Writing Center

Two students writing on notepads.

Summer ’24 Program Updates: The Writing Center is now open!

The Writing Center provides constructive feedback and writing support for undergraduate and graduate students through one-on-one tutoring sessions.

For additional resources and writing tips, explore the Writing Center YouTube Channel .

How do I schedule my Writing Center appointment?

Make an appointment online . Choose “In-person Writing Center Appointment” to meet with a consultant on campus. Choose “Virtual Writing Center Appointment” to get asynchronous feedback on your document. You can choose your day/time/tutor. Appointments must be made at least 12 hours in advance. 

How can I share my document with my tutor?

Any time before or during your appointment, log on to SSCOnline. You can upload your paper by clicking your appointment and then the “file” button. You can also type notes to your tutor to ask questions or share your assignment instructions.  

How can I pull my extra credit report for my appointment?

You can pull your report from SSCOnline. Please see the link on the right-hand side, “Click Here for Helpful Appointment Videos,” to watch a short tutorial on pulling your visit report.

What is the Creative Writing Group?

The Creative Writing group is an extension of the Writing Center that focuses on workshopping creative literary pieces (e.g., short stories, poems, creative nonfiction, screenplays, potential novels, etc.). We can offer grammar critique, but we mainly focus on content editing and genre structure. We meet in the Writing Center, MC 1.310. For more academic papers — such as rhetorical analyses or research reports — that focus more on grammar, citations, and analysis, or for long-term writing improvement, we suggest scheduling a Writing Center appointment or visiting Lo-Fi drop-in hours.

What are Lo-Fi drop-in hours?

The Writing Center opens after regular office hours for you to have a relaxing space to work on any writing assignment. We dim the lights and play soft lo-fi music, and you can work independently or have a drop-in session with a Writing Center Peer Leader. We meet in the Writing Center, MC 1.310.

Writing Center Mission Statement

The UTD Writing Center philosophy stems from the peer-to-peer model of collaborative learning. Students and Peer Leaders engage in one-on-one conversations about their work and Peer Leaders will lead sessions by asking open-ended, engaging questions which allow the student to take ownership of their own writing. The Writing Center aims to provide direct, honest feedback to students in each tutoring session. The main goal of our Writing Center is to help the writer, not just the piece of writing.

Contact the Writing Center

[email protected] Location: MC 1.310

Summer 2024 Hours

May 29th-July 3rd  In-Person Drop-ins  Wednesdays: 2pm-4pm 

Virtual   Mondays/Wednesday: 11am-2pm Tuesdays/Thursdays/Fridays: 11am-3pm 

July 5th-August 7th 

I n-Person Drop-ins  Wednesdays: 2pm-4pm 

Virtual   Tuesdays-Thursdays: 11am-3pm 

View Helpful Appointment Videos

How to Download Extra Credit/Attendance Reports

Workshop and Events

Fall events coming soon!

Writing Groups

Creative Writing Group: TBD Complete Interest Form Here

For Faculty/Staff:

Student Success Center The University of Texas at Dallas 800 W. Campbell Road, Richardson, Texas 75080-3021 972-883-2111

Bass School of Arts, Humanities, and Technology

creative writing program utd

  • Graduate Student Writing Resources

The Bass School of Arts, Humanities, and Technology offers a suite of writing support services for graduate students and faculty. All programming is run by Linda Smith-Brecheisen , Assistant Professor of Instruction in Humanities at UTD.

These resources include: one-on-one  Graduate Writing Consultations (GWC), weekly   Structured Writing Accountability Groups (SWAG), bi-weekly Dissertation Feedback Working Groups (DFW), Graduate Writing Workshops, and Graduate Student Write-Ins . These resources will help teach writers the  advanced skills  necessary for success in writing in academia and beyond.

Graduate Writing Consultations

In a GWC , graduate students will receive one-on-one support for ongoing writing projects, such as abstracts, dissertation chapters, theses, journal articles, and papers for coursework. Sessions last one hour and will focus on an excerpt of in-progress work (up to 10 pages). These consultations are by appointment only and will be held remotely on Teams. In a GWC, you’ll learn advanced rhetorical skills that will give you the tools you need to successfully revise for your specific audience.

Appointment request form and more information about GWC .

Structured Writing Accountability Groups

SWAG  works from the insight that it’s incredibly powerful to develop communities of supportive accountability for academic writing. In these sessions, graduate students will work (remotely) alongside their colleagues to make progress on their writing projects . In SWAG, you’ll work to develop your own sustainable writing practices, and learn methods to increase productivity and reduce burnout. You’ll also develop a writing community!

Application form and more information about SWAG .

Interested students will need to commit to the weekly writing group for 11 weeks. The application period will typically open the first Monday of the semester.

Dissertation Feedback Working Group

If you have just started writing your dissertation or you’ve been chipping away at it for some time, Dissertation Feedback Working Group ( DFW ) can help you make progress on your writing goals and receive peer feedback on your dissertation. DFW meets every other week on Teams for 90 minutes and you will both give and receive feedback on writing submissions. For each session you will: learn a writing, revising skill, and/or time management skill, share your writing goals, share your writing with colleagues (5-10 pages), provide and receive directed feedback, and discuss writing successes and troubleshoot challenges.

Application form and more information about DFW .

Monthly Write-Ins

Write-ins provide the space and time for you and your colleagues to come together to (quietly) get writing done and help to keep each other accountable. The idea is that when you are working quietly alongside your colleagues, it is easier to fight procrastination and keep working. These sessions will be on one Friday a month in February, March, and April and will run from 9 a.m. to 12 p.m.

Register to reserve your spot at the write-ins .

Upcoming Workshops:

All special workshops will appear below if any are upcoming. Registration is required and must be completed the week before any given workshop.

Register for workshops .

Please email Linda at [email protected] .

creative writing program utd

Linda is formerly the Associate Director of the Writing Program at the University of Chicago, where for over a decade, she developed and managed writing programs for students, staff, and faculty. In addition to her work at UChicago, she also does work with advanced scholars and business professionals, helping them make effective rhetorical decisions about their writing.

  • Degrees, Minors & Certificates

Related Classes

HUMA 5370  – Writing Beyond the Classroom

This course focuses on the tools needed to write effectively in career paths relevant to the humanities. Attention is paid to written materials necessary for professional development and advancement as well as research-based writing for public audiences beyond the classroom.

RHET 6320  – Academic Writing Across the Disciplines

A workshop developing the reading, research, and writing skills necessary for producing effective academic writing across a range of disciplines.

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Sat / act prep online guides and tips, the 12 best creative writing colleges and programs.

College Info

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Finding a dedicated creative writing program at a school you're excited about can be a real challenge, and that's even before you start worrying about getting in. Nonetheless, there are some great options. In order to help you find the best school for you, this list rounds up some of the best colleges for creative writing in the United States .

The Best Creative Writing Programs: Ranking Criteria

You should never take college rankings as absolute truth —not even the very official-seeming US News ones. Instead, use these kinds of lists as a jumping-off place for your own exploration of colleges. Pay attention not just to what the rankings are but to how the rankings are determined.

To help with that, I'll explain how I came up with this highly unscientific list of great creative writing colleges. I started by narrowing my search down to schools that offered a specific creative writing major. (If you don't see a school you were expecting, it's likely because they only have a minor.)

In ranking the schools, I considered five major criteria:

  • #1: MFA Ranking —If a school has a great graduate creative writing program, it means you'll be taught by those same professors and the excellent graduate students they attract. Schools with strong MFA programs are also more likely to have solid alumni networks and internship opportunities. However, many schools with great undergrad programs do not offer MFAs, in which case I simply focused on the other four options.
  • #2: General School Reputation —The vast majority of your classes won't be in creative writing, so it's important that other parts of the school, especially the English department, are great as well.
  • #3: Extracurricular Opportunities —One of the key advantages of majoring in creative writing is that it can provide access to writing opportunities outside the classroom, so I took what kind of internship programs, author readings, and literary magazines the school offers into consideration.
  • #4: Diversity of Class Options —I gave extra points to schools with a variety of genre options and specific, interesting classes.
  • #5: Alumni/Prestige —This last criterion is a bit more subjective: is the school known for turning out good writers? Certainly it's less important than what kind of education you'll actually get, but having a brand-name degree (so to speak) can be helpful.

The Best Creative Writing Schools

Now, let's get to the good stuff: the list of schools! The exact numbering is always arguable, so look at it as a general trend from absolutely amazing to still super great, rather than fixating on why one school is ranked #3 and another is ranked #4.

#1: Northwestern University

Northwestern's undergrad creative writing program boasts acclaimed professors and an unparalleled track record of turning out successful writers (including Divergent author Veronica Roth and short-story writer Karen Russell).

Outside the classroom, you can work on the student-run literary journal, intern at a publication in nearby Chicago, or submit to the Department of English's yearly writing competition . The university is also home to a top journalism program , so if you want to try your hand at nonfiction as well, you'll have plenty of opportunities to do so.

#2: Columbia University

Like Northwestern, Columbia is home to both a world-class creative writing program and a top journalism school (plus one of the best English departments in the country), so you have a wide range of writing-related course options. Columbia also benefits from its location in New York City, which is bursting at the seams with publishing houses, literary journals, and talented authors.

body_columbia

#3: University of Iowa

The University of Iowa's big draw is the infrastructure of its graduate Writers' Workshop, which is often considered the best MFA program in the country.

As an English and Creative Writing major here, you'll take classes from great young writers and established professors alike, and get to choose from a wide range of topics. This major provides transferable skills important for a liberal arts major with a creative focus. You'll also have access to the university's impressive literary community, including frequent readings, writing prizes and scholarships, and the acclaimed literary journal The Iowa Review .

#4: Emory University

Emory is renowned for its dedicated undergrad creative writing program , which draws the very best visiting scholars and writers. Students here have the chance to attend intimate question-and-answer sessions with award-winning authors, study a range of genres, compete for writing awards and scholarships, and work closely with an adviser to complete an honors project.

#5: Oberlin College

A small liberal arts school in Ohio, Oberlin offers very different advantages than the schools above do. You'll have fewer opportunities to pursue writing in the surrounding city, but the quality of the teachers and the range of courses might make up for that. Moreover, it boasts just as impressive alumni, including actress and writer Lena Dunham.

#6: Hamilton College

Hamilton is another small college, located in upstate New York. It's known for giving students the freedom to pursue their interests and the support to help them explore topics in real depth, both inside and outside the classroom. Hamilton's creative writing program takes full advantage with small classes and lots of opportunities to intern and publish; it also has one of the best writing centers in the country.

#7: Brown University

Brown's Literary Arts program offers one of the top MFAs in the US as well as an undergraduate major . For the major, you must take four creative writing workshops and six reading-intensive courses, which span an array of departments and topics, from music and literature to Middle East studies and Egyptology.

body_brown-1

#8: Washington University in St. Louis

Washington University has an excellent creative writing MFA program, lots of super specific class options, and a number of scholarships specifically earmarked for creative writing students. This school’s undergraduate English program also offers a concentration in creative writing that allows students to specialize in a specific genre: poetry, fiction, or creative nonfiction. If you’re interested in exploring your potential in a specific writing genre, Washington University could be a great pick for you.

#9: Massachusetts Institute of Technology

MIT might not be a school you generally associate with writing, but it actually has an excellent program that offers courses in digital media and science writing, as well as creative writing, and provides plenty of guidance on how graduates can navigate the tricky job market.

Not to mention the school is located in Cambridge, a haven for book lovers and writers of all kinds. Though it probably isn’t a good fit for students who hate science, MIT is a great place for aspiring writers who want to build writing skills that are marketable in a wide range of industries.

#10: University of Michigan

University of Michigan is one of the best state universities in the country and has a top-notch MFA program. This school’s undergrad creative writing sub-concentration requires students to submit applications for admittance to advanced creative writing courses. These applications give students crucial practice in both building a writing portfolio and articulating their interest in creative writing to an audience who will evaluate their work. If you're looking to attend a big school with a great creative writing major, this is a fantastic choice.

#11: Johns Hopkins University

Johns Hopkins is another school that's known more for engineering than it is for writing, but, like MIT, it has a dedicated writing program. As a major here, you must take not only courses in prose, poetry, and literature, but also classes on topics such as philosophy and history.

#12: Colorado College

Colorado College is a small liberal arts school known for its block plan , which allows students to focus on one class per three-and-a-half-week block. The creative writing track of the English major includes a sequence of four writing workshops and also requires students to attend every reading of the Visiting Writers Series.

Bonus School: New York University

I didn't include NYU in the main list because it doesn't have a dedicated creative writing major, but it's a great school for aspiring writers nonetheless, offering one of the most impressive creative writing faculties in the country and all the benefits of a Manhattan location.

body_nyu

How To Pick the Best Creative Writing School for You

Just because Northwestern is a great school for creative writing doesn't mean you should set your heart on going there. (The football fans are completely terrifying, for one thing.) So where should you go then?

Here are some questions to ask yourself when looking at creative writing programs to help you determine the best school for you:

Does It Have Courses You're Interested In?

