johns hopkins creative writing mfa application

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Creative Writing at Hopkins

Photograph by Ian Hooley.

The Writing Seminars department office is in Gilman Hall 081 on the Homewood campus. The department offers an undergraduate major and an MFA in Fiction and Poetry. Founded in 1947, it is one of the oldest creative writing programs in the United States.

The Advanced Academic Programs , part of the Johns Hopkins' Krieger School of Arts and Sciences, offer two part-time MA degrees in Science Writing and Writing . The programs are based in Baltimore and Washington, DC.

Readings and Lectures

Isabel Wilkerson, President's Reading Series inaugural reading, October 2013.

The President's Reading Series focuses on "literature of social import."

The Tudor & Stuart Reading Series features current MFA students in fiction and poetry.

The Turnbull Lecture Series brings a prominent literary scholar or poet to campus each fall.

The Department of English hosts readings focused on contemporary poets, as well as two lecture series that bring literary scholars to campus.

Baltimore Literary Communities

The Hopkins Review

A Few Local Journals

Baltimore Review

Cobalt Review

Beltway Poetry Quarterly

Passager Books

Little Patuxent Review

Some Baltimore-Area Readings

Writers Live! at Enoch Pratt Library

The Ivy Bookshop

Atomic Books

Bookish Events

CityLit Project

Free Fall Baltimore

Baltimore Book Festival

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• Last Updated: May 20, 2024 3:02 PM
• URL: https://guides.library.jhu.edu/writing-seminars

Writing, Master of Arts

Zanvyl krieger school of arts and sciences, ma in writing.

The MA in Writing program offers students the option of a fiction or nonfiction concentration to study the practice of writing in a series of workshops and reading courses. Students on the fiction track work on short stories, novellas, or novels. Students on the nonfiction track pursue long-form, literary journalism or personal essays, and memoir. 

Students in the MA in Writing program learn primarily through the practice of writing and the study of reading with a focus on craft. Depending on student goals, the program offers a broad foundation in fine arts/creative writing, in journalism, or in both fields. Some students cultivate skills to prepare for a career; others are seasoned writers who want to change focus; still others favor artistic exploration over professional ambition. Within the realm of literary writing, students have the flexibility to develop individual styles and pursue specialized subjects. The program’s goal is to create a nurturing yet demanding environment where writers work toward publication at the highest artistic and professional levels.

Admissions Criteria for all Advanced Academic Programs

Program-specific requirements.

In addition to the materials and credentials required for all programs, the Master of Arts in Writing requires:

• Two Letters of Recommendation
• Statement of Purpose
• Writing Samples: The samples should be up to 15 typewritten, double-spaced pages, or about 3,500 to 4,500 words, in the concentration of interest. Samples do NOT have to be a single, lengthy piece of writing.

The program’s admissions committees offer the following additional suggestions for writing samples for each concentration:

Fiction: Short stories or novel chapters in prose fiction, demonstrating literary content or themes. Any style, vision, or approach is permitted—traditional, experimental, hybrid, etc.

Nonfiction: Up to five separate works of prose nonfiction about any subject. Any nonfiction form or combination of forms, including feature article, commentary/blogs, memoir, travel, essay, profile, biography, book chapters and creative nonfiction, is permitted. Academic assignments, term papers, government reports, or scholarly criticism are not acceptable nonfiction writing samples.

Dual-Concentration Applicants

Applicants may seek formal degree candidacy in both fiction and nonfiction by submitting full writing samples in each proposed area. Such applicants should explain their multiple interest and reading in a single statement of purpose. The program makes individual admission decisions for each concentration in a dual-concentration application. Dual-concentration students must complete four more courses than the 10 required for a single-concentration degree.

Program Requirements

Students must complete ten courses:

• Two required core courses
• One required concentration core course
• Three customizable core courses from the declared concentration
• Electives to ensure the 10-course requirement is met

Are you seeking one-on-one college counseling and/or essay support? Limited spots are now available. Click here to learn more.

15 Best Creative Writing MFA Programs in 2024

May 15, 2024

Whether you studied at a top creative writing university or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? If you’re considering an MFA, this article walks you through the best full-time, low residency, and online Creative Writing MFA programs in the United States.

What are the best Creative Writing MFA programs?

Before we get into the meat and potatoes of this article, let’s start with the basics. What is an MFA, anyway?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications typically require a sample portfolio, usually 10-20 pages (and sometimes up to 30-40) of your best writing. Moreover, you can receive an MFA in a particular genre, such as Fiction or Poetry, or more broadly in Creative Writing. However, if you take the latter approach, you often have the opportunity to specialize in a single genre.

Wondering what actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then, you finish the degree with a thesis project. Thesis projects are typically a body of polished, publishable-quality creative work in your genre—fiction, nonfiction, or poetry.

Why should I get an MFA in Creative Writing?

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

Fourth: resources. MFA programs are often staffed by brilliant, award-winning writers; offer lecture series, volunteer opportunities, and teaching positions; and run their own (usually prestigious) literary magazines. Such resources provide you with the knowledge and insight you’ll need to navigate the literary and publishing world on your own post-graduation.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers—and share feedback, advice, and moral support—in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name recognition.

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

FULLY FUNDED MFA PROGRAMS

1) johns hopkins university , mfa in fiction/poetry.

