to provide audiences with resonant and thought-provoking content.

The decade’s advancements and shifts in filmmaking practices established cornerstones for subsequent cinematic techniques. Cinema of the 1920s :

• Influenced future story-telling
• Pioneered new film technologies
• Inspired genres and styles

These contributions have cemented the 1920s as a cornerstone of cinema history, with its innovations continuing to shape today’s motion pictures and beyond.

Movie Reviews

Tv/streaming, great movies, chaz's journal, contributors.

Now streaming on:

2017 has truly been the year of Stephen King , but the last in a long line of films and TV shows is, in some ways, the most surprising. A remake of “ It ” was inevitable, even if no one expected it to be the box office behemoth it became. “ The Dark Tower ” was in some state of pre-production for years, and Mike Flanagan personally brought his vision for “Gerald’s Game” to the big/small screen of Netflix. On TV, “ The Mist ” felt like an obvious choice in a post-“The Walking Dead” world (and was truly awful) while the bestselling success of “Mr. Mercedes” made that TV adaptation inevitable. Which brings us to “1922,” a 131-page novella contained in King’s 2010 anthology Full Dark, No Stars . It’s a decent piece of work, but not one that screams feature film, and the relative thinness of the source material hurts Zak Hilditch ’s film of the same name. 

With leathered skin from working in the fields and a remarkable Southern drawl, Thomas Jane plays Wilfred James, a Nebraska farmer with a bitter wife named Arlette ( Molly Parker ) and a loyal son named Henry ( Dylan Schmid ). Arlette clearly dislikes life in the country and wants to sell her half of the farm to a local livestock company, but you can literally see Wilf’s skin crawl when his wife dares mention moving to the city. That’s for the dumb people, and the James family isn’t dumb.

Wilf commits his first despicable act when he weaponizes his son’s first love. Henry has fallen for a neighbor girl named Shannon Cotterie (Kaitlyn Bernard), and moving to the city will tear these young lovers apart. For reasons that aren’t completely captured in a believable way, Wilfred decides that the only way to make this dilemma go away is for Arlette to die, and he convinces his son to help him. “1922” is told primarily in flashback, as a clearly-troubled Wilfred has come to a hotel room like the protagonist of Edgar Allen Poe’s The Tell-tale Heart , haunted by demons he himself created. So there’s a sense that we’re being told a story from an unreliable narrator, although not quite enough is made of that cinematically. No, for the most part, “1922” draws a straight line down a hill from a violent act to complete insanity, a not uncommon theme for King, who has long been fascinated by what happens when men choose murder over reason.

There is a very fine line between a film that burns slowly and one that just drags, and “1922” falls into the latter category a few too many times. The fact is that it’s quite difficult to make a film about a man who may be going insane because you have to physically manifest what may just be the visions of a guilty man’s conscience. To his credit, Thomas Jane does a marvelous job of conveying what’s asked of him by material and filmmaker. At first, his slow drawl seemed a bit overdone, but the character work here is strong, especially as Wilf goes deeper and deeper over the edge of sanity. The problem is how little there is of interest here outside of Jane’s work, which is again indicative of the issues with bringing a confessional novella to feature film form. The film isn't visually striking enough, the dialogue isn't memorable, and the message of the film is the relatively straightforward horror classic: don't kill people.

Some of the imagery contained in the final half-hour of “1922” nearly justifies the journey to get there, I just couldn’t help thinking that there’s a tighter, more thrilling version of this story that runs much shorter, like an hour-long anthology horror series. Ultimately, it’s the familiar case of a short story stretched too thin in a feature film, resulting in what will likely be the least-remembered project from 2017: The Year of King. Well, except for that “The Mist” nonsense.

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

Now playing

Christy Lemire

STAX: Soulsville, USA

Matt zoller seitz.

Young Woman and the Sea

The Big Cigar

Robert daniels.

Bad Behaviour

Sheila o'malley.

Glenn Kenny

Film credits.

1922 (2017)

101 minutes

Thomas Jane as Wilfred James

Neal McDonough as Harlan Cotterie

Molly Parker as Arlette James

Brian d'Arcy James as Sheriff Jones

Dylan Schmid as Henry James

• Zak Hilditch

Writer (short story)

• Stephen King

Cinematographer

• Ben Richardson
• Merlin Eden
• Mike Patton

Latest blog posts

Marvel's Black Villain Era

Black Out: The Disappearance of Black Couples in Advertising

​Donald Sutherland: The Consummate Character Actor

It's About Reshaping: David Kirkman on Underneath: The Children of the Sun

FOLLOW US ON

Release date: 12 September, 2008 -->

Photos (461), first look of the movie god tussi great ho.