Look at the course offerings and see whether they interest you. While you can't predict exactly what classes you'll love, you want to avoid a mismatch where what you want to study and what the program offers are completely different. For example, if you want to write sonnets but the school focuses more on teaching fiction, it probably won't be a great fit for you.

Also, don't forget to look at the English courses and creative writing workshops! In most programs, you'll be taking a lot of these, too.

What Opportunities Are There To Pursue Writing Outside of Class?

I touched on this idea in the criteria section, but it's important enough that I want to reiterate it here. Some of the best writing experience you can get is found outside the classroom, so see what kind of writing-related extracurriculars a school has before committing to it.

Great options include getting involved with the campus newspaper, working on the school's literary journal, or interning at the university press.

Who Will Be Teaching You?

Who are the professors? What kind of work have they published? Check teacher ratings on Rate My Professors (but make sure to read the actual reviews—and always take them with a grain of salt).

If you're looking at a big school, there's a good chance that a lot of your teachers will be graduate students. But that's not necessarily a bad thing: a lot of the best teachers I had in college were graduate students. Just take into consideration what kind of graduate program the school has. If there's a great creative writing MFA program, then the graduate students are likely to be better writers and more engaged teachers.

What Are the Alumni Doing Now?

If you have a sense of what you want to do after you graduate, see if any alumni of the program are pursuing that type of career. The stronger the alumni network is, the more connections you'll have when it comes time to get a job.

What About the Rest of the School?

Don't pick a school for which you like the creative writing program but dread everything else about it. Most of your time will be spent doing other things, whether hanging out in the dorms, exploring off campus, or fulfilling general education requirements.

Many schools require you to apply to the creative writing major, so make doubly sure you'll be happy with your choice even if you aren't accepted to the program.

What's Next?

Are you sure a creative writing major is the right fit for you? Read our post on the pros and cons of the major to help you decide what path to take in college.

For more general advice about choosing a college, check out our complete guide to finding the right school for you. Some major factors to consider include deciding whether you're interested in a small college or a big university , an in-state or out-of-state institution , and a public or private school .

Want to improve your SAT score by 160 points or your ACT score by 4 points?   We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download them for free now:

Alex is an experienced tutor and writer. Over the past five years, she has worked with almost a hundred students and written about pop culture for a wide range of publications. She graduated with honors from University of Chicago, receiving a BA in English and Anthropology, and then went on to earn an MA at NYU in Cultural Reporting and Criticism. In high school, she was a National Merit Scholar, took 12 AP tests and scored 99 percentile scores on the SAT and ACT.

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Master of Fine Arts in Creative Writing

Program overview.

Named one of the “Five Innovative/Unique Programs” creative writing programs by The Atlantic , the master of fine arts in creative writing is one of two programs offered by UNLV’s Creative Writing International Program with genre concentrations in fiction, literary nonfiction, and poetry. By providing an innovative curriculum and fostering an educational environment where students can perfect their art, our graduates become globally-engaged writers that demonstrate socially-engaged and active writing practices.

Program Outcomes

Students receive a strong theoretical foundation in their selected genre concentration, as well as an appreciation for the art and theory across various genres, thereby expanding their creative abilities. Moreover, they develop a nuanced understanding of canonical contexts and the historical evolution of literature, which provides valuable insights into new writing. Through exposure to international writing and literary translation, students cultivate a practical appreciation for diverse linguistic traditions beyond English, enriching their creative perspectives. 

A high percentage of our graduates have widely published fiction, literary nonfiction, journalism, and poetry with mainstream presses, indie presses, and nationally esteemed venues such as:

  • W. W. Norton & Company
  • Grove Press
  • The Best American Poetry
  • McSweeney’s
  • The New York Times
  • The Los Angeles Times

Program Structure

Our students follow a three-year course of study that includes writing workshops, genre forms courses, literature classes, a residency abroad, completion of a literary translation, and completion of a book-length manuscript that meets the standard of publishable works. Students also have the opportunity for teacher training and practical experience in literary publishing.

Additionally, our department, in partnership with the Black Mountain Institute, offers the Doctorate of Philosophy in English with a Creative Dissertation, supported by a graduate assistantship combined with the Black Mountain Institute fellowship.

Program Funding

All MFA students are fully funded by UNLV and the Black Mountain Institute (BMI) for three years of study towards their degrees. 

  • Graduate Assistantships of $21,000/year 
  • Opportunities for additional funding from BMI
  • In-state tuition 
  • Student health insurance.

Duties for the Graduate Assistantship are 20 hours per week, usually fulfilled through a combination of teaching, tutoring in the Writing Center, and working for English Department or Black Mountain Institute publications.

Our Faculty

Maile chapman, ph.d..

Maile Chapman

Wendy Chen, Ph.D.

Headshot of Wendy Chen

Claudia Keelan

Claudia Keelan headshot

Roberto Lovato

RL Profile

David Morris, MFA

David Morris

Douglas A. Unger

Douglas A. Unger

The MFA Student Experience

The UNLV creative writing program offers a supportive and immersive experience to its students. From day one, students become part of a vibrant community of writers where creativity thrives and collaboration flourishes. Whether students aspire to publish their writing, pursue further study, or embark on diverse career paths within the literary world, UNLV provides the resources, support, and community they need to thrive and succeed.

Activities and Events With the Black Mountain Institute

The UNLV Department of English has a longstanding relationship with the Beverly Rogers, Carol C. Harter Black Mountain Institute (BMI). This allows our students to receive opportunities to engage in creative and literary activities with visiting BMI fellows in socially meaningful literary events for the city of Las Vegas and its greater community. Recent BMI fellows and national and international award-winning visitors include:

  • Percival Everett
  • Melissa Febos
  • Layli Long Soldier
  • Jaquira Díaz
  • Nana Kwame Adjei-Brenyah

See the Black Mountain Institute's website for more information.

Academic and Literary Journals

The creative writing concentration helps students develop their writing craft and critical thinking skills through a workshop setting and literature courses. It equips them with professional skills for various industries and prepares them for graduate studies in English and creative writing.

Founded by M.F.A. alumna Kat Kruse in 2010, Neon Lit is a completely student-run reading series featuring writing of students currently in the Creative Writing programs at UNLV. Events are held on the last Friday of each month usually at the Writer’s Block, an independent bookstore and community center in downtown Las Vegas. See Neon Lit’s website and YouTube Channel for more information.

Writing Series

Breakout writers series.

The “Breakout Writers Series” or Emerging Writers Series features writers just emerging on the literary scene. Writers who visit and read for this series are chosen entirely by the students in the M.F.A. and Ph.D. programs.

Alumni Reading Series

The yearly Alumni Reading Series celebrates the literary successes of graduates of the program. Recent alumni readers include Marianne Chan, Jean Chen Ho, Clancy McGilligan, Alissa Nutting, Juan Martínez, Sasha Steensen, and Mani Rao.

Admission Requirements

  • Fiction: 20-30 pages
  • Literary nonfiction: 20-30 pages
  • Poetry: 10-15 pages
  • A letter of application to the Graduate Committee detailing a statement of purpose and reasons for choosing UNLV
  • Official transcripts from all previously attended colleges or universities 
  • Two letters of recommendation

Applicants must choose the International Focus subplan, unless they have already been accepted to the Peace Corps Master's International Partnership program.

International Applicants

Each year, our program admits several international writers with high competency in writing in English that immensely contribute to our literary community. Our diverse student body fosters a rich exchange of ideas and perspectives, creating a dynamic learning environment that prepares graduates for success in the global literary landscape. Furthermore, UNLV's creative writing program values inclusivity and encourages applicants from diverse backgrounds and life experiences to contribute to the vibrant tapestry of voices within our community.

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Your chance of acceptance, your chancing factors, extracurriculars, what's the creative writing program at ut austin like.

Hi there! I'm a writer and I'm looking at the creative writing program at UT Austin. Could someone tell me how the coursework is and what sort of opportunities for publication or work experience there might be? Any insight would be appreciated!

The Creative Writing program at the University of Texas at Austin is highly regarded. It's known for having a substantial faculty of accomplished writers and poets who actively mentor their students.

Coursework in the program comes in the form of workshops, literature courses, and craft courses. A typical semester might have you taking a workshop where you and your fellow students critique each other's work under the guidance of a faculty member, a literature course where you study the context of the works you're creating, and a craft course where you delve into the mechanics of writing specific forms or genres.

As for opportunities beyond the classroom, UT Austin is home to a number of literary journals where you might intern or submit your work for publication. These include Bat City Review, a globally distributed literary journal run by graduate students in the Department of English, and Analecta, UT Austin's award-winning literary and arts journal. There's also The Daily Texan, one of the largest and most awarded student newspapers in the nation, where you might contribute columns, features, or news stories relevant to your literary interests.

The university also offers a range of reading series, guest lectures, and other events where you can meet and interact with acclaimed authors. Austin, being a creatively vibrant city, boasts numerous local literary events, readings, and festivals as well. Students often find internships or employment in these local literary organizations, publishing houses, and even advertising agencies.

Just remember, your experience will ultimately depend on how much you engage with the resources and opportunities afforded to you by the university and the city. The more you engage with the program, the more you stand to benefit from it. I hope this gives you a clearer picture of what studying Creative Writing at UT Austin might look like!

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2024-2025 Academic Catalog    
2024-2025 Academic Catalog

A concentration in Creative Writing provides students with a broad foundation to support their creative writing efforts or study the work of others.

A concentration in Creative Writing requires 15 total credits:

  • CRW1011 Creative Writing    
  • Twelve additional credits in CRW, LIT, or WRT

Students must earn an average of C or better in all 15 credits.  Students may apply transfer credits toward the achievement of a concentration.

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Admission Steps

Professional creative writing - literary genres in book publishing certificate, admission requirements.

Terms and Deadlines

Degree and GPA Requirements

Prerequisites

Additional standards for non-native english speakers, additional standards for international applicants.

For the 2024-2025 academic year

Fall 2024 quarter (beginning in September)

Final submission deadline: July 26, 2024

International submission deadline: June 4, 2024

Winter 2025 quarter (beginning in January)

Final submission deadline: November 22, 2024

International submission deadline: September 9, 2024

Spring 2025 quarter (beginning in March)

Final submission deadline: February 14, 2025

International submission deadline: December 9, 2024

Summer 2025 quarter (beginning in June)

Final submission deadline: May 2, 2025

International submission deadline: February 24, 2025

Final submission deadline: Applicants cannot submit applications after the final submission deadline.

Degrees and GPA Requirements

Bachelors degree: All graduate applicants must hold an earned baccalaureate from a regionally accredited college or university or the recognized equivalent from an international institution.

Grade point average: The minimum undergraduate GPA for admission consideration for graduate study at the University of Denver is a cumulative 2.5 on a 4.0 scale or a 2.5 on a 4.0 scale for the last 60 semester credits or 90 quarter credits (approximately two years of work) for the baccalaureate degree. An earned master’s degree or higher from a regionally accredited institution supersedes the minimum standards for the baccalaureate. For applicants with graduate coursework but who have not earned a master’s degree or higher, the GPA from the graduate work may be used to meet the requirement. The minimum GPA is a cumulative 3.0 on a 4.0 scale for all graduate coursework undertaken.

Program GPA requirement: The minimum undergraduate GPA for admission consideration for this program is a cumulative 2.5 on a 4.0 scale

Applicant must have successfully completed or be admitted to the Denver Publishing Institute course.

Official scores from the Test of English as a Foreign Language (TOEFL), International English Language Testing System (IELTS), C1 Advanced or Duolingo English Test are required of all graduate applicants, regardless of citizenship status, whose native language is not English or who have been educated in countries where English is not the native language. Your TOEFL/IELTS/C1 Advanced/Duolingo English Test scores are valid for two years from the test date.

The minimum TOEFL/IELTS/C1 Advanced/Duolingo English Test score requirements for this degree program are:

Minimum TOEFL Score (Internet-based test): 80 with minimum of 20 on each subscore

Minimum IELTS Score: 6.5 with a minimum of 6.0 on each band score

Minimum C1 Advanced Score: 176

Minimum Duolingo English Test Score: 115 with a subscore minimum of 105 for Literacy, Comprehension, and Conversation and minimum subscore of 95 for Production

English Conditional Acceptance Offered: No, this program does not offer English Conditional Admission.

Read the English Language Proficiency policy for more details.

Read the Required Tests for GTA Eligibility policy for more details.

Per Student & Exchange Visitor Program (SEVP) regulation, international applicants must meet all standards for admission before an I-20 or DS-2019 is issued, [per U.S. Federal Register: 8 CFR § 214.3(k)] or is academically eligible for admission and is admitted [per 22 C.F.R. §62]. Read the Additional Standards For International Applicants policy for more details.

Application Materials

Transcripts.

Writing Sample

We require a scanned copy of your transcripts from every college or university you have attended. Scanned copies must be clearly legible and sized to print on standard 8½-by-11-inch paper. Transcripts that do not show degrees awarded must also be accompanied by a scanned copy of the diploma or degree certificate. If your academic transcripts were issued in a language other than English, both the original documents and certified English translations are required.

Transcripts and proof of degree documents for postsecondary degrees earned from institutions outside of the United States will be released to a third-party international credential evaluator to assess U.S. education system equivalencies. Beginning July 2023, a non-refundable fee for this service will be required before the application is processed.