This two-year program offers an incredibly generous funding package: $39,000 teaching fellowships each year. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and the option to apply for a lecture position after graduation. Many grads publish their first book within three years (nice). No nonfiction MFA (boo).

• Location: Baltimore, MD
• Incoming class size: 8 students (4 per genre)
• Admissions rate: 4-8%
• Alumni: Chimamanda Adichie, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center

The only MFA that offers full and equal funding for every writer. It’s three years long, offers a generous yearly stipend of $30k, and provides full tuition plus a health insurance stipend. Fiction, poetry, playwriting, and screenwriting concentrations are available. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $4,000 for the summer.

• Location : Austin, TX
• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
• Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. All students receive full funding, including tuition, a living stipend, and subsidized health insurance. The Translation MFA , co-founded by Gayatri Chakravorti Spivak, is also two years long but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 2.7-3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

Best MFA Creative Writing Programs (Continued) 

4) university of michigan.

Anne Carson famously lives in Ann Arbor, as do the MFA students in UMichigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $25,000 stipend, summer funding, and health care.

This is a 2-3-year program in either fiction or poetry, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Location: Ann Arbor, MI
• Incoming class size: 18 (9 in each genre)
• Acceptance rate: 2%
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University

Brown offers an edgy, well-funded program in a place that only occasionally dips into arctic temperatures. All students are fully funded for 2 years, which includes tuition remission and a $32k yearly stipend. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.  Fiction and Poetry Tracks are offered as well.

• Location: Providence, RI
• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

6) University of Arizona

This 3-year program with fiction, poetry, and nonfiction tracks has many attractive qualities. It’s in “ the lushest desert in the world, ” and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona’s dry heat is good for arthritis.

This notoriously supportive program is fully funded. Moreover, teaching assistantships that provide a salary, health insurance, and tuition waiver are offered to all students. Tucson is home to a hopping literary scene, so it’s also possible to volunteer at multiple literary organizations and even do supported research at the US-Mexico Border.

• Location: Tucson, AZ
• Incoming class size: usually 6
• Acceptance rate: 1.2% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University 

With concentrations in fiction and poetry, Arizona State is a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Moreover, it encourages cross-genre study.

Funding-wise, everyone has the option to take on a teaching assistantship position, which provides a tuition waiver, health insurance, and a yearly stipend of $25k. Other opportunities for financial support exist as well.

• Location: Tempe, AZ
• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university.

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU also has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes. Concentrations in poetry, fiction, and creative nonfiction are available.

• Location: New York, NY
• Incoming class size: ~60; 20-30 students accepted for each genre
• Acceptance rate: 6-9%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers. Finally, teaching positions and fellowships are available to help offset the high tuition.

• Incoming class size: 110
• Acceptance rate: not publicized (boo)
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence 

Sarah Lawrence offers a concentration in speculative fiction in addition to the average fiction, poetry, and nonfiction choices. Moreover, they encourage cross-genre exploration. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere, and many teaching and funding opportunities are available.

• Location: Bronxville, NY
• Incoming class size: 30-40
• Acceptance rate: not publicized
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11) bennington college.

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer. The rest of the time, you’ll be spending approximately 25 hours per week on reading and writing assignments. Students have the option to concentrate in fiction, nonfiction, or poetry. Uniquely, they can also opt for a dual-genre focus.

The tuition is $23,468 per year, with scholarships available. Additionally, Bennington offers full-immersion teaching fellowships to MFA students, which are extremely rare in low-residency programs.

• Location: Bennington, VT
• Acceptance rate: 53%
• Incoming class: 25-35
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres, including screenwriting, poetry, fiction, and nonfiction. In addition, each student is matched with a faculty mentor who works with them one-on-one throughout the semester.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 in tuition a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Location: Santa Fe, NM
• Incoming class size : 21
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

VCFA is the only graduate school on this list that focuses exclusively on the fine arts. Their MFA in Writing offers concentrations in fiction, poetry, and nonfiction; they also offer an MFA in Literary Translation and one of the few MFAs in Writing for Children and Young Adults . Students meet twice a year for nine days, in January and July, either in-person or online. Here, they receive one-on-one mentorship that continues for the rest of the semester. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition for the full two-year program is approximately $54k.

• Location : Various; 2024/25 residencies are in Colorado and California
• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso.

UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Accordingly, this program is geared toward serious writers who want to pursue teaching and/or publishing. Intensive workshops allow submissions in Spanish and/or English, and genres include poetry and fiction.

No residencies are required, but an optional opportunity to connect in person is available every year. This three-year program costs about $25-30k total, depending on whether you are an in-state or out-of-state resident.

• Location: El Paso, TX
• Acceptance rate: “highly competitive”
• Alumni: Watch alumni testimonies here

15) Bay Path University

This 2-year online, no-residency program is dedicated entirely to nonfiction. Featuring a supportive, diverse community, Bay Path offers small class sizes, close mentorship, and an optional yearly field trip to Ireland.

There are many tracks, including publishing, narrative medicine, and teaching creative writing. Moreover, core courses include memoir, narrative journalism, food/travel writing, and the personal essay. Tuition is approximately $31,000 for the entire program, with scholarships available.