Rajneesh Duggal Post The Release Of ‘1920’

Articles (9).

From 13B to Shaitaan: 5 best supernatural movies of the millennium

It’s A Man’s World

Slumdog millionaire, u me aur hum, ugly aur pagli.

• Kalki 2898 AD Movie
• Kooki Movie
• Sharmajee Ki Beti Movie
• Ulajh Movie
• Auron Mein Kahan Dum Tha Movie
• Indian 2 Movie
• Accident or Conspiracy: Godhra Movie
• Sarfira Movie
• The UP Files Movie
• Maharaj Review
• The Exorcism (English) Review
• Ishq Vishk Rebound Review
• Inside Out 2 (English) Review
• Chandu Champion Review
• Blackout Review
• Munjya Review
• Bad Boys: Ride or Die (English) Review
• Mr. & Mrs. Mahi Review
• Savi Review
• Chandu Champion Public Review
• Crew Public Review
• Teri Baaton Mein Aisa Uljha Jiya Public Review
• Fighter Public Review
• Salaar Public Review
• Dunki Public Review
• Animal Public Review
• Sam Bahadur Public Review
• Tiger 3 Public Review
• Thank You For Coming Public Review
• Chandu Champion Box Office
• Munjya Box Office
• Bad Boys: Ride or Die (English) Box Office
• Mr. & Mrs. Mahi Box Office
• Savi Box Office
• Bhaiyya Ji Box Office
• Barah By Barah Box Office
• Furiosa: A Mad Max Saga (English) Box Office
• Kartam Bhugtam Box Office
• The Garfield Movie (English) Box Office
• Akshay Kumar
• Katrina Kaif
• Ranveer Singh
• Deepika Padukone
• Vaani Kapoor
• Salman Khan
• Rashmika Mandanna
• John Abraham
• Ayushmann Khurrana
• Tara Sutaria
• Rajkummar Rao
• Box Office Collection
• Analysis & Features
• All Time Top Grossers
• Overseas Box Office
• 100 Crore club
• 200 Crore club
• Top Actress
• Box Office Collection 2022
• Box Office Collection 2021
• Box Office Collection 2020
• Bollywood News
• Featured Movie News
• Latest Box Office News
• Box Office Updates
• Box Office Business Talk
• Box Office Overseas News
• Latest News Slideshows
• Upcoming Releases
• Movie Reviews
• Bollywood Hindi News
• Parties and Events
• Latest Celeb Photos
• Celeb Wallpapers
• Movie Stills
• Movie Wallpapers
• Top Movie Video Songs
• Celebrity Interview Videos
• Movie Trailer Videos
• Party & Event Videos
• Exclusives & Specials
• Kooki | Official Trailer | Ritisha Khaund |…
• Sarfira – Official Trailer | Akshay Kumar |…
• JNU: Jahangir National University - Official…
• Auron Mein Kahan Dum Tha (Official Trailer) |…
• Gore Gore Mukhde Pe - Teaser| Ishq Vishk Rebound…
• 'Border 2' makes a terrific return after 27 years…
• Latest Hindi News
• Latest Bhojpuri News
• Celebs@twitter
• Hungama.com
• Artist Aloud
• Hungama Games
• Music Reviews
• Bharat Official Trailer
• Download Celeb Photos
• Download Celeb Wallpapers
• Download Movie photos
• Download Celebrity Party Photos
• Download Movie First Look Poster
• Download Magazine Cover
• Download Movie On Set Photos
• Download Movie Wallpapers

• Date of Birth Month January Febuary March April May June July August September October November December Date 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Year 2024 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 1974 1973 1972 1971 1970 1969 1968 1967 1966 1965 1964 1963 1962 1961 1960 1959 1958 1957 1956 1955 1954 1953 1952 1951 1950 1949 1948 1947 1946 1945 1944 1943 1942 1941 1940 1939 1938 1937 1936 1935 1934 1933 1932 1931 1930 1929 1928 1927 1926 1925 1924 1923 1922 1921 1920 1919 1918 1917 1916 1915 1914 1913
• Gender Male Female

Skip this step for now

• Your Rating Click to rate on scale of 1-5
• Review Title

5000 characters remaining

Log in or sign up for Rotten Tomatoes

Trouble logging in?

By continuing, you agree to the Privacy Policy and the Terms and Policies , and to receive email from the Fandango Media Brands .