Upon admission to the University of Denver, official transcripts will be required from each institution attended.

Résumé Instructions

The résumé (or C.V.) should include work experience, research, and/or volunteer work.

Writing Sample Instructions

Graduate Certificates in Professional Creative Writing require a sample of your creative writing, preferably in the genre of the certificate to which you are applying. The sample may comprise 2-3 double-spaced pages of prose (fiction or creative nonfiction), 30-40 single- or double-spaced lines of poetry, or 1-2 single-spaced pages of dramatic writing (monologue, play, or screenplay). NOTE: Applicants may submit the personal statement from their Denver Publishing Institute application to satisfy the writing sample requirement.

Start the Application

Online Application

Financial Aid Information

Start your application.

Your submitted materials will be reviewed once all materials and application fees have been received.

Our program can only consider your application for admission if our Office of Graduate Education has received all your online materials and supplemental materials by our application deadline.

Application Fee: $50.00 Application Fee

International Degree Evaluation Fee: $50.00 Evaluation Fee for degrees (bachelor's or higher) earned from institutions outside the United States.

Applicants should complete their Free Application for Federal Student Aid (FAFSA) by February 15. Visit the Office of Financial Aid for additional information.

The University of Texas at Austin

Creative Writing Certificate Program

Illustration by valerie tran, announcements, admission applications.

The deadline for applying to the Creative Writing Certificate Program was March 1.  We are no longer accepting applications at this time.  The next application window is September 1 - October 1, 2024.

Creative Writing Certificate Program End-of-Semester Reception and Readings

Please join us on Wednesday, May 1 , in the Joynes Reading Room (Carothers Residence Hall) for our end-of-semester celebration.

Reception begins at 12:30pm with food and refreshments.

Writing Awards and Readings begin at 1:00pm

Creative Writing Honors Thesis Readings begin at 2:00pm.

Please feel free to come to all or part of the program.  Family and friends are welcome!

Writing Contest Winners Announced

Congratulations to the Winners of the Kruger Fellowships and Parker Prizes for student writing. 

KRUGER Fiction 

1st Place     Lara Palmqvist - "In Another Life"

Runner-up   Stephanie Degnore - "Where the Light Shines Brightest"

Runner-up   Varun Jawarani - "Lakshana"

KRUGER Poetry  

1st Place     Aguilar Alfredo - "After Three Beers My Tia Talks About The Border"

Runner-up   Safiyya Haider - "Assimilation Is Performance Art" 

PARKER Fiction

1st Place      Molly Tompkins - "Bolt from the Blue"

Runner-up    Charlie Sharpe - "A Horse of Course” 

Runner-up    Ashley Rummel - "The Artists" 

PARKER Poetry

1st Place      Leah Piñon - "The World Ends Through the Mirrors in Your House"

Runner-up    Boppana Pradhitha - "Alternate Methods of Crying"

PARKER Lit Crit

1st Place      Molly Tompkins - "Celestial, Beautiful, and Social Bodies" 

Runner-up    Lane Dent - “Our False Perception of Nature”,

Congratulations to all the contest winners and honors thesis students! 

Ongoing Opportunities

Check back often for more links to publishing, contest, and internship opportunities.

  • Writer's League of Texas
  • Texas Book Festival
  • Poets and Writers Magazine
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  • Tab Option 5

The Writers' League of Texas provides internship, networking, literary, and educational opportunities in Austin and around the state, as well as an annual conference featuring literary agents and editors. 

The Texas Book Festival , one of the largest in the country, takes place annually in late October / early November, but offers volunteer opportunities throughout the year.

Poets and Writers magazine lists contests, fellowships, grants, and literary journals for writers of all levels. 

2024-2025 Catalog

Creative writing, minor.

The Creative Writing Minor is designed for students interested in pursuing an MFA in creative writing or students who wish to continue their creative activity after graduation. Since MFA degrees specialize in poetry, playwriting, creative nonfiction, or fiction, students will complete 21 credits of coursework concentrating on one genre while also establishing knowledge of the creative writing workshop, the drafting/revision process, and the business of writing.

Student Learning Outcomes

  • Demonstrate fluency in literary history, cultural contexts, and current issues in English studies.
  • Conduct, analyze, evaluate, and integrate academic research and theory.
  • Employ critical and rhetorical theory to analyze and interpret texts.
  • Construct persuasive and reasonable arguments, using a range of rhetorical strategies.
  • Analyze literary and non-literary texts and synthesize ideas with clarity, accuracy, and coherence.

Outcome Assessment Activities

The Coordinator of the Creative Writing Minor reviews student portfolios to evaluate student performance levels in conjunction with Program Goals, tracks student placement in graduate programs, and record student and former student publications, reporting the result annually, specifically in English 114 and English 414 courses.

Special Program Requirements

Course List
Course Title Credits
Required Core Courses9
Introduction to Creative Writing (GT-AH1) (to be taken at the start of the minor)
Introduction to Literary Theory
Advanced Creative Writing Workshop (to be taken at the end of the minor)
Writing and Practice (Select two courses.)6
Literary Forms & Genres
Creative Writing: Poetry
Creative Writing: Fiction
Creative Nonfiction
Creative Writing: Drama
Professional Editing
Development and Impact (Select one course.)3
Communicating in Professions3
Magazine Editing and Production
Elective Courses (Select one course) 3
Introduction to Rhetoric
Survey of Chicano Literature (GT-AH2)
Multi-Ethnic American Literature (GT-AH2)
Women in Literature
Visual Rhetoric
Contemporary Literature
English Syntax and Usage
Young Adult Literature
Studies in Major Writers
Research
Field Experience
Literary Criticism and Theory
Special Topics
Chicana Writers
Chicana Writers
Women & Media3
Scriptwriting3
Total Credits30

Courses used to fulfill requirements above cannot be used for elective credit. 

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    Rowan University
   
  Jul 03, 2024  
2024-2025 Rowan University Academic Catalog (DRAFT COPY)    



2024-2025 Rowan University Academic Catalog (DRAFT COPY)
|

The Writing Arts Department at Rowan University offers a program of study in creative writing leading to a minor.

To fulfill the requirements for the minor, students must complete 18 hours of course work selected from a variety of courses in the writing of poetry, fiction, children’s stories, plays, television and film scenarios.

The minor is open to Writing Arts majors and students who are not Writing Arts majors. Writing Arts majors who complete the 12 credit creative writing concentration within the major may take an additional 6 credits to receive the minor. No required courses counting toward the Writing Arts major can be double counted for the Creative Writing Minor. Students do not have to be in the minor to take creative writing courses.

Once enrolled in the Creative Writing Minor, students can look forward to these goals and achievements:

  • The ability to understand and apply creative writing craft elements in a variety of genres
  • The ability to read and critique texts through the strategies of close reading
  • A deeper understanding of the relationship between the writer, the audience, and the work
  • The opportunity to experiment creatively with various genres as the student develops a voice and a style

Program Requirements: 18 s.h.

Choose any six of the following*.

  • WA 07290 - Creative Writing I Credits: 3
  • WA 07291 - Creative Writing II Credits: 3
  • WA 07309 - Writing Children’s Stories Credits: 3
  • WA 07391 - Writing Fiction Credits: 3
  • WA 07392 - Fundamentals of Playwriting Credits: 3
  • WA 07395 - Writing Poetry Credits: 3
  • WA 07415 - Writing the Young Adult Novel-WI Credits: 3
  • WA 01201 - How Writers Read Credits: 3
  • WA 01300 - The Writer’s Mind - WI Credits: 3
  • WA 01304 - Writing Creative Nonfiction-WI Credits: 3
  • WA 01305 - Writing Comedy Credits: 3
  • WA 01306 - Writing Genre Fiction Credits: 3
  • WA 01308 - Spoken Word Poetry Credits: 3
  • WA 01320 - Internship I in Writing Arts Credits: 3 to 6
  • WA 01350 - Rhetorics of Style-WI Credits: 3
  • WA 01358 - Teaching the Writer’s Workshop-WI Credits: 3
  • RTF 03393 - Screenwriting I: Writing the Short - WI Credits: 3
  • RTF 03493 - Screenwriting II: Writing the Feature - WI Credits: 3
  • JRN 02312 - Feature Writing Credits: 3

Students may also receive credit for selected special topic courses with permission of advisor.

It is also possible for students to take the following graduate classes in creative writing in accordance with the senior privilege policy:

  • MAWR 01566 - Editing the Literary Journal
  • MAWR 01558 - Fiction Workshop
  • MAWR 01620 - Writing Stories for Children and Young Adults
  • MAWR 01622 - Publishing for Creative Writers
  • MAWR 02505 - Poetry Workshop
  • MAWR 02515 - Creative Nonfiction Workshop
  • MAWR 02520 - Writing the Novel
  • MAWR 02523 - Writing the Memoir
  • MAWR 02524 - Writing the Graphic Novel

Total Required Credits for the Program: 18 s.h.

(Graduate course descriptions can be viewed in the graduate catalog.)

*Students must ensure that they have the appropriate prerequisites for any of the classes. Prerequisites for each class can be found in the Banner Course Catalog. Find the catalog entry for the course that you are interested in taking, scroll to the bottom of the page.

Heather Lanier Advisor 260 Victoria Street 856.256.4345 [email protected]

More From Forbes

A writing room: the new marketplace of writer classes, retreats, and collectives.

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A Writing Room is one of the fast-growing writer collectives. The four co-founders (left to right): ... [+] Reese Zecchin, Director of Production; Jacob Nordby, Director of Writer Development; A. Ashe, Creative Director; Claire Giovino, Community Director.

The past decade has brought an explosion in the number of books published each year in the United States (an estimated three to four million annually). In turn, this explosion is bringing a growing and evolving marketplace of writer classes, retreats and collectives. It is a marketplace creating new jobs and entrepreneurship opportunities—both for mainstream tech, marketing and managerial workers, as well as for writer/artist denizens of America’s bohemia.

The Drivers of Growth in Book Publishing

The number of book sales in the United States remains healthy, though it has leveled off in the past four years. In 2020, 756.82 million book unit sales were made in the US alone. This number climbed to 837.66 million in 2021, before falling slightly to 787.65 million units in 2022 and 767.36 million units in 2023.

What has changed dramatically has been the number of books published. Steve Piersanti of Berrett-Koehler Publishers estimates that three million books were published in the US, up 10 times from the number only 16 years ago . Other estimates put the number of published books annually at closer to four million .

The main driver of this growth in books published has been self-publishing. According to Bowker , which provides tools for self-publishing, an estimated 2.3 million books were self-published in 2021. Up through the 1990s (now the distant past in publishing), writers of all types of books, fiction and nonfiction, were dependent on convincing publishing houses to publish their work. As the technology for self-publishing and print on demand grew in the early 2000s, writers could publish on their own, and a very large number of Americans began to do so.

Fueling growth also is the level of affluence and discretionary income that an increasing segment of American society is reaching. For centuries, theorists across the political spectrum have envisioned a society, freed from basic economic needs, pursuing creative activities, with writing as a primary activity. In The German Ideology , Karl Marx could write about the economy of abundance in which individuals pursue writing as one of a series of daily activities—hunt in the morning, fish in the afternoon, write criticism in the evening. John Maynard Keynes in a 1930 essay, “ Economic Possibilities for Our Grandchildren” , envisions a time a hundred years forward (2030) in which writing is no longer the province of the upper classes. Contemporary theorists on the future of work, such as John Tamny, similarly see a blooming of creative and artistic activities by the average citizen.

Best High-Yield Savings Accounts Of 2024

Best 5% interest savings accounts of 2024, a writing room, and the emerging marketplace of writer training.

A marketplace of writing coaches, classes and retreats expanded throughout the late twentieth century and first years of the twentieth century. Published authors and even recently-minted graduates of MFA programs hung out shingles for individual coaching and small classes. Colleges expanded their writing programs and certifications, and writer retreats multiplied. Co-working and literary event spaces were established in major cities ( The Writers Room in New York, The Writers Grotto in San Francisco). But the marketplace continued to bump up against geographic and logistical limitations.

Then, along the came the internet, and its evolution.

Today, hundreds of businesses throughout the country offer assistance to aspiring writers. Many continue to offer some in-person assistance through coaching, classes or retreats. But as in other fields, the internet has allowed for a nationwide (worldwide) reach that these businesses are taking advantage of to scale. The major pre-internet writer assistance companies, such as The Writers Studio , added online courses and instruction, and the early internet-based companies from the 1990s, such as Writers.com (a pioneer in the internet field), steadily expanded their offerings. New enterprises are springing up on a regular basis, including the writer collectives.

A Writing Room is one of the fastest growing of the writer collectives, and its suite of services illustrate the how the field is evolving.

A Writing Room has its roots in the writing classes that novelist Anne Lamott had been teaching for some years, and her interest by the early 2020s in creating a larger on-going community of writers. Lamott connected with a team of four entrepreneurs who had experience with previous start-ups and expertise in online tools. In early 2023 they set out to develop A Writing Room.

Novelist Anne Lamott, one of the partners in A Writing Room.