• Location: Longmeadow, MA
• Incoming class size: 20
• Alumni: Read alumni testimonies here

Best MFA Creative Writing Programs — Final Thoughts

Whether you’re aiming for a fully funded, low residency, or completely online MFA program, there are plenty of incredible options available—all of which will sharpen your craft while immersing you in the vibrant literary arts community.

Hoping to prepare for your MFA in advance? You might consider checking out the following:

• Best English Programs
• Best Colleges for Creative Writing
• Writing Summer Programs
• Best Writing Competitions for High School Students

Inspired to start writing? Get your pencil ready:

• 100 Creative Writing Prompts 
• 1 00 Tone Words to Express Mood in Your Writing
• 60 Senior Project Ideas
• Common App Essay Prompts

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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2022 Creative Writing MFA Applicants Forum

• creative writing

By CanadianKate March 22, 2021 in Literary

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CanadianKate

For those of us who plan to apply for a Creative Writing MFA in 2021 (start date 2022)

• Brother Panda and CHRISTOPHER QUANG BUI

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• Replies 1.9k
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MDP 186 posts

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March 3, 2022

GUYS I GOT INTO IOWA OMFG

March 10, 2022

WAITLISTED AT HOLLINS!!!!!!!

February 11, 2022

Cross posted to Draft but I JUST GOT INTO GEORGE MASON???? FOR POETRY???? WHAT THE ACTUAL HELL??? I'M SO HAPPY I just checked the portal and the decision was there I haven't heard about notifs or

Hi, I may or may not apply this fall. It all depends if I can obtain letters of rec from these continuing studies English instructors since I've been out of school for eight years. It would be my first application cycle.  ?

• CanadianKate , Brother Panda and Leeannitha

Hi! I am an extreme planner and planning to apply this year. Working on getting my list of schools whittled down over the next few months. :) 

• lenagator1997 , CanadianKate , Brother Panda and 1 other
• 2 weeks later...

Hello! This will be my second time applying. (Didn’t apply last year but the year before.) I am starting much earlier this year than last time!

So far, I am applying to Iowa (fiction), UMass Amherst (poetry), Stegner Fellowship @ Stanford (LOL- thought I’d give it a shot) and Michener. Going to be adding some more as I narrow it down. 

Brother Panda

On 3/22/2021 at 3:26 PM, CanadianKate said: For those of us who plan to apply for a Creative Writing MFA in 2021 (start date 2022)

Thanks for starting this! Didn’t apply for the season getting results right now but did do some major lurking. 

• 3 weeks later...

On 3/22/2021 at 12:26 PM, CanadianKate said: For those of us who plan to apply for a Creative Writing MFA in 2021 (start date 2022)

Hey, thanks for starting a new thread, Kate! 

Oof, here we go again...

• CanadianKate and Brother Panda
• 3 yr dr. t pinned this topic

Hey all! I'm an MFA student who haunts these forums because I remember what it was like to be waiting to hear back from programs. I have a few things to say to applicants if you're willing to listen. 

1) Only apply to funded programs. I know it's old advice, but  it's still good advice. Even funded programs that are "lower" tier are still better than the best unfunded program. Consider that Columbia costs around 150k, comparable to medical school, and that even doctors have a hard time paying off their loans. So please don't think you'll be paying it off with writing. Only go to a non-funded school if you have 150k to spend, in which case, do it if you really want to. It will still be the same thing--some workshops, some other classes, some award-winning writers. Every MFA has that stuff.

2) Actually do your homework. Read some work by the authors at these programs. If you like the work, mention that author by name in your statement of purpose. Everyone loves to be complimented, and they will feel good knowing that you have actually done the work of seriously looking into the school. And speaking of SoPs, actually take the time to truly tailor each one to the school.

3) Submit your best (and favorite) work. Take your best and favorite story or two (or poem or essay) and revise and revise and revise until every single word can stand trial and still remain in the story. As Raymond Carver said (quoting another author), you are finished revising when, on one pass, you take a single comma out of the story, and on the next pass, you put it back in.

4) Submit and forget. Once you've submitted, go back to doing things you love. Go to the gym. Hang out with friends. Anything that will be good for your soul and push the dreaded decision letter out of your mind.

Good luck everyone! It took me a couple application rounds to get into a program. If you don't get in, just keep living and writing and try again next time.

• evergreen13 , maybesamiah , lenagator1997 and 3 others

Hey, y'all! Glad to see some familiar faces around here. For those of you who don't know me, I've been on GradCafe for a couple years. I did two rounds of applications before I got into the right program, and this board was so helpful! I'll be popping in occasionally to offer my opinions/bother y'all.

It's still way early in the cycle, but I will say: don't underestimate the importance of the research phase! I rushed through it my first round, and it bit me in the butt. If funding is a major concern (and it should be for most applicants), I recommend digging deep for less famous programs. UMass, Michener, Iowa, etc. are great, but applying to 5 programs that accept >1% of applicants gives you much lower chances than applying to one program that accepts 10% (e.g. Hollins -- which is still fully-funded and well-respected). And trust me, each program you add to your list piles on more work than you think.