By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes and to receive email from the Fandango Media Brands .

By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes.

Email not verified

Let's keep in touch.

Sign up for the Rotten Tomatoes newsletter to get weekly updates on:

• Upcoming Movies and TV shows
• Trivia & Rotten Tomatoes Podcast
• Media News + More

By clicking "Sign Me Up," you are agreeing to receive occasional emails and communications from Fandango Media (Fandango, Vudu, and Rotten Tomatoes) and consenting to Fandango's Privacy Policy and Terms and Policies . Please allow 10 business days for your account to reflect your preferences.

OK, got it!

Movies / TV

No results found.

• What's the Tomatometer®?
• Login/signup

Movies in theaters

• Opening this week
• Top box office
• Coming soon to theaters
• Certified fresh movies

Movies at home

• Fandango at Home
• Netflix streaming
• Prime Video
• Most popular streaming movies
• What to Watch New

Certified fresh picks

• Inside Out 2 Link to Inside Out 2
• The Bikeriders Link to The Bikeriders
• Fancy Dance Link to Fancy Dance

New TV Tonight

• House of the Dragon: Season 2
• Hotel Cocaine: Season 1
• Tony Awards: Season 77
• Megamind Rules!: Season 1
• Shoresy: Season 3
• Grantchester: Season 9
• Cult Massacre: One Day in Jonestown: Season 1
• Hart to Heart: Season 4
• Perfect Wife: The Mysterious Disappearance of Sherri Papini: Season 1
• Chopper Cops: Season 1

Most Popular TV on RT

• Star Wars: The Acolyte: Season 1
• The Boys: Season 4
• Presumed Innocent: Season 1
• Joko Anwar's Nightmares and Daydreams: Season 1
• Dark Matter: Season 1
• Eric: Season 1
• Evil: Season 4
• Bridgerton: Season 3
• Best TV Shows
• Most Popular TV
• TV & Streaming News

Certified fresh pick

• House of the Dragon: Season 2 Link to House of the Dragon: Season 2
• All-Time Lists
• Binge Guide
• Comics on TV
• Five Favorite Films
• Video Interviews
• Weekend Box Office
• Weekly Ketchup
• What to Watch

Karate Kid Movies Ranked by Tomatometer

Yorgos Lanthimos Movies Ranked by Tomatometer

What to Watch: In Theaters and On Streaming

RT Users Crown The Matrix The Best Movie of 1999!

The Fantastic Four : Release Date, Story, Cast & More

• Trending on RT
• The Fantastic Four
• 1999 Movie Showdown
• Best Shark Movies

1920 London Reviews

If you like genuine thrills you'd have to look away. This one's just for gags.

Full Review | Oct 30, 2017

[1920 London] exhausts every cliche that has been regurgitated in Bollywood love stories.

Full Review | Original Score: 1.5/5 | Sep 5, 2017

Besides one extended exorcism scene, and the painstaking make-up that shows Veer's gradual degradation by the spirit, this is a drab effort with hardly a shock sandwiched between all the frills, frocks and Rajput finery.

Full Review | Jun 21, 2016

The film has the unique distinction of being disappointing in not one, but two genres of storytelling: horror and romance.

Full Review | Original Score: 1/5 | May 12, 2016

NewsApp (Free)

'How Can I Not Be Present To Bless Her?'

' Usski khushi meri khushi.'

While earlier this month Shatrughan Sinha was uncertain about his daughter Sonakshi's marriage, and whether he would attend, the father of the bride is now on a firmer footing on the issue.

"I am most definitely attending. How could I not? When I last spoke to you I was kneck-deep in election related commitments," Shatru ji tells Subhash K Jha . :I had no clarity on what was happening back home in Mumbai. Now I'm back, and comparatively relaxed."

About his daughter Sonakshi, Mr Sinha says, "She is my laadli . Nothing that she asks for has been refused by me. Usske mooh se nikalta nahin air usski ichcha puri ho jaati. She has always been my favourite child. Now when she is entering a new phase of her life, how can I not be present to bless her?"

Would he have been happier if she had taken her father into confidence before taking the plunge?

Shatru ji laughs off the suggestion. " Yeh sab rehne do , Subhash. You can't allow your will to prevail on your child's happiness. It is a very happy moment in my daughter's life. Usski khushi meri khushi. The important thing is, she should be happy."

More like this

Sonakshi-zaheer wedding: all the details, revealed shatru to attend sona wedding.

Bollywood News   |   Current Bollywood News   |   Indian News   |   India Cricket Score   |   Business News India