A Writing Room launched in June 2023, and followed a few months later with an inaugural writers retreat in Santa Fe, New Mexico. Though hastily arranged, the retreat attracted more than 400 in person attendees and over 1600 attendees online. In the first half of 2024, the company set up a membership structure of monthly and annual memberships. Within months, over 550 writers had joined.

The products that members can access are aimed in part at teaching the craft of writing. In a recent author discussion (with close to 400 participants joining online) Lamott discussed the craft of writing with novelist Donna Levin . Both started publishing in the 1980s. They noted how much publishing and the role of the writer have changed, but emphasized the fundamentals that have remained over their forty years, related to craft and the responsibility of the writer: the daily commitment, the careful development of plot and characters, the numerous rewrites (as many as you think you need, and one more).

A Writing Room offers a series of on-demand courses, online discussions with authors and publishing professionals, and daily writing prompts, built around writing as craft. It further offers instruction on the paths to and options for publication, building a following of readers.

At its center, A Writing Room is about being part of a community of writers, giving and receiving regular feedback from other members, as well as feedback from writing mentors and coaches. In an interview earlier this year, Lamott explained:

The great myth about writing is that it's an entirely solitary activity. This really isn't true. Every book I've ever written has been with a lot of help from my community. I wouldn't be the writer I am today — and wouldn't even want to write — without people to share the process and finished work. Writing is a process, but it doesn't have to (and really shouldn't be) done in total isolation.
The writing process can feel overwhelming. It often does for me. Believe me, a trusted writing friend is a secret to life.

Other emerging writing collectives also emphasize community and cooperation. Levin underscored this point in the recent online discussion: “Writing can be such an isolated activity, and to some extent needs to be. You want to seek out a community that can give you the support you need and also the honest feedback.”

How the New Marketplace Is Evolving And Jobs Created

The founders of A Writing Room know that the marketplace for writer assistance is fast changing, and they need to be quick to adapt to increased competition. Already, several developments are driving change in the field:

· The entrance of major online education companies (i.e. Masters Class , Coursera, Udemy ).

· Faculty recruitment of writers with built-in audiences of sizable twitter and other social media followings.

· Partnerships with the major publishers and agencies, who hold out the promise of publication to participants of the classes, retreats and collectives.

· Specializations by race and ethnicity, gender, geography and genre.

· Market segmentation, and attention to higher income consumers.

A number of these developments reflect the changes in the broader publishing world and are likely to continue. Overall, the marketplace itself will be expanding, as publishing technology advances, along with discretionary income.

The jobs being generated by this new marketplace are a mix of tech, administrative, and writing coach positions. At A Writing Room, recent hires include a community liaison, video editor, customer support, and a “beta reader” providing feedback to writers on their drafts. The hiring process is sweeping up into jobs not only workers who have been in the regular economy, but also residents of America’s bohemia: writers and artists who previously were outside of (and often scornful of) the market system. What can be better than that.

In his 2023 book, The Novel, Who Needs It , Joseph Epstein, former editor of American Scholar , offers a paean to fiction as above all other intellectual endeavors that seek to understand human behavior. But what he says of fiction is true of other writing (memoir, history, even forms of self-help) that arouses the mind.

Yes, there are way too many books published each year, and yes only a very small percentage of writers will earn any significant income from their writing. But who knows what individual book will succeed commercially or critically, or add to our shared knowledge or wisdom. And really, why not encourage the craft of writing. How much does America benefit from most of the paper-pushing, meetings and e-mails that now pass for work in our economy of affluence.

Michael Bernick

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ACC 2024 preview: Breaking down Florida State, Clemson and three new challengers

creative writing program utd

Thank goodness actual football is starting soon. No offense to the good folks of the Atlantic Coast Conference, but when lawsuits and countersuits are the primary storyline of your offseason , well, you haven't had a very enjoyable offseason. (I think there's an "Affidavits and Contracts Conference" joke in here somewhere, but I won't make it, even though there's almost nothing Atlantic about this place now.)

Everything about the ACC feels weird right now, from big football programs plotting to leave, to teams from Texas and California joining, to the simple existence of a conference with 17 teams and games like Stanford at Syracuse, Boston College at SMU and Cal at Wake Forest. The variation in schedule strengths -- Georgia Tech ranks 15th in projected SP+ SOS, five other teams rank in the top 40, and four others rank outside the top 70 -- makes this only loosely feel like a conference. But when the games actually start, we'll have a potentially stellar race on our hands all the same. Florida State and Clemson, the standout escape plotters (and winners of 12 of the past 13 ACC championships), start out in the front of the race, but five teams are projected between 19th and 32nd in SP+ and loom not far behind.

Let's preview the ACC!

Every week through the summer, Bill Connelly will preview another FBS conference exclusively for ESPN+, ultimately including all 134 FBS teams. The previews will include 2023 breakdowns, 2024 previews and team-by-team capsules. Here are the MAC , Conference USA , AAC , MWC and Sun Belt previews.

Jump to a section: 2024 projections | Best games Title contenders | Who's close? Hoping for 6-6

creative writing program utd

Last we saw Florida State, Mike Norvell's Seminoles were the victim of the College Football Playoff committee's worst-ever decision and laying the egg of all eggs in the Orange Bowl . It was unfortunate for any number of obvious reasons, but it also just distracted us from the fact that, in the period of just two years, Norvell had transformed the Seminoles from a listless mess to the class of the ACC. They won their first league title in nine years and, despite the Orange Bowl, enjoyed their best finish in SP+ in 10 years.

Elsewhere, Louisville secured its first ACC championship game appearance thanks to a 4-0 record in one-score finishes in conference games, but Jeff Brohm's Cardinals were among a large batch of similar teams. Including SMU -- which, like FSU, dealt with its own late-season QB injury issues -- seven current ACC teams finished between 23rd and 40th in SP+. And that doesn't include a Virginia Tech team that enjoyed a massive midseason turnaround. After starting the season 2-4 and ranking as low as 76th in SP+, Brent Pry's Hokies won five of their last seven, overachieved projections by an average of 14.7 points per game and charged to 46th. And now they rank in the nation's top five in returning production.

Meanwhile, the other new additions, Cal and Stanford, were basically West Coast Georgia Tech and West Coast Virginia.

2024 projections

While conference schedule strengths indeed vary dramatically, the average conference win totals set the table pretty nicely. FSU and Clemson are over 6.0, and five teams are between 5.1 and 5.6. If either the Seminoles or Tigers underachieve, any number of other contenders, from hot and experienced Virginia Tech to ultra-talented and perpetually disappointing Miami, could make a title run.

It's basically FSU and Clemson (combined: 51.3% chance of winning the ACC) versus the field. That's a little bit more aggressive than what ESPN's FPI has (45.5%) and quite a bit more confident than the ESPN BET odds that have more confidence in Miami and NC State, among others. But the general vibe here is set. Can FSU sufficiently hit the reset button after last year's awful ending? Can Clemson rebound as projected? Among the quintet of other challengers, who stands out?

Five best games of 2024

Here are the five conference games that feature (a) the highest combined SP+ ratings for both teams and (b) a projected scoring margin under 10 points.

Florida State at SMU (Sept. 28) . SMU wasn't exactly blessed with a set of dynamite home games in its first year as a power-conference team since 1995. Visits from Pitt, Boston College and California might not move the needle a ton, but this one's huge. It will tell us if Rhett Lashlee's Mustangs are indeed capable of making a run in their first ACC season.

Clemson at Florida State (Oct. 5) . Of the last 12 times these teams have met, the winner went on to win the ACC 11 times. Seems like this one's relatively big.

Miami at Louisville (Oct. 19) . Louisville has been blessed by a pretty light conference schedule; the Cardinals do play at Clemson, but they play only two other top-60 ACC opponents, and both have to visit the stadium formerly known as Papa John's: SMU in Week 6 and Miami in Week 8. This one could be an eliminator of sorts.

Florida State at Miami (Oct. 26) . What a streaky rivalry game this has been. Miami won nine of 11 showdowns from 1985-94, then FSU won five straight, then Miami won six straight, then FSU won 10 of 12, then Miami won four in a row, and now FSU has won three in a row.

Clemson at Virginia Tech (Nov. 9) . The last time a ranked Virginia Tech hosted a ranked opponent in front of a packed Lane Stadium was 2018 (No. 6 Notre Dame 45, No. 24 Tech 23). Obviously the Hokies have some work to do if they plan on being ranked in early November, but it's on the table. This one could be dynamite.

Conference title (and, therefore, CFP) contenders

Florida state seminoles.

creative writing program utd

Head coach : Mike Norvell (fifth year, 31-17 overall)

2024 projection : 12th in SP+, 9.3 average wins (6.2 in ACC)

It hasn't been boring. Mike Norvell's FSU tenure began with odd social media exchanges , an inexcusable and devastating last-second loss to an FCS team and 16 defeats in 28 games. But after a 34-28 loss to Clemson dropped the Seminoles to 4-3 midway through 2022, everything clicked. An improving defense turned into a top-20 unit, and an offense helmed by Jordan Travis averaged 42 points per game in the 2022 home stretch. FSU won six straight to finish 10-3, and after another round of great transfer acquisitions -- a trend under Norvell -- they won 13 more to start 2023. The turnaround was complete . All that was missing was a shot at the national title. That, of course, never came. When Travis got hurt late in the season, and the Seminoles' offense struggled (even while the defense began playing like the best in the country), the CFP committee used that as an excuse to give the final CFP spot to SEC champion Alabama .

It was an unforgivable decision; it's also in the past, and the next act of Norvell's tenure will depend on how well his Seminoles leave that bitterness behind. In 2024, a relatively new Noles team will have a chance to repeat as ACC champs, and this time, with a 12-team CFP and five autobids for conference champs, it will be awfully hard for the committee to leave them out.

Continuity on the offensive line and in the secondary can be huge for a team, and FSU has quite a bit of both. For the former, three starters return -- including All-ACC left tackle Darius Washington -- and are joined by Florida's starting left guard ( Richie Leonard IV ) and one of a few Alabama transfers, guard Terrence Ferguson II .

Only one other offensive starter, tight end Kyle Morlock , returns. Oregon State and Clemson transfer DJ Uiagalelei and redshirt freshman Brock Glenn are battling for the starting QB position; slot receiver Ja'Khi Douglas is the only returning wideout who caught double-digit passes last year, and transfers Malik Benson (Bama) and Jalen Brown (LSU) join a huge batch of young blue-chippers like sophomore Hykeem Williams . At running back, big-play man Lawrance Toafili returns, but Norvell added both a big back (Bama's Roydell Williams ) and a water bug (Indiana's Jaylin Lucas , who was more dangerous in the passing game last year) for variety.

The FSU defense has improved for three consecutive years under coordinator Adam Fuller; anything more would be driven by a dynamite secondary. Corners Fentrell Cypress II and Azareye'h Thomas return, as does safety Shyheim Brown . However, the turnover in the front six is pretty extensive: Five of last year's top seven linemen, plus both starting linebackers, are gone. Fuller still has stars in end Patrick Payton , 318-pound tackle Joshua Farmer and possibly linebacker DJ Lundy , but it's probably not a surprise that FSU signed four line transfers.

My favorite player: DE Patrick Payton . Jared Verse was awesome. The Albany transfer lived up to every ounce of hype he received when he arrived in 2022, and he was picked 19th in the 2024 NFL draft .

I think Payton might be better?

The 254-pound Miami native made more havoc plays per snap than any defender in the country with 500-plus snaps and finished with more sacks, a higher pressure rate and more run stops than Verse. FSU is still blessed in the edge rusher department.

Clemson Tigers

creative writing program utd

Head coach : Dabo Swinney (16th full year, 170-43 overall)

2024 projection : 14th in SP+, 9.1 average wins (6.3 in ACC)

Over the last three seasons, Clemson's average SP+ rating is 14.4, the 15th best in FBS. The Tigers have gone 30-10 in that span, winning an ACC title. If you knew nothing about what Clemson did before 2021, Dabo Swinney's downright countercultural method of roster building -- and completely eschewing the potential of the transfer portal in the name of doubling down on culture and in-house development -- would seem rather charming. We are supposed to reward coaches for going about things differently and winning, right?

If you're reading this, however, you probably know about Clemson's history before 2021.

Clemson's 2023 team was solid. It was also the school's worst in 12 years. And Swinney refuses to fill holes like everyone else in his general recruiting stratosphere does: with transfers. He's signed two of them in six years; both were backup quarterbacks, and one had begun his career at Clemson.

Without transfers, Clemson has become far less nimble than other top-15ish schools when it comes to addressing weaknesses. Case in point: the offense. After averaging a No. 50 ranking in offensive SP+ in 2021-22, Swinney hired TCU's Garrett Riley as coordinator and handed the full-time reins to five-star sophomore Cade Klubnik . The Tigers ranked 51st in offensive SP+. Meanwhile, an inexperienced defense was still good, but it fell to 21st in defensive SP+, the worst in nine seasons.

This is a rubber-meeting-road season for Swinney and his methods. Now that he's let a new OC and quarterback get to know each other for a year, and now that he's allowed exciting young defenders to get their feet wet, it's time for both units to take solid steps forward in 2024. And they might, even if the season begins with an immediate setback against Georgia.