Aaaanyway, good luck, everyone! I'll see you around :)

• CHRISTOPHER QUANG BUI and Brother Panda

I was a bit of  lurker last year. I can't even remember what my username was. But I am taking the 2022 application round much more seriously. I've already started on my writing sample. I know someone else started a thread for 2022. The problem is she called it 2021, which is the same thing the thread was called last year. People are going to end posting on both threads called 2021, and we'll have to check two threads. It is better to have a thread called 2022. So what are people doing: are they editing their writings sample from last year, or are they starting from scratch? 

After getting rejected this year I was finally able to put MFAs out of my mind. I didn't feel at all motivated for this next application cycle, even though I explicitly had the intentions of applying again. Well, now I'm finally sucked back into thinking about it every day.

Janice Salley

Considering applying to (in alphabetical order):

Alabama Alaska Denver Houston Iowa Johns Hopkins Kansas Mississippi Missouri Nebraska Syracuse Tennessee Vanderbilt WashU (in St. Louis)  

lenagator1997

I'm an incoming MFA CW Nonfiction student going to The University of New Hampshire who applied in Fall 2020. If anyone wants any advice on the application process as a whole, or about any of the programs I applied to below let me know! My biggest pieces of advice are:

1. Have your portfolio reflect your best work, as well as the widest range of your abilities as a writer possible. Admission committees like to see your depth.

2. Ask for your letters of recommendation as early as possible to have a stress-free life for you and your professor.

3. Cast a wide net when applying for schools. I know they say rankings and selectivity don't matter but they do. (see book below for some statistics)

4. Figure out what type of program works best for you. Consider if you want high or low res, cross genre or a more focused program, size, faculty, ect.

Also here is a link to the book: The Insiders Guide to Graduate Degrees in Creative Writing, which I wish I would have found sooner in the process: https://www.amazon.com/Insiders-Graduate-Degrees-Creative-Writing/dp/1350000418

University of Wyoming

University of Minnesota

Columbia College Chicago

Rosemont College

University of New Hampshire

Hollins College

Sarah Lawrence

UNC Wilmington

Washington University in St. Louis (WashU) University of Washington (Seattle)

Colorado State

Hofstra University

Hey Guys, ( I think I posted on the wrong forum but if not, apologies for the double post!)

Washington University in St. Louis (WashU)

University of Washington (Seattle)

On 5/31/2021 at 12:52 AM, mrvisser said: After getting rejected this year I was finally able to put MFAs out of my mind. I didn't feel at all motivated for this next application cycle, even though I explicitly had the intentions of applying again. Well, now I'm finally sucked back into thinking about it every day.

After being rejected on the first round, I didn't think about my next round of MFA applications until mid July. The urge to apply came, went, then came back again. It's one of the things that stuck in my mind, much like writing, and there wasn't a way to get rid of it completely.

Hi, lenagator1997 .  Where did you hear that you should show "depth"? It just sounds impossible to do with the word caps. 

2 hours ago, molly s said: Hi, lenagator1997 .  Where did you hear that you should show "depth"? It just sounds impossible to do with the word caps. 

This might not be for all MFA programs, but I've observed if the page limits for the portfolios are 30+ or 20+ pages on certain applications, they like to see the different types of skills you have as a writer. (Unless you want to submit 20+ pages of a fiction novel. I'm nonfiction so I am less well versed in what you would do for that.) I made a very diverse portfolio which showed my range of style and thus depth. Even if the page limit was 10 pages, I would submit two very different essays in the two contrasting forms I was strongest in. (I think I had at least four different essays in my portfolio if the page limit was 30+ pages).

" different types of skills." - lenagator1997

Can you list these skills? All them, if possible because I don't really understand. 

11 hours ago, zacv said: " different types of skills." - lenagator1997 Can you list these skills? All them, if possible because I don't really understand. 

By skills I mean anything in your writing that would make you stand out as an applicant. Pick stories, poems, essays ect that best represents your strengths/uniqueness and thus skills as a writer. For example, my strongest skills (and uniqueness) as a nonfiction writer include weaving external research or information into longer personal narratives and playing with form. In contrast my weakest skills are writing shorter essays that require a lot of poetic imagery. So in my portfolio I didn't include any essays that didn't represent the best of what I can do. There isn't any list I can give because the skills you have as a writer are so individual and different for everyone. I think it's important to understand your own work inside and out, especially in what you are submitting in the portfolio know what your writing shows about you as the applicant.

• 4 weeks later...

Just wanted to wish all who are applying or re-applying for Fall 2022 admission this round luck! For those just coming into this world, do your research while making your school spreadsheet! I have seen many a post from people who didn't get in anywhere because they only applied to the top 3 in the whole country. Cast a wide net everyone. Getting into full residency MFA programs are competitive. I personally had no idea. Selectivity percentage should not deter anyone from applying, but to be aware of it is helpful, and these numbers usually fluctuates from year to year. At the end of the day, apply to the places that are the best fit for you and I would hate to see anyone become devastated. Below is information paraphrased (not directly quoted) from "The Insiders Guide to Graduate Degrees in Creative Writing" by Seth Abramson. I believe he is a sound source on this topic.