Klubnik, leading rusher Phil Mafah , tight end Jake Briningstool and slot man Tyler Brown return, as do seven of the nine linemen who started a game last season. The offense improved late in the season, too. Clemson desperately needs a boost in the big-play department -- their 3.5 gains per game of 20-plus yards ranked 109th nationally, and the only main receiver to average more than 11.5 yards per catch (a low bar) was Beaux Collins , who transferred to Notre Dame. The Tigers can control the ball with death-by-a-thousand-cuts efficiency, but big plays and easy points win big games.

The Tigers' defense has regressed in each of coordinator Wes Goodwin's first two seasons, but after some 2023 growing pains they might now have the most promising base of young talent in the country.

Everywhere you look, there's a thrilling sophomore -- defensive end T.J. Parker , tackle Peter Woods , corners Khalil Barnes and Avieon Terrell , linebacker Kobe McCloud . The pass rush didn't get home quite as much as it should have considering their 46% blitz rate (second-highest in the country), but the Tigers still ranked second in passing success rate allowed and sixth in raw QBR. But there were some breakdowns in an all-or-nothing run defense. That's not guaranteed to improve without leading tackler Jeremiah Trotter Jr. and four of last year's top five linemen, but it's hard to look at the defensive two-deep and not think, "Yeah, they're going to be fine."

My favorite player: CB Khalil Barnes . I'm a sucker for versatility. Barnes lined up as a cornerback 293 times last year, a safety 96 times and an inside or outside linebacker 114 times. He racked up all sorts of different disruption stats: five TFLs, two run stops, four pressures, one sack, three forced fumbles and a fumble recovery. Oh yeah, and as a hellacious cover guy, he allowed a 37% completion rate while intercepting three passes and breaking up five more. Just imagine what he'll be capable of when he knows what he's doing!

A couple of breaks away from a run

Miami hurricanes.

creative writing program utd

Head coach : Mario Cristobal (third year, 12-13 overall)

2024 projection : 19th in SP+, 8.8 average wins (5.5 in ACC)

Mario Cristobal was the first coach to create anything respectable at Florida International. He brought Oregon a top-five finish and Rose Bowl title in 2019. He's done things. He's just not a 10 out of 10 on the Burden of Proof scale.

He's at least an 8 out of 10, though, right? Miami pushed out Manny Diaz after he went 15-8 in 2020-21 because it was time to bring Cristobal, one of The U's favorite sons, home to build a behemoth. He's proceeded to go 12-13 in two seasons. He inherited a top-25 offense (per SP+) and a top-15 quarterback in Tyler Van Dyke (per Total QBR), and both got demonstrably worse in the last two years. Cristobal recruits like gangbusters and makes logical coordinator hires, but his game-management decisions, often spectacularly conservative, can either make games closer than they should be or backfire in nuclear fashion .

It's possible that at some point you just recruit so well that it overcomes your shortcomings. Cristobal added 14 more four-star freshmen to the roster and made a splash in the transfer portal, bringing in Washington State quarterback Cam Ward, Oregon State running back Damien Martinez and a number of proven defenders.

No matter how conservative Cristobal's impulses might be, a backfield of Ward and Martinez is going to play flashy ball. Ward is a dangerous scrambler, with all that entails -- exciting, explosive plays (pro) and more sacks than you would prefer (con) -- while Martinez is simply one of the best tackle-breakers in college football. He's an old-school, high-kneed runner, and he joins a skill corps that already featured one of the country's safest possession receivers (slot man Xavier Restrepo ) and a potentially high-end big-play man in Jacolby George . The offensive line, painfully young last year, is more experienced, too, and has a potential star in sophomore tackle Francis Mauigoa . The only reason to think this offense won't be fantastic is the recent track record of the head coach.

Defensively, Miami's been decent but not elite under Lance Guidry (top-50 in defensive SP+ both years). In 2023, the Canes rendered opponents inefficient (25th in success rate allowed) but suffered too many glitches and allowed 32.4 points per game against five top-50 offenses.

Of the 15 defenders who saw at least 200 snaps, only five return, but Cristobal was aggressive in signing seven starters from other FBS teams, including Washington nickel Mishael Powell , Tennessee end Tyler Baron and tackles Simeon Barrow Jr . (Michigan State) and C.J. Clark (NC State). Getting sophomore tackle Rueben Bain Jr . (11 TFLs) and junior Akheem Mesidor (11.5 TFLs in 2022 before missing most of 2023 with injury) back up front is good news, too.

My favorite player: RB Damien Martinez . You just don't see many players that are both as physical and as explosive as Martinez.

Martinez touched the ball 17.1 times per game last season, forcing a missed tackle on nearly one-third of his touches and rushing for 10-plus yards more times (39) than he was stopped at or behind the line (33). He adds a level of nastiness that the Miami offense really needed.

SMU Mustangs

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Head coach : Rhett Lashlee (third year, 18-9 overall)

2024 projection : 23rd in SP+, 9.1 average wins (5.6 in ACC)

It's hard not to like what Rhett Lashlee has done thus far at SMU.

SMU has enjoyed a top-25 offense (per SP+) for five straight years, but Lashlee's Mustangs enjoyed a huge 2023 season -- 11 wins, AAC championship, first top-25 SP+ finish 1984 -- in part because they discovered defense .

Under second-year coordinator Scott Symons, the Mustangs leaped from 115th to 39th in defensive SP+ with a sturdy run defense and a fierce but low-risk pass rush (translation: the defensive ends were awesome, and they didn't have to blitz). They return probably their best player at each level of the field -- defensive end Elijah Roberts , linebacker Ahmad Walker , safeties Jonathan McGill and Isaiah Nwokobia -- but with last year's top three defensive tackles gone and a likely fear of depth issues with the jump to the ACC, Lashlee loaded up with eight transfer linemen, all from power conferences, and while transfer ends felt redundant with the return of Roberts and other potential studs like Cameron Robertson and Isaiah Smith , size in the middle was a necessity. And I mean size : Mike Lockhart (WVU) made 8.5 TFLs at 317 pounds last year, and Anthony Booker Jr . (Arkansas) weighed in last year at 351. The other primary defensive concern was at corner, which Lashlee attempted to address with the addition of Deuce Harmon (Texas A&M).

SMU should immediately have some of the best quarterback and skill corps play in the ACC. Junior Preston Stone threw for 3,197 yards and 28 TDs, ranking seventh nationally in yards per dropback and 30th in Total QBR. Three of last year's starting linemen are gone (which prompted Lashlee to sign five OL transfers, all, again, from power conferences), but if the new-ish line holds up -- not a guarantee -- Stone should take full advantage of a skill corps that barely lost anyone. Backs Jaylan Knighton , LJ Johnson Jr . and Camar Wheaton return after combining for 1,731 rushing yards and 16 TDs, and seven receivers who caught between 24 and 42 passes, led by senior Jake Bailey , all return. They're joined by former blue-chippers Brashard Smith (Miami) and Ashton Cozart (Oregon), too.

SMU's starting 22 will be capable of winning lots of ACC games right out of the gate, but we'll see if Lashlee's depth-building efforts were enough. I'm guessing yes.

My favorite player: DE Elijah Roberts . Only seven pass rushers combined at least a 14% pressure rate with at least 11 sacks created (first pressures on plays that resulted in sacks) last season, a list that includes All-Americans Laiatu Latu and Jalen Green and second-round draft pick Chris Braswell. It also includes Roberts, who lined up everywhere on SMU's line, produced 10 sacks and pressured the QB at least four times in five different games. He's one of the best in the country.

Louisville Cardinals

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Head coach : Jeff Brohm (second year, 10-4 overall)

2024 projection : 28th in SP+, 7.6 average wins (5.2 in ACC)

Jeff Brohm knows how to make a first impression. At Purdue in 2017, he inherited a team that had averaged 2.3 wins and a 93.5 average SP+ ranking over four years and immediately won seven games and brought them into the top 40. His tenure was up and down from there, but he bought immediate goodwill.

The Louisville native and Louisville grad returned home last season, and while the Cardinals' improvement wasn't quite as voracious -- Louisville won eight games the year before Brohm's arrival -- his first team still won 10 games and jumped to 34th in SP+. It took close wins and turnovers luck to get them into the ACC championship, and the Cardinals finished with three straight losses, but it was still a strong debut.

For better or worse, Brohm isn't sitting still. A year after bringing in 25 transfers, he brought in 28 more. (He actually brought in more than that, but a few left after spring ball.) The offense could feature as many as seven transfers in the starting lineup, including quarterback Tyler Shough (Texas Tech), running back Donald Chaney Jr . (Miami), receivers Caullin Lacy (South Alabama) and Ja'Corey Brooks (Alabama) and any of three tight ends and five linemen. Brohm is taking on some injury risk with Shough (who's played only 22 games in four years) and Chaney (27 games in four years), but I love the receiver additions. Brooks has yet to put together a nice, sustained effort, but he bordered on excellent in 2022, and Lacy was incredible in 2023 (1,316 yards, 3.1 per route). Brohm also took a flier on a Division II star, Tuskegee's Antonio Meeks, who averaged 17.3 yards per catch with five touchdowns last season.

The defense, which was decent but regressed a bit from 2022, welcomes 14 transfers as well, including cornerbacks Tahveon Nicholson (Illinois) and Corey Thornton (UCF), end Tramel Logan (USF) and tackle Jordan Guerad (FIU). Almost all of the defensive transfers, plus a majority of the offensive players, are seniors, meaning Brohm could be doing this all again next year. We'll see if you can build the culture you need to succeed long-term this way, but there's no time like the present in Louisville.

My favorite player: WR Caullin Lacy . You never fully know what to expect about a guy jumping to a better conference, but Lacy was absolutely dynamite in the Sun Belt last year. He's a master of turning short routes into intermediate gains -- he averaged 8.4 yards per catch on screens and 11.8 on shallow or hook routes -- but he also caught 11 of 19 passes thrown 20-plus yards downfield. He topped 100 yards eight times last season, including an early stretch of seven games in a row. I will be floored if he doesn't thrive under Brohm.

NC State Wolfpack

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Head coach : Dave Doeren (12th year, 81-58 overall)

2024 projection : 29th in SP+, 8.5 average wins (5.4 in ACC)

At the midway point of 2023, Dave Doeren's Wolfpack were 4-3 and 54th in SP+. They had beaten three pretty bad teams (UConn, Virginia and Marshall) by only 20 combined points, and they had lost to three top-40 teams by a combined 45. This seemed like the second-worst State team of the last decade.

After a bye week, however, the Pack upset Clemson, bolting to a 24-7 lead and holding on 24-17. From that point forward, they seemed like a completely different team. They won five straight to end the regular season, overachieving against SP+ projections by 16.1 points per game and walloping Miami, Wake Forest and North Carolina by at least 14 points each. A disappointing bowl performance against Kansas State deprived them of both a long-awaited 10-win season and an opportunity to cannibalize an anthropomorphic Pop-Tart (college football, everybody!). But that was one hell of a stretch run.

There are enough key pieces returning -- do-everything slot receiver Kevin Concepcion , four starting offensive linemen, cornerback Aydan White , veteran defensive coordinator Tony Gibson -- that the idea of Doeren and his Pack building off of November momentum isn't totally far-fetched. But both of last year's quarterbacks are gone, most of the skill corps outside of Concepcion is brand new, and while about half the defense is back, of the four defenders with at least six tackles for loss, three are gone, including a longtime star in linebacker Payton Wilson. They'll need some new disruptors. (Gibson usually finds them.)

Doeren did score some impressive transfer portal wins. Running back Jordan Waters (Duke) is the kind of efficiency back NC State has lacked (the Pack were 106th in rushing success rate last year), redshirt freshman receiver Noah Rogers (Ohio State) was a top-70 prospect, and landing center Zeke Correll (Notre Dame) was a possible coup. Doeren stocked up with six defensive back transfers as well, but the most important newcomer is Grayson McCall . The longtime Coastal Carolina QB has 10,005 career passing yards and 88 TDs, and if he's moved past the injuries that slowed him down in recent years -- his Total QBR through 2021 was an outstanding 81.9, but it was only 66.3 the last two seasons -- State's offense could have particularly high upside.

My favorite player: WR Kevin Concepcion . Get the ball to KC, one way or another. That was the goal of the 2023 NC State offense, and when it worked, the Pack thrived. The true freshman led the team with 71 catches, 839 yards and 10 touchdowns, but he also rushed 41 times for 320 yards. And when he produced at least 100 yards from scrimmage (ground or air), State went 6-0 and averaged 32.7 points per game. When he didn't: 3-4, 20.7 PPG. Maybe he'll have more help this year?

Virginia Tech Hokies

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Head coach : Brent Pry (third year, 10-14 overall)

2024 projection : 32nd in SP+, 8.4 average wins (5.1 in ACC)

NC State might have won the official Late-Year Darling award, but Brent Pry's Hokies came close, surging from 76th in SP+ following a 2-4 start to finish with five wins in seven games and a No. 46 final ranking. And unlike the Pack, they return their starting quarterback ( Kyron Drones ) and, for that matter, just about everyone else. They rank fourth nationally in returning production, first on offense, and after six years outside the SP+ top 30, they'll have a chance to end that streak.

Tech's 2-4 start was beset by a directionless offense that averaged just 5.0 yards per play. But once Drones and RB Bhayshul Tuten, both transfers, got their sea legs, the Hokies were transformed. They averaged 34.7 points per game and 6.8 yards per play over the final seven games, and Drones heads into 2024 with Tuten, his entire offensive line and the receiving corps he was supposed to have all along. Last year's top receivers, Da'Quan Felton and Jaylin Lane , return, as do 2023 injury victims Ali Jennings III (a former ODU star) and tight end Nick Gallo .

The Hokies had one of the best pass defenses in the country last season, ranking fourth in sacks per dropback, 15th in passing success rate allowed and 23rd in QBR allowed. Ace pass rusher Antwaun Powell-Ryland (15 TFLs, 9.5 sacks) is back, and Pry added both one of the better pass-rushing defensive tackles in the country in 290-pound Duke transfer Aeneas Peebles (five sacks) and a speedy blitzer in Middle Tennessee's Sam Brumfield (22.9% pressure rate). Add in experienced corners Dorian Strong and Mansoor Delane and a dynamic nickel in Keonta Jenkins (12 TFLs), and there's no reason to think the pass defense will be any less effective. If there was a problem, it came in run defense, where Tech allowed quite a few gashes. Three of last year's top four tackles are gone, and while Peebles and two other tackle transfers could improve things in this regard, it's not a guarantee.

My favorite player: QB Kyron Drones . Drones overtook incumbent Grant Wells as starter early in the season, but he managed just a 44.0 Total QBR in the first four games of 2023, completing 55% of his passes with a 23% sack rate and just one TD pass.

The rest of the season: 60% completion rate, a 6% sack rate, 16 TDs, only two interceptions, 82.7 non-sack rushing yards per game and a 76.9 Total QBR. Coordinator Tyler Bowen figured him out, and he figured out ACC defenses. With Tuten enjoying a similar surge (3.9 yards per carry through seven games, 6.2 from there), Tech had one of the best backfields in the Eastern time zone by the end of the season.

Duke Blue Devils

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Head coach : Manny Diaz (first year)

2024 projection : 47th in SP+, 6.7 average wins (3.3 in ACC)

A good hire can be transformative. When David Cutcliffe came aboard in 2008, Duke was maybe the worst power conference football job. Carl Franks and Ted Roof had combined to beat just 10 FBS opponents in nine seasons. The facilities were poor, the support poorer. It had been 48 years since Duke finished a year ranked or won a bowl game. Just dire stuff.

Over 14 seasons, Cutcliffe redefined what Duke was capable of. His Blue Devils won a division title and bowled six times in seven years. They fell off-course at the end of his tenure, but he raised the floor significantly, and in two years under Mike Elko, they went 9-4 and 8-5 (despite QB injuries), respectively.

In 2008, Duke probably wouldn't have attracted an Elko or a Manny Diaz. After a dramatic three seasons as Miami's head coach, Diaz spent the last two years as a masterful defensive coordinator at Penn State. Now he's returned to the ACC to take over a roster that, even with a solid amount of turnover, should still play at a top-50 or better level if the lines hold up. (Duke from 1991-2012: one top-50 performance.)

Lines are pretty much the only mystery. The defense, top-30 for two straight years, returns sturdy linebackers in Tre Freeman and Nick Morris Jr . and excellent DBs in safety Jaylen Stinson and corner Chandler Rivers . On offense, the skill corps features a strong running back in Jaquez Moore and one of the ACC's best receivers in Jordan Moore . Quarterback Riley Leonard transferred to Notre Dame, but sophomore Grayson Loftis posted Leonard-like numbers, and Texas transfer Maalik Murphy looked awfully good in the spring. Odds are solid that coordinator Jonathan Brewer's first Duke offense will have good QB play. (Brewer was Rhett Lashlee's QBs coach after the two worked under Diaz at Miami. Circle of life!)

The lines are getting a renovation, however. Seven offensive linemen started at least six games in 2023 and five are gone, along with three backups. Diaz signed seven 300-pounders up front, including UCLA's starting left tackle, Bruno Fina . On defense, four of the five linemen with 300-plus snaps are gone. Sophomore Wesley Williams is excellent, and it probably says something that Diaz only signed two transfers, but depth is an obvious question mark until otherwise noted.

My favorite player: WR Jordan Moore . Moore has been targeted 203 times over the last two seasons, and despite working with three different QBs in 2023, he averaged an excellent 2.1 yards per route run, 2.5 over the last five games of the regular season (in which he went for 446 yards). He's good at the short stuff, and on vertical and crossing routes, he caught 19 passes for 414 yards and three scores. He formed a great partnership with Loftis, and he will probably do the same with Murphy.

North Carolina Tar Heels

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Head coach : Mack Brown (16th year, 107-73-1 overall, 38-27 in second stint)

2024 projection : 50th in SP+, 7.2 average wins (4.3 in ACC)

When Mack Brown was rehired at North Carolina at age 67, it was easy to see this as an all-or-nothing proposition. Either he catches fire quickly and turns around a program that had suddenly collapsed under Larry Fedora, or he flames out just as quickly, the game having passed him by.

Instead, in five years under Brown, UNC has been ... UNC. Removing the 2018 collapse season and looking at the 10 years before that and the five years under Brown, the Tar Heels have been basically the exact same.

With a quarterback change and lots of other turnover, it feels like Brown is starting over a bit in 2024. Either Conner Harrell or Texas A&M transfer Max Johnson will likely succeed No. 3 draft pick Drake Maye behind center; Harrell struggled in a small sample, while Johnson is a pretty known entity: Over parts of four seasons at LSU and A&M, he has a 61.1 Total QBR, equivalent to about 65th nationally. Harrell can run, which would add a different dynamic to Chip Lindsey's offense, but the offensive line is almost completely starting over -- five of last year's top six guys are gone.

Blue-chip tight end Jake Johnson followed brother Max to Chapel Hill, and three 40-catch guys ( J.J. Jones , slot Nate McCollum and tight end Bryson Nesbit ) do return. More importantly, four-star workhorse Omarion Hampton is back after rushing for 1,504 yards and 15 scores. He's the best tackle-breaker in the country, which could come in handy with a new line.

On defense, the Heels have averaged a 79.3 defensive SP+ ranking over the last three years, and Geoff Collins is Brown's third coordinator in four years. Experience isn't an issue: Including nickelback DeAndre Boykins ' 2022 stats (he was hurt in 2023), 16 defenders saw at least 300 snaps, and nine return, all juniors and seniors. Kaimon Rucker is one of the best edge rushers in the ACC, and end Desmond Evans , linebacker Power Echols , and DBs Marcus Allen , Boykins and Alijah Huzzie are all solid and physical. But everyone but Boykins was on last year's No. 78 defense, too.

My favorite player: RB Omarion Hampton . It's easy to start laughing watching Hampton run. Guys just bounce off of him. When I say he was the most difficult back in the country to tackle, I mean it in all italics . No one came close to his after-contact averages.

He ran out of gas at the end of the season, but he rushed for 234 yards against Appalachian State and ripped off a later six-game stretch averaging 7.0 yards per carry and 158.8 yards per game. He's phenomenal.

Just looking for a path to 6-6

California golden bears.

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Head coach : Justin Wilcox (eighth year, 36-43 overall)

2024 projection : 52nd in SP+, 6.1 average wins (3.5 in ACC)

California fooled me about four different times last year. After going just 10-18 over the last three seasons, Justin Wilcox's Golden Bears boasted one of the nation's better running backs in the country ( Jaydn Ott ) and a solid bend-don't-break defense that forced loads of mistakes and turnovers. They began the season 3-2 but lost four games in a row while incredibly scoring 40, 14, 49 and 19 points. They needed to win their last three games to bowl for the first time in four years ... and did so, finishing with a 33-7 blowout at UCLA. Then they no-showed in the Independence Bowl, losing to Texas Tech by 20. It was basically a season that resembled Wilcox's rickety Cal tenure as a whole: up, down, up, down, etc.

In their good moments, however, they looked awfully interesting, and in Ott, big-play slot man Trond Grizzell and three big linemen, their best offensive players return. Wilcox also got super aggressive in the portal -- always tricky for a smart-kid school -- adding both stellar Group of 5 and FCS starters (North Texas quarterback Chandler Rogers , ODU running back Kadarius Calloway , NMSU receiver Jonathan Brady , FCS All- American lineman Rush Reimer ) and some unproven former blue-chippers like receiver Kyion Grayes (Ohio State). Between Rogers and sophomore Fernando Mendoza , a good QB should emerge. And Ott's awesome.

After four straight years in the defensive SP+ top 30, Cal's defense collapsed to 79th in 2022, then 84th in 2023. If you made a mistake, they punished it with a takeaway, but the Bears were horrifically inefficient (121st in success rate allowed). Turnovers were all they had. Seven starters return (eight including tackle Ethan Saunders , injured in 2023), and sophomore linebacker Cade Uluave is a potential star. (Corner Lu-Magia Hearns III is also good.) But if a defensive rebound comes, it will be because of FCS transfers like corner Marcus Harris (Idaho) and linebacker Liam Johnson (Princeton). A good offense might get better, but a sliding defense might not.

My favorite player: RB Jaydn Ott . A powerful runner with home run ability. He's great in short yardage, and he had more rushes of 10-plus yards (32) than losses (26). When he's on, nothing else matters -- when he averaged 6.0 or more yards per carry, Cal averaged 47.3 points per game. When he didn't, the Bears averaged 21.6.

Georgia Tech Yellow Jackets

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Head coach : Brent Key (second full year, 11-10 overall)

2024 projection : 63rd in SP+, 4.2 average wins (2.3 in ACC)

Welcome back to the land of the living, Georgia Tech! After winning just 14 games in the four years after Paul Johnson's retirement, the Yellow Jackets became interesting again in 2023. Brent Key earned the full-time job after going 4-4 as interim coach in 2022, and while I was wary of that -- we sometimes overreact to small samples (and this small sample was still pretty mediocre) -- damned if Key didn't take full advantage of the opportunity. With Texas A&M transfer Haynes King serving as a lovely dual-threat quarterback (2,842 passing yards, 830 pre-sack rushing yards), the Yellow Jackets surged from 122nd to 50th in offensive SP+, and even with a problematic defense, Tech won seven games for the first time since 2018.

There's no reason to think the offense won't be even better in 2024. King is a delight, as is backfield mate and 1,000-yard rusher Jamal Haynes . Leading receiver Eric Singleton Jr . averaged a massive 2.4 yards per route as a freshman, too, and of the eight offensive linemen to start a game last year, five are back. Defense could still hold them back, but Key brought in nine transfers and, perhaps more importantly, a new defensive coordinator in Tyler Santucci. He was coordinator for Duke's top-25 defense last year, and he should get good safety play from juniors Clayton Powell-Lee and LaMiles Brooks . But even with a talent boost from the portal, it's hard to see enough difference-makers here.

The schedule is problematic. Tech plays two projected top-10 teams in nonconference play (Notre Dame, at Georgia) and seven teams projected 32nd or better. Even playing at a top-40 level, the Jackets would need some good breaks to bowl again.

My favorite player: QB Haynes King . A portal success story. After injuries and false starts at Texas A&M, King transferred to Georgia Tech and found a groove. He produced a Total QBR of at least 80 in six games (including four of the last six), and in those games the Yellow Jackets averaged 39.0 points per game and went 5-1. In the other games, they went 2-5 and averaged 24.3 points. Among 2024 starters, only Syracuse's Kyle McCord finished 2023 with a higher Total QBR rating.

Syracuse Orange

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Head coach : Fran Brown (first year)

2024 projection : 64th in SP+, 6.2 average wins (3.4 in ACC)

Unlike most head coach hires, Fran Brown doesn't have much relevant coordinator experience from which we can glean his values and beliefs. What we do know is that he has spent most of the last decade working for three proven program builders: Matt Rhule (Temple/Baylor), Greg Schiano (Rutgers) and Kirby Smart (Georgia). At this point, Brown has a PhD in Culture and Player Development. That could come in handy in a job that is never going to feature top-15 recruiting classes.

Brown did add a few key former blue-chippers to the lineup through the transfer portal. Quarterback Kyle McCord (Ohio State) might not have been as good as recent Buckeyes quarterbacks, but you can do worse than a 66% completion rate and a 24-6 TD-INT ratio. McCord's receiving corps is big and physical, featuring last year's leading receiver (6-foot-3 Umari Hatcher ), 2022's leader (6-foot-5 WR/TE hybrid Oronde Gadsden II , injured last fall), Colorado State transfer Justus Ross-Simmons (also 6-foot-3) and versatile tight end Dan Villari , plus LeQuint Allen , a running back who also caught 38 passes. Coordinator Jeff Nixon was most recently an NFL position coach but also worked for Rhule. That likely means an emphasis on physicality, which could mean good things for Allen, Washington transfer Will Nixon and a line that returns four starters.