The heavy hitting schools we have all heard about like; Vanderbilt, University of Iowa, NYU,  Washington University in St. Louis, University of Texas Austin, Boston University, University of Wyoming, UMass Amherst, Brown, Cornell, Johns Hopkins ect. all have an acceptance rate less than 5%. These also happen to be in the "very selective" category and tend to have a smaller group of students. The schools in the "selective" category like; University of Maryland, University of North Carolina Wilmington, New Mexico State, and University of New Hampshire (UNH) fall around (8-15%). If you want to find out more, check out the book: https://www.amazon.com/Insiders-Graduate-Degrees-Creative-Writing/dp/135000040X/ref=sr_1_2?dchild=1&keywords=guide+to+graduate+degrees+in+creative+writing&qid=1609448517&sr=8-2#reader_135000040X

mr. specific

Hey so I applied last year to 5 places (in poetry) and wound up being waitlisted at Michener and Wisconsin. Not a total loss, but I'm finding it hard not to be discouraged and go through the whole thing again, even though I do think my writing is better than this time last year. So who knows. I'm wondering if I should cast a wider net, or if there is some way to improve my application. 

On 7/6/2021 at 8:40 AM, mr. specific said: Hey so I applied last year to 5 places (in poetry) and wound up being waitlisted at Michener and Wisconsin. Not a total loss, but I'm finding it hard not to be discouraged and go through the whole thing again, even though I do think my writing is better than this time last year. So who knows. I'm wondering if I should cast a wider net, or if there is some way to improve my application.     

MFA CW programs are selective at the best of times so casting a wider net may be beneficial! I applied to 13 places in 2020. It was difficult to discern which ones were more selective than others, but I focused more on if I liked their curriculum, faculty, and if I thought my writing style meshed with their programs.

On 7/6/2021 at 11:40 AM, mr. specific said: Hey so I applied last year to 5 places (in poetry) and wound up being waitlisted at Michener and Wisconsin. Not a total loss, but I'm finding it hard not to be discouraged and go through the whole thing again, even though I do think my writing is better than this time last year. So who knows. I'm wondering if I should cast a wider net, or if there is some way to improve my application.     

I tend to be suspicious of casting a wide net for grad apps. That strategy can make it harder to research each program thoroughly, which can lead you to attend one that's a poor fit. For example, there have been a few people in my program that ended up disappointed because they actually wanted cohort with a more conservative, literary aesthetic (in other words, they probably didn't do any research aside from reading the website...).

I know the feeling: you're itching to get in and want to ensure success. But I think you can save yourself a lot of trouble by looking for a handful of programs that are truly what you want -- because those are also the programs most likely to accept you. They're the programs that will get your most inspired personal statements, and they're more likely to have adcoms with similar aesthetics to yours.

If you don't have many specific ideas about what you want, I'd really recommend starting there (e.g. Do you want teaching experience? Do you want to take classes outside your genre? Will it piss you off if you're required to take a lot of literature courses?). I highly, highly advise talking to current students/alums before you even start on your application to a program. Last year, I talked to a student who helped me decide that her program was a bad fit for me. This saved me hours of work and 75 dollars.

Also, keep in mind that 10+ applications is a LOT of work. As you probably know, many programs have different requirements. Moreover, tailoring your personal statement to each school will take twice as long as you expect (at least, this was my experience in my 2 rounds of apps).

The wide net approach can certainly work, as it did for lenagator. But personally, I believe in quality over quantity. And anyway, if you got waitlisted at Michener, you certainly don't need to worry about being "good enough" ;-)

Thanks feralgrad. That makes a lot of sense. 

I guess the first time around I used one metric only—how much was the fellowship, and didn't do any more research. This still seems like the critical question, like can i afford to live on this without debt or taking on another fulltime job outside the program. And I only came up with five that seemed like they promised that—Brown, Cornell, Michener, Wisconsin, Umass, (and Michigan and Florida, but I didn't remember to do these apps). So I'd be interested in other schools people know of that 1) promise funding upwards of ~25,000 a year and 2) guarantee funding (more or less equally) to all their students.  

Not to single any one school out, but I just looked at Hollins' page, which up front claims that they are "extremely well-funded," but after clicking through a few more pages saw that the first year stipend was $7000!    

12 hours ago, mr. specific said: Not to single any one school out, but I just looked at Hollins' page, which up front claims that they are "extremely well-funded," but after clicking through a few more pages saw that the first year stipend was $7000!    

I also had been considering Hollins, but laughed out loud at the stipend. It's nice to offer some funding, but for that you'll have to take out loans, which I am totally unwilling to do for an MFA.

Has everyone decided where they're applying to? So far, I've decided on Alabama, Brown, Chatham, Cornell, Emerson, Hollins, UMich, Vanderbilt, and WashU.

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Creative Writing Program Marks Three Decades of Growth, Diversity

By Luisa A. Igloria

2024: a milestone year which marks the 30 th  anniversary of Old Dominion University’s MFA Creative Writing Program. Its origins can be said to go back to April 1978, when the English Department’s (now Professor Emeritus, retired) Phil Raisor organized the first “Poetry Jam,” in collaboration with Pulitzer prize-winning poet W.D. Snodgrass (then a visiting poet at ODU). Raisor describes this period as “ a heady time .” Not many realize that from 1978 to 1994, ODU was also the home of AWP (the Association of Writers and Writing Programs) until it moved to George Mason University in Fairfax, Virginia.