Thirteen defenders saw at least 300 snaps in 2023, but only six return. Linebacker Marlowe Wax (10 TFLs, four forced fumbles) is a star, as is former Texas A&M end Fadil Diggs (13.5 TFLs), who followed coordinator Elijah Robinson from College Station to upstate New York. Other transfer additions include 6-foot-4 Buffalo safety Devin Grant (five INTs) and, strangely, a former Syracuse star in safety Duce Chestnut , who spent last season at LSU. Depth at both tackle and cornerback could be issues, but as with the offense, this unit could be pretty successfully physical.

My favorite player: CB Duce Chestnut . Another portal success story of sorts. Because second-time transfers don't have to sit out a year anymore, we've seen some guys return to previous homes this offseason, an "As it turned out, this was the best place for me after all" acknowledgment of sorts. Chestnut's LSU experience was unamazing, but in two all-ACC years at Syracuse, he combined four interceptions and seven breakups with a safety-like seven tackles at or behind the line.

Boston College Eagles

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Head coach : Bill O'Brien (first year)

2024 projection : 75th in SP+, 4.6 average wins (2.5 in ACC)

A surge, then a slow slide. No matter who has been Boston College's head coach, that's how things have gone for most of the last 50 years.

The surges haven't been quite as pronounced of late, though. The Eagles charged from the 70s to the teens in SP+ in the early 2000s, then from the 90s to the 40s in the early 2010s. But their last top-50 performance was six years ago, and they averaged just an 80.5 SP+ ranking in four years under Jeff Hafley.

BC replaced Hafley with a far more proven head coach in Bill O'Brien. The gruff Boston native won 15 games in two seasons at post-Paterno Penn State, then won four AFC South crowns in parts of seven seasons with the Houston Texans. He spent the last three seasons working with either Nick Saban or Bill Belichick.

O'Brien inherits a BC team that was excellent at running the ball, decent at stopping the run and terrible at both executing and stopping the forward pass. Quarterback Thomas Castellanos averaged 6.4 yards per (non-sack) carry and only 5.1 yards per dropback; he's one of the team's best playmakers, but O'Brien brought in the more pocket-based Grayson James (FIU) in case something more customary was required. The line is large and experienced, and the skill corps has decent speed with guys such as receivers Lewis Bond and Dino Tomlin and running backs Kye Robichaux and Treshaun Ward (Kansas State/Florida State).

BC hasn't fielded a top-40 defense, per SP+, since 2017. O'Brien brought in veteran coordinator Tim Lewis, who most recently coached in the XFL and USFL. He hasn't worked at the collegiate level since 1994, but he does inherit a veteran two-deep loaded mostly with juniors and seniors. Tackle Cam Horsley and end Donovan Ezeiruaku are strong run stoppers, though the pass rush was nonexistent, and O'Brien predictably brought in a trio of DB transfers, including Ohio State's Cameron Martinez and Ryan Turner .

My favorite player: RT Ozzy Trapilo . BC ranked third nationally in total blown block rate, eighth in stuff rate allowed and 24th in pressure rate allowed, and while the loss of both starting guards hurts, the Eagles have an anchor in Trapilo. The 6-foot-8 senior from Norwell, Mass., allowed just one sack and suffered only a 0.3% blown run block rate, as low as you'll ever see.

Virginia Cavaliers

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Head coach : Tony Elliott (third year, 6-16 overall)

2024 projection : 77th in SP+, 4.1 average wins (2.5 in ACC)

A true freshman led the team in passing. The offensive line featured two freshmen and two sophomores. Twenty-one defenders started at least one game. The 2023 season felt like a second first year for head coach Tony Elliott, and maybe after the tragedy that ended the 2022 season , a fresh start was exactly what was required.

The season wasn't without some bright moments. The Cavaliers played eight teams that finished in the SP+ top 40 and upset a couple of them (UNC and Duke). Anthony Colandrea , the aforementioned freshman QB, was predictably inconsistent, but he's a fun, high-energy guy, and a week after both throwing for 314 yards and rushing for 109 (not including sacks) against Louisville, he led an upset of Duke. Elliott insisted that Colandrea and senior Tony Muskett are still battling for the starting job this spring, but it seemed like Colandrea won that battle last November. And in 2024, he'll no longer be protected by two freshman tackles. Leading receiver Malik Washington is gone, but senior Malachi Fields will be joined by transfers Chris Tyree (Notre Dame), Trell Harris (Kent State) and Andre Greene Jr . (North Carolina). The running game might still be dismal, but you can build around this passing game.

The defense, decent in 2022, fell apart amid constant injuries and shuffling. The Cavaliers prevented big plays but didn't force nearly enough field goals or turnovers to pull off a proper bend-don't-break routine. Most of the front six returns, including active linebackers James Jackson and Kamren Robinson and pass rusher Kam Butler . Safety Jonas Sanker gives veteran coordinator John Rudzinski at least one known quantity in the back, but four of last year's top five DBs are gone, and Elliott signed four DB transfers. It wouldn't be a surprise if the run defense improved with experience, but the pass defense is a major question mark.

My favorite player: DE Kam Butler . Butler is a modern college football story, in that he transferred midway through his career and has been playing forever. He was a freshman star at Miami (Ohio) in 2019 and made 32 tackles and 15 sacks in 30 career games before transferring. His first season at UVA was decent, and he was on the way toward another breakout -- 5.5 TFLs and 3.5 sacks in just 199 snaps -- before a season-ending shoulder injury. If he's 100%, he's a potentially transformative star up front.

Wake Forest Demon Deacons

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Head coach : Dave Clawson (11th year, 63-61 overall)

2024 projection : 78th in SP+, 4.7 average wins (2.4 in ACC)

Dave Clawson's head-coaching career has not been without setbacks. His Richmond Spiders slumped from 9-4 to 6-5 in 2006 before rebounding to win 11 games and reach the FCS semis. His second Bowling Green team returned just seven starters and cratered to 2-10 before improving for three straight years. Clawson has proven to be an incredible program builder; he's handled bumps pretty well too.

It sure felt like 2023 was more than a bump, though.

Wake plummeted to 4-8 and 96th in SP+. The offense vanished, averaging 12.5 points per game against top-50 opponents. There were no big plays and far too many turnovers. Quarterback Sam Hartman had left for Notre Dame, and the replacements weren't ready. (Then the chief replacement, Mitch Griffis , transferred too.)

Here's my best case for a Wake bounce-back, at least back toward bowl eligibility:

SP+ is obviously not convinced. We'll see.

My favorite player: DE Jasheen Davis . Davis ranked first on his team in TFLs (16), run stops (15), pressures (38), sacks (7.5) and fumble recoveries (2). Pointer, meanwhile, was second in most of those categories. As long as they're healthy, Wake's got one of the better defensive lines in the conference.

Pittsburgh Panthers

creative writing program utd

Head coach : Pat Narduzzi (10th year, 65-50 overall)

2024 projection : 81st in SP+, 4.6 average wins (2.5 in ACC)

Even by the standards of former defensive coordinators, Pat Narduzzi's relationship with offense has proven complex . Entering his 10th season as Pitt head coach, he recently hired offensive coordinator No. 6. He has, on two occasions, fielded top-10 offenses (per SP+) -- Matt Canada's 2016 offense, led by James Conner and an epic play-action game; and veteran Mark Whipple's Kenny Pickett-to-Jordan Addison attack in 2021. Both coordinators immediately left, however, and Pitt soon ranked in the triple digits each time.

Narduzzi again starts over in 2024, this time with 31-year-old former Western Carolina coordinator Kade Bell. In 2023, WCU's up-tempo attack averaged 38 points per game and 7.3 yards per play. His new task is to spruce up a Pitt offense that averaged 20.2 and 5.3, respectively.

Spring signs pointed to junior Nate Yarnell , who looked solid in two late starts, leading Alabama transfer Eli Holstein in the QB race. Most of last year's skill corps -- leading rusher Rodney Hammond Jr ., slot man Konata Mumpfield , tight end Gavin Bartholomew -- is back, and Narduzzi added a couple of transfers (RB Desmond Reid , WR Raphael "Poppi" Williams) who starred for Bell at WCU. The line returns six players who started at least once in 2023; in theory, experience is good, even if the line wasn't.

There's upheaval on defense, where the Panthers slipped to 59th in defensive SP+ last year, their worst ranking in five years, and only five of the 15 players with 300-plus snaps return (and one of them, DE Nate Temple , is out for the season). Narduzzi signed nine defensive transfers, including five linemen. There are star candidates in holdover ends Bam Brima and Jimmy Scott and transfers like linebacker Keye Thompson (Ohio), but Narduzzi heads into 2024 with a new offense and his least proven defense in years.

My favorite player: DE Jimmy Scott . Pitt doesn't have much in the "proven stars" department, so let's go with a small-sample all-star. As a redshirt freshman, Scott saw increased playing time in November and immediately started making plays. He ended up with 2.5 TFLs, four run stops and three pass pressures in just 102 snaps. Project that over a larger sample, and you've got a potential star. Pitt needs a few of them.

Stanford Cardinal

creative writing program utd

Head coach : Troy Taylor (second year, 3-9 overall)

2024 projection : 84th in SP+, 3.8 average wins (2.0 in ACC)

There are resets, and there are resets . Stanford slipped late in David Shaw's once-brilliant tenure, averaging an 86.3 SP+ ranking with just one winning season in four years. Then everyone left: Troy Taylor's first Stanford team ranked 130th in returning production.

It was a Year 0 situation if ever one existed. Stanford needed two tight wins to even reach 3-9. Both the offense and defense had random bright moments -- they scored 46 on Colorado and 33 on Washington and allowed 21 to Arizona and seven to Washington State. But they scored seven and 10, respectively, in the weeks after those good offensive games, and they allowed at least 40 points in six of their last eight games. Despite the dire season and awkward conference change, Taylor heads into his second season with the second-most returning production in the country.

Consistency is obviously needed, but it's not hard to see a fun offense forming around quarterback Ashton Daniels and 1,000-yard receiver Elic Ayomanor . That Daniels and backup QB Justin Lamson had by far the most carries on the team speaks to both unproven RBs and the occasional weirdness of a Taylor offense, but Daniels, Ayomanor and a line with last year's top seven returning -- including mostly error-free guard Trevor Mayberry -- are decent starting points.

On defense, 20 players recorded at least 100 snaps, and 15 return; tackle Anthony Franklin recorded 5.5 TFLs, linebacker Tristan Sinclair had nine run stops, and while corners Zahran Manley and Collin Wright suffered plenty of breakdowns, they also combined for seven TFLs, three INTs and 10 pass breakups. The cupboard isn't empty, in other words, but one has to hope that sheer continuity leads to improvement.

My favorite player: WR Elic Ayomanor . He was good all year, topping 100 yards three times and catching nine passes of at least 30 yards. But in a dramatic comeback win over Colorado, Ayomanor was basically as good as a receiver can be. He caught touchdowns of 97 and 60 yards, and somehow neither were his most impressive play of the evening.

Elic Ayomanor somehow grabs the touchdown and keeps both hands on the ball in overtime.

His final tally in Boulder: 13 catches, 294 yards, three touchdowns. Do that every week, and in the immortal words of Kenny Mayne, that'd be a record or something.

School of Arts and Humanities

The Graduate Program in Literature brings together scholars, creative writers, and translators who share a commitment to transnational and interdisciplinary approaches to literary study and practice. The MA and Ph.D. programs provide students with a flexible context in which to pursue research across a wide range of literary traditions, critical approaches, and theoretical debates. In addition to coursework in literary studies, students have the opportunity to participate in creative writing and/or literary translation workshops as well as seminars in other disciplines, such as film studies, the history of ideas, philosophy, and the visual and performing arts.

FACG> ah-literature-ma

Professors: Milton A. Cohen @mcohen , Sean J. Cotter @sjc010100 , Pamela Gossin @psgossin , Ming Dong Gu @mdg073000 , Dennis M. Kratz @dkratz , Manuel (Manny) Martinez @mlm160630 , Zsuzsanna Ozsváth @zozsvath , Rene Prieto @rxp113230 , Timothy (Tim) Redman @redman , Rainer Schulte @schulte , Theresa M. Towner @tmtowner , Frederick Turner @fturner

Associate Professors: John C. Gooch @jcg053000 , Charles Hatfield @cxh074100 , Jessica C. Murphy @jxm092000

Assistant Professors: Ashley Barnes @axb162631 , Erin Greer @exg180013 , Nomi Stone @nxs190033

Professor Emeritus: Michael S. Simpson @msimpson

Associate Professor Emerita: Patricia H. Michaelson @pmichael

Clinical Professor: Dennis Walsh @dpw031000

Clinical Associate Professor: Kenneth Brewer @klb092000

Associate Professors of Instruction: Zafar Anjum @zxa110730 , Bei Chen @bxc152730 , Thomas M. Lambert @tml017100 , Christopher (Chris) Ryan @cxr088000 , Sabrina Starnaman @sxs090100

Doctor of Philosophy in Literature

60 semester credit hours minimum beyond the master's degree

Coursework: 42 semester credit hours

Forty-two semester credit hours of which at least twenty-one are taken as organized graduate-level courses in Literature (LIT). At least fifteen semester credit hours of doctoral coursework must be taken in organized courses numbered at the 7000 level.

Required Courses: 33 semester credit hours

LIT 6300 Proseminar in Literary Studies 1

ARHM 6310 Team-Taught Interdisciplinary Seminar

LIT 7300 Writing Workshop 2

15 semester credit hours of organized graduate-level LIT courses

9 semester credit hours of LIT 8305 Field Exam Preparation

Elective Courses: 9 semester credit hours

Nine semester credit hours of electives in any graduate-level courses.

Foreign Language

Students in all Ph.D. programs in the School of Arts and Humanities are expected to demonstrate intermediate-level reading proficiency in a foreign language (equivalent to two years of foreign-language study at the undergraduate level). Students must fulfill the language requirement before scheduling doctoral field examinations.

As part of its approval of a dissertation proposal, the Graduate Studies Committee will consider the appropriateness of a candidate's language preparation for the research or creative project. Faculty members chairing field examinations and dissertations should ensure that students possess the necessary language proficiency to carry out their proposed doctoral research.

The requirement can be satisfied upon enrollment in a Ph.D. program by demonstrating evidence of one or more of the following:

  • Completion of a second-semester, intermediate-level foreign language course or higher (e.g., an undergraduate literature course in a foreign language) with a grade of B or better.
  • Completion of a graduate course taught in a foreign language or with more than 25% of its required readings in a foreign language.
  • An undergraduate major, graduate degree, or certificate in a foreign language.
  • Successful completion of graded coursework at a foreign university at which the primary language of instruction is not English.
  • A degree in any discipline from a foreign university at which the primary language of instruction is not English.

The requirement can be satisfied during graduate study at UT Dallas in one of the following ways:

  • Completion of a second-semester, intermediate-level foreign language course or higher at UT Dallas or elsewhere with a grade of B or better.
  • Successful completion of LIT 6380 : Translation Workshop with a grade of B or better.
  • Successful completion of one of the following: HUMA 6330 : French Workshop; HUMA 6331 : Spanish Workshop; HUMA 6333 : German Workshop with a grade of B or better.
  • Passing a written translation exam in an approved foreign language at UT Dallas.

Doctoral Field Examinations

The doctoral field examinations consist of three written sections and an oral defense. The examining committee, composed of three members of the faculty (at least two of whom are faculty in the Literature Program), oversees definition and preparation of the three examination fields. Initial committee formation must take place during the semester in which students complete thirty-six semester credit hours of coursework, which will typically be followed by nine semester credit hours of LIT 8305 : Field Exam Preparation. Exams normally should be completed before the completion of 60 semester credit hours.

Dissertation

Students are formally advanced to Ph.D. candidacy when they have successfully completed the doctoral field examinations and received final approval for dissertation topics. Students should submit a preliminary dissertation proposal for consideration during the oral section of the doctoral field examination. After that examination, a four-person supervising committee is formed, normally from the examining committee plus an additional faculty member, to oversee dissertation work. The supervising committee must then approve a formal dissertation proposal before the student submits it to the Graduate Studies Committee for final approval.

Each candidate then writes a doctoral dissertation, which is supervised and defended according to general University regulations.

Master of Arts in Literature

33 semester credit hours minimum

Coursework: 33 semester credit hours

Thirty-three semester credit hours of which at least eighteen semester credit hours are taken as organized graduate-level courses in Literature (LIT).

Required Courses: 21 semester credit hours

LIT 6300 : Proseminar in Literary Studies 1

Free Electives: 12 semester credit hours

Twelve semester credit hours of electives in any graduate-level courses.

Professional Option

Students in the professional option must complete thirty-three semester credit hours of coursework. They are not required to complete a portfolio or meet the foreign language requirement.

Research Option

Research Oriented Coursework

Students in the research option must complete thirty-three semester credit hours of coursework, fulfill a foreign language requirement, and complete a portfolio.

The research option MA degree requires demonstrated proficiency in an approved foreign language. The requirement can be satisfied upon enrollment in the MA program by demonstrating evidence of one or more of the following:

Two research papers or a creative project plus a scholarly essay originating in or completed for graduate courses are revised and presented in a portfolio for evaluation by a master's committee.

1. Must be taken during the first Fall semester of enrollment in the program.

2. Must be taken after the completion of at least 18 semester credit hours of coursework.

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COMMENTS

  1. BA

    At least one-half of the semester credit hours for a major must be taken at UT Dallas. Unless otherwise noted, courses in Literature are open to all students in the University. Bachelor of Arts in Literature with Creative Writing Concentration. Degree Requirements (120 semester credit hours) 1. View an Example of Degree Requirements by Semester ...

  2. Graduate Certificate in Creative Writing

    The Graduate Certificate in Creative Writing focuses on the theory and practice of creating literary works. The certificate consists of four graduate creative writing workshops, which can be completed in one genre or in more than one genre. More information on this certificate can be found in the University Catalog.

  3. UT Dallas Creative Writing

    UT Dallas Creative Writing. 197 likes. Official page for the Creative Writing program at UT Dallas. Follow us here for information on the program, upcoming events, speakers, and opportunities!

  4. Writing Center

    Mondays/Wednesday: 11am-2pm. Tuesdays/Thursdays/Fridays: 11am-3pm. I. Wednesdays: 2pm-4pm. Tuesdays-Thursdays: 11am-3pm. Fall events coming soon! Creative Writing Group: TBD. Summer '24 Program Updates:The Writing Center is now open! The Writing Center provides constructive feedback and writing support for undergradua...

  5. Graduate Student Writing Resources

    The Bass School of Arts, Humanities, and Technology offers a suite of writing support services for graduate students and faculty. All programming is run by Linda Smith-Brecheisen, Assistant Professor of Instruction in Humanities at UTD.. These resources include: one-on-one Graduate Writing Consultations (GWC), weekly Structured Writing Accountability Groups (SWAG), bi-weekly Dissertation ...

  6. Creative Writing

    CRWT 2V71 Independent Study in Creative Writing (1-3 semester credit hours) Independent study under a faculty member's supervision. Signature of instructor and Associate Dean for Undergraduate Studies on proposed project outline required. May be repeated for credit (9 semester credit hours maximum). Instructor consent required. ( [1-3]-0) R.

  7. The 12 Best Creative Writing Colleges and Programs

    University of Michigan is one of the best state universities in the country and has a top-notch MFA program. This school's undergrad creative writing sub-concentration requires students to submit applications for admittance to advanced creative writing courses. These applications give students crucial practice in both building a writing ...

  8. 2024 Best Colleges with Creative Writing Degrees

    Overall Niche Grade. Acceptance rate 4%. Net price $22,058. SAT range 1490-1580. As a biochemistry student at Columbia University, my experience was extraordinary. The Core Curriculum was a highlight, exposing me to literature, philosophy, art history, and music. This...Beyond academics, I loved engaging with the community through Peer Health ...

  9. Master of Fine Arts in Creative Writing

    Program Overview. Named one of the "Five Innovative/Unique Programs" creative writing programs by The Atlantic, the master of fine arts in creative writing is one of two programs offered by UNLV's Creative Writing International Program with genre concentrations in fiction, literary nonfiction, and poetry.By providing an innovative curriculum and fostering an educational environment where ...

  10. What's the Creative Writing Program at UT Austin Like?

    The Creative Writing program at the University of Texas at Austin is highly regarded. It's known for having a substantial faculty of accomplished writers and poets who actively mentor their students. Coursework in the program comes in the form of workshops, literature courses, and craft courses. A typical semester might have you taking a workshop where you and your fellow students critique ...

  11. Program: Creative Writing Concentration

    A concentration in Creative Writing provides students with a broad foundation to support their creative writing efforts or study the work of others. A concentration in Creative Writing requires 15 total credits: CRW1011 Creative Writing Twelve additional credits in CRW, LIT, or WRT; Students must earn an average of C or better in all 15 credits.

  12. Professional Creative Writing

    Program GPA requirement: The minimum undergraduate GPA for admission consideration for this program is a cumulative 2.5 on a 4.0 scale. Prerequisites. ... Graduate Certificates in Professional Creative Writing require a sample of your creative writing, preferably in the genre of the certificate to which you are applying. The sample may comprise ...

  13. Creative Writing Certificate Program

    Creative Writing Certificate Program End-of-Semester Reception and Readings. Please join us on Wednesday, May 1, in the Joynes Reading Room (Carothers Residence Hall) for our end-of-semester celebration. Reception begins at 12:30pm with food and refreshments. Writing Awards and Readings begin at 1:00pm. Creative Writing Honors Thesis Readings ...

  14. Creative Writing, Minor < CSUPueblo

    The Coordinator of the Creative Writing Minor reviews student portfolios to evaluate student performance levels in conjunction with Program Goals, tracks student placement in graduate programs, and record student and former student publications, reporting the result annually, specifically in English 114 and English 414 courses. ...

  15. Literature (BA)

    At least one-half of the semester credit hours for a major must be taken at UT Dallas. Unless otherwise noted, courses in Literature are open to all students in the University. Bachelor of Arts in Literature with Creative Writing Concentration. Degree Requirements (120 semester credit hours) 1. View an Example of Degree Requirements by Semester ...

  16. Literature (BA)

    At least one-half of the semester credit hours for the major must be taken at UT Dallas. Bachelor of Arts in Literature with Creative Writing Concentration. Degree Requirements (120 semester credit hours) 1. View an Example of Degree Requirements by Semester. Faculty. FACG> ah-literature-with-creative-writing-concentration-ba

  17. Creative Writing Certificate Program

    Deb Olin Unferth. Professor. Education: M.F.A., 1998, Syracuse University. Interests: Fiction and nonfiction prose. Liberal Arts at UT offers our over 9000 undergrads more than 40 majors and our graduate students many top-ranked programs in the social sciences and humanities all taught by over 750 faculty members across our departments.

  18. Program: Minor in Creative Writing

    The Writing Arts Department at Rowan University offers a program of study in creative writing leading to a minor. To fulfill the requirements for the minor, students must complete 18 hours of course work selected from a variety of courses in the writing of poetry, fiction, children's stories, plays, television and film scenarios.

  19. A Writing Room: The New Marketplace Of Writer Classes ...

    The number of book sales in the United States remains healthy, though it has leveled off in the past four years. In 2020, 756.82 million book unit sales were made in the US alone. This number ...

  20. Veterans Creative Arts Competition At VA Tennessee Valley Healthcare

    The competition includes categories in the visual arts division that range from oil painting to leatherwork to paint-by-number kits. In addition, there are categories in writing and the performing arts of dance, drama, and music. TVHS creative arts competition's top winning entries will advance to a national judging process.

  21. ACC 2024 preview

    Elsewhere, Louisville secured its first ACC championship game appearance thanks to a 4-0 record in one-score finishes in conference games, but Jeff Brohm's Cardinals were among a large batch of ...

  22. Creative Writing

    CRWT 2V71 Independent Study in Creative Writing (1-3 semester credit hours) Independent study under a faculty member's supervision. Signature of instructor and Associate Dean for Undergraduate Studies on proposed project outline required. May be repeated for credit (9 semester credit hours maximum). Instructor consent required. ( [1-3]-0) R.

  23. Creative Writing

    UT Dallas 2019 Undergraduate Catalog. Creative Writing. CRWT 2301 Introductory Creative Writing (3 semester credit hours) An introduction to creative writing, the course will investigate and instruct students in the elementary approach to the process of creating original prose, poetry, and/or dramatic format works. The class will focus on a minimum of two genres and will cover both ...

  24. Creative Writing

    Creative Writing. CRWT 2301 ( ENGL 2307) Introduction to Creative Writing (3 semester credit hours) An introduction to writing fiction, poetry, and nonfiction in a workshop setting. Prerequisite: RHET 1302. (3-0) S. CRWT 3306 Fiction Workshop (3 semester credit hours) The practice and study of fiction writing in a workshop setting.

  25. Creative Writing

    UT Dallas 2018 Undergraduate Catalog. Creative Writing. CRWT 2301 Introductory Creative Writing (3 semester credit hours) An introduction to creative writing, the course will investigate and instruct students in the elementary approach to the process of creating original prose, poetry, and/or dramatic format works. The class will focus on a minimum of two genres and will cover both ...

  26. Introduction to Creative Writing

    UT Dallas 2022 Undergraduate Catalog. CRWT2301 - Introduction to Creative Writing. CRWT 2301 Introduction to Creative Writing (3 semester credit hours) An introduction to writing fiction, poetry, and nonfiction in a workshop setting. Prerequisite: RHET 1302. (3-0) S

  27. Independent Study in Creative Writing

    UT Dallas 2020 Undergraduate Catalog. CRWT4V71 - Independent Study in Creative Writing. CRWT 4V71 Independent Study in Creative Writing (1-3 semester credit hours) Independent study under a faculty member's direction. Signature of instructor and Associate Dean for Undergraduate Studies on proposed project outline required.

  28. Literature

    The Graduate Program in Literature brings together scholars, creative writers, and translators who share a commitment to transnational and interdisciplinary approaches to literary study and practice. The MA and Ph.D. programs provide students with a flexible context in which to pursue research across a wide range of literary traditions ...