The two-day celebration that was “Poetry Jam” has evolved into the annual ODU Literary Festival, a week-long affair at the beginning of October bringing writers of local, national, and international reputation to campus. The ODU Literary Festival is among the longest continuously running literary festivals nationwide. It has featured Rita Dove, Maxine Hong Kingston, Susan Sontag, Edward Albee, John McPhee, Tim O’Brien, Joy Harjo, Dorothy Allison, Billy Collins, Naomi Shihab Nye, Sabina Murray, Jane Hirshfield, Brian Turner, S.A. Cosby, Nicole Sealey, Franny Choi, Ross Gay, Adrian Matejka, Aimee Nezhukumatathil, Ilya Kaminsky, Marcelo Hernandez Castillo, Jose Olivarez, and Ocean Vuong, among a roster of other luminaries. MFA alumni who have gone on to publish books have also regularly been invited to read.

From an initial cohort of 12 students and three creative writing professors, ODU’s MFA Creative Writing Program has grown to anywhere between 25 to 33 talented students per year. Currently they work with a five-member core faculty (Kent Wascom, John McManus, and Jane Alberdeston in fiction; and Luisa A. Igloria and Marianne L. Chan in poetry). Award-winning writers who made up part of original teaching faculty along with Raisor (but are now also either retired or relocated) are legends in their own right—Toi Derricotte, Tony Ardizzone, Janet Peery, Scott Cairns, Sheri Reynolds, Tim Seibles, and Michael Pearson. Other faculty that ODU’s MFA Creative Writing Program was privileged to briefly have in its ranks include Molly McCully Brown and Benjamín Naka-Hasebe Kingsley.

"What we’ve also found to be consistently true is how collegial this program is — with a lively and supportive cohort, and friendships that last beyond time spent here." — Luisa A. Igloria, Louis I. Jaffe Endowed Professor & University Professor of English and Creative Writing at Old Dominion University

Our student body is diverse — from all over the country as well as from closer by. Over the last ten years, we’ve also seen an increase in the number of international students who are drawn to what our program has to offer: an exciting three-year curriculum of workshops, literature, literary publishing, and critical studies; as well as opportunities to teach in the classroom, tutor in the University’s Writing Center, coordinate the student reading series and the Writers in Community outreach program, and produce the student-led literary journal  Barely South Review . The third year gives our students more time to immerse themselves in the completion of a book-ready creative thesis. And our students’ successes have been nothing but amazing. They’ve published with some of the best (many while still in the program), won important prizes, moved into tenured academic positions, and been published in global languages. What we’ve also found to be consistently true is how collegial this program is — with a lively and supportive cohort, and friendships that last beyond time spent here.

Our themed studio workshops are now offered as hybrid/cross genre experiences. My colleagues teach workshops in horror, speculative and experimental fiction, poetry of place, poetry and the archive — these give our students so many more options for honing their skills. And we continue to explore ways to collaborate with other programs and units of the university. One of my cornerstone projects during my term as 20 th  Poet Laureate of the Commonwealth was the creation of a Virginia Poets Database, which is not only supported by the University through the Perry Library’s Digital Commons, but also by the MFA Program in the form of an assistantship for one of our students. With the awareness of ODU’s new integration with Eastern Virginia Medical School (EVMS) and its impact on other programs, I was inspired to design and pilot a new 700-level seminar on “Writing the Body Fantastic: Exploring Metaphors of Human Corporeality.” In the fall of 2024, I look forward to a themed graduate workshop on “Writing (in) the Anthropocene,” where my students and I will explore the subject of climate precarity and how we can respond in our own work.

Even as the University and wider community go through shifts and change through time, the MFA program has grown with resilience and grace. Once, during the six years (2009-15) that I directed the MFA Program, a State Council of Higher Education for Virginia (SCHEV) university-wide review amended the guidelines for what kind of graduate student would be allowed to teach classes (only those who had  already  earned 18 or more graduate credits). Thus, two of our first-year MFA students at that time had to be given another assignment for their Teaching Assistantships. I thought of  AWP’s hallmarks of an effective MFA program , which lists the provision of editorial and publishing experience to its students through an affiliated magazine or press — and immediately sought department and upper administration support for creating a literary journal. This is what led to the creation of our biannual  Barely South Review  in 2009.

In 2010,  HuffPost  and  Poets & Writers  listed us among “ The Top 25 Underrated Creative Writing MFA Programs ” (better underrated than overrated, right?) — and while our MFA Creative Writing Program might be smaller than others, we do grow good writers here. When I joined the faculty in 1998, I was excited by the high caliber of both faculty and students. Twenty-five years later, I remain just as if not more excited, and look forward to all the that awaits us in our continued growth.

This essay was originally published in the Spring 2024 edition of Barely South Review , ODU’s student-led literary journal. The University’s growing MFA in Creative Writing program connects students with a seven-member creative writing faculty in fiction, poetry, and nonfiction.

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Medical Humanities & the Arts Program

Stanford storytelling and medicine scholars class of 2024, meet our team.

Originally from Atlanta, Georgia, Marit UyHam is a rising sophomore at Dartmouth College. She plans to study biology and hopes to attend medical school.  At Dartmouth, Marit works in a biological anthropology lab which analyzes microfossils with a focus on prehistoric China.  Outside of class, Marit is involved in multiple dance programs, and she plays violin with the Dartmouth Chamber Orchestra.

With over six years of experience in healthcare,  Amal Sharif has dedicated her career to improving patient outcomes through innovative approaches. Having worked at Highland Hospital, a Level 1 trauma center in the East Bay, Amal has firsthand experience in high-pressure medical environments and understands the critical importance of effective communication and empathy in patient care. Amal holds a Mathematics, Psychology, and Economics degree from Laney College. Amal enjoys exploring her creativity through various artistic pursuits, such as pastel, and drawing.

Halle Boroski  is a senior at the College of William and Mary, finishing her degree in Neuroscience on the pre-medical track with a minor in Public Health and a concentration in Health, Society, and Wellness. Halle plans to pursue graduate school post-graduation before pursuing medical school. She is involved in W&M public health club, working at the admissions office and wellness center, and working in a research lab focused on learning and positive study techniques. In her spare time, Halle enjoys being with friends, reading, and walking in Williamsburg.

Meher Gandhi  is pursuing her Master’s in Comparative Literature at University of California, Davis. She has a BA triple major degree in English, Psychology and Media and a diploma in folklore and cultural studies. Her interest in medical humanities, especially memory studies and cognitive poetics, guides her work in the intersections between literature and psychology. Her research internship with the Center for Memory Studies, IIT Madras bolstered in her the desire to move ahead in this direction. She also holds experience in publishing (including Penguin Random House India), literary festivals, and art spaces. Her other interests include writing and reading poems, teaching, and exploring art and architecture. She believes that her future research works will feature a trialogue between literature, psychology, and architecture.

Peter Park  is a 4 th  year medical student pursuing Psychiatry. He has a background in theatre and comedy improv and has integrated his interests in medicine and the arts through hosting local events for medical students to share their experiences on stage via Stethoscope Stage and HuMed Short Story Night in partnership with TCU Burnett School of Medicine. Additionally, he is collaborating with TCU in establishing the Narrative Medicine Consortium of Texas to unite Texas medical schools in increasing Narrative Medicine education. His work has been featured on The Nocturnists Podcast, MedMic.com, and Crohn's & Colitis Young Adult Network. Peter plans to pursue Psychiatry with interests in Child & Adolescent Psychiatry, Eating Disorders, and GI-adjacent Psychiatry. 

Keren Shafer is a rising MS1 at the John Sealy School of Medicine -UTMB Health-. She is pursuing a medical and master’s in public health degree as a stepping stone to becoming a pediatrician or OBGYN. She graduated with a Distinguished History degree with a double minor in Biology and Chemistry. Her interest in Historical writing includes women’s, Chinese, and medical history. She has presented her research at the College of Liberal and Fine Arts Conference at her Undergraduate institution; her most recent project was “Women in Medicine: A Look at Specialty Clusters.” She is now shifting towards immigrant narratives as a form of self-expression and ownership of her life experiences. Her hobbies include quilting, reading, and board games.

Tabitha Hiyane is an English literature student at UCLA and an Opinion columnist for the  Daily Bruin . Holding a vested interest in the medical humanities, her archival research has explored how intimate narratives of embodiment, contextualized through health and illness, are both particularized and shared as part of the human condition - the very stories inscribed in the histories of our humanity. While continuing to grow as a writer, she plans on applying to medical school, aiming to discover and put into practice what it means to care for another in all aspects of being.

Nada Kaissieh holds a Masters of Bioethics from Johns Hopkins University and is currently advancing her medical education at the University of Louisville School of Medicine, working towards her MD. With over six years of dedicated involvement in mental health advocacy, she champions for the betterment of psychiatric care. Combining her expertise in writing and photography, she endeavors to reshape community and cultural perceptions of mental illness. Nada spearheads an ongoing project aimed at integrating mental health education into local elementary schools, striving to increase visibility and accessibility to support and resources.

Soo Yeon (Jean) Chun is a rising junior at Stanford University planning to major in Symbolic Systems on the Neuroscience track. Since middle school, she has been fascinated by the creative, emotional, and linguistic capabilities of the mind. An aspiring psychiatrist and writer, she is deeply interested in the power of creative writing—particularly poetry —to guide and heal. In her free time, she enjoys drumming, discovering new music, and reading and writing poetry. 

Maria Luiza Fernandes is a sophomore undergraduate student from Brazil. She is graduating in Pharmacy and plans to become a neuroscientist. Her research interests cover a range of disciplines under the umbrella of the pharmaceutical profession and cognitive science. As an Immerse Education fellow, over the past year she has worked on a research project on Alzheimer's disease, including the applications of gene editing in the treatment of pathologies associated with the nervous system. She is currently involved in a learning community on psychopathologies and an executive member of FLOTA, a project aimed at developing young female leaders around the Americas.

Robinrenee Hamre is a sophomore undergraduate student at UCLA, majoring in Biology. She is a Native American student, originally from Anaheim, California. Robinrenee is passionate about studying Neonatology and pursuing a career in the medical field, in hopes to become a NICU Doctor.  Some of her hobbies are writing, running, and reading poetry.

Mehakpreet Kaur Saggu , a Pearson Scholar at the University of Toronto, is passionately devoted to making neuroscience and psychology approachable for everyone. Her journey into this field began with her love for literature, which sparked a sense of wonder and fascination with Oliver Sacks, and this ongoing saga of inspiration has continued to shape her work. From conducting research in the Decision Neuroscience Lab to helping establish a new Cognitive Science undergraduate journal, Mehakpreet's dedication to simplifying the complexities of the human brain is evident. She is grateful for the opportunity to merge her academic pursuits with her goal of bringing advanced science closer to public understanding. As a researcher, author, and advocate, she endeavors to share the wonders of the human brain, hoping to enlighten and serve the broader community.

Jess Skyleson (they/them) is a former aerospace engineer and Ayurvedic practitioner who began writing poetry after being diagnosed with stage IV cancer at age 39. Currently in remission, they’re now pursuing an MFA in Digital + Media at Rhode Island School of Design, with particular interests in narrative medicine, computational poetry, and sonic art. Their poetry has appeared in journals and anthologies throughout the US and UK, and they have been awarded the 2022 Hippocrates Poetry and Medicine Prize, an Honorable Mention in the Tor House Poetry Prize, and were a finalist for the Yemassee Poetry Prize and Kalanithi Writing Award.  They are presently exploring the integration of the body, poetry, and sound, and one of their sound poetry projects was recently selected for exhibition in the New Media category at Brown University’s Ivy Film Festival. Jess facilitates creative writing and art workshops for patients, medical providers, and caregivers, and they are hoping to develop collaborative pathways across art mediums and personal/professional experiences of medicine.

Emily Koseck is a medical student at Queen’s University in Canada. She is currently working at Toronto Metropolitan University on the development of a new medical school with an innovative approach to education that will meet the current pain points in the healthcare system. Her interests include improving healthcare delivery and outcomes through bioethics, trauma-informed care, and addressing systemic biases. Emily enjoys being active, spending time outdoors, and volunteering at a wildlife rehabilitation centre.

Shreya Gunda 

Grace Reed 

Sohini Dasgupta

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Out of the Centre

Savvino-storozhevsky monastery and museum.

Zvenigorod's most famous sight is the Savvino-Storozhevsky Monastery, which was founded in 1398 by the monk Savva from the Troitse-Sergieva Lavra, at the invitation and with the support of Prince Yury Dmitrievich of Zvenigorod. Savva was later canonised as St Sabbas (Savva) of Storozhev. The monastery late flourished under the reign of Tsar Alexis, who chose the monastery as his family church and often went on pilgrimage there and made lots of donations to it. Most of the monastery’s buildings date from this time. The monastery is heavily fortified with thick walls and six towers, the most impressive of which is the Krasny Tower which also serves as the eastern entrance. The monastery was closed in 1918 and only reopened in 1995. In 1998 Patriarch Alexius II took part in a service to return the relics of St Sabbas to the monastery. Today the monastery has the status of a stauropegic monastery, which is second in status to a lavra. In addition to being a working monastery, it also holds the Zvenigorod Historical, Architectural and Art Museum.

Belfry and Neighbouring Churches

Located near the main entrance is the monastery's belfry which is perhaps the calling card of the monastery due to its uniqueness. It was built in the 1650s and the St Sergius of Radonezh’s Church was opened on the middle tier in the mid-17th century, although it was originally dedicated to the Trinity. The belfry's 35-tonne Great Bladgovestny Bell fell in 1941 and was only restored and returned in 2003. Attached to the belfry is a large refectory and the Transfiguration Church, both of which were built on the orders of Tsar Alexis in the 1650s.  

To the left of the belfry is another, smaller, refectory which is attached to the Trinity Gate-Church, which was also constructed in the 1650s on the orders of Tsar Alexis who made it his own family church. The church is elaborately decorated with colourful trims and underneath the archway is a beautiful 19th century fresco.

Nativity of Virgin Mary Cathedral

The Nativity of Virgin Mary Cathedral is the oldest building in the monastery and among the oldest buildings in the Moscow Region. It was built between 1404 and 1405 during the lifetime of St Sabbas and using the funds of Prince Yury of Zvenigorod. The white-stone cathedral is a standard four-pillar design with a single golden dome. After the death of St Sabbas he was interred in the cathedral and a new altar dedicated to him was added.

Under the reign of Tsar Alexis the cathedral was decorated with frescoes by Stepan Ryazanets, some of which remain today. Tsar Alexis also presented the cathedral with a five-tier iconostasis, the top row of icons have been preserved.

Tsaritsa's Chambers

The Nativity of Virgin Mary Cathedral is located between the Tsaritsa's Chambers of the left and the Palace of Tsar Alexis on the right. The Tsaritsa's Chambers were built in the mid-17th century for the wife of Tsar Alexey - Tsaritsa Maria Ilinichna Miloskavskaya. The design of the building is influenced by the ancient Russian architectural style. Is prettier than the Tsar's chambers opposite, being red in colour with elaborately decorated window frames and entrance.

At present the Tsaritsa's Chambers houses the Zvenigorod Historical, Architectural and Art Museum. Among its displays is an accurate recreation of the interior of a noble lady's chambers including furniture, decorations and a decorated tiled oven, and an exhibition on the history of Zvenigorod and the monastery.

Palace of Tsar Alexis

The Palace of Tsar Alexis was built in the 1650s and is now one of the best surviving examples of non-religious architecture of that era. It was built especially for Tsar Alexis who often visited the monastery on religious pilgrimages. Its most striking feature is its pretty row of nine chimney spouts which resemble towers.

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The Writing Seminars